Ye Xie's "Original Poetry" is a master of China's ancient poetry talks. Since 1930s, great changes have taken place in the research methods and contents of Ye Xie's poetics, which shows that the discipline construction of China's literary criticism history itself has matured, and on the other hand, Ye Xie's poetics, as an excellent school of China's ancient literary theory, has been paid more and more attention.
On the basis of inheriting the previous research results, this paper makes a comprehensive analysis and comparison of the original poetry from the perspective of "change", the logical thread of the original poetry theory with "relationship" as the axis, and the research method of hermeneutics, thus deepening the traditional and modern understanding of the original poetry theory and broadening the realistic vision of the modern transformation of China's ancient literary theory.
Introduction: By combing the significance of Ye Xie's poetics research, analyzing the research status and problems, taking the author's way of thinking as the breakthrough point, and taking "relationship" as the framework, this paper analyzes the modernity characteristics of the original poem from the perspective of culturology, thus providing a comprehensive examination space for the theoretical background of "being" and "being" of the original poem.
The first chapter, based on the logical thinking of the relationship change of the original poem, analyzes the connotations of premise theory, relativity theory, staging theory and scale theory, thus explaining the truth-seeking connotation of the relationship change and the development form of poetry criticism.
At the same time, Ye Xie not only showed the connotation of the relationship between poetry change and poetry criticism, but also established the potential truth standard of poetry criticism.
The second chapter makes a comparative study of the subjectivity of Chinese and western poets around "talent, courage, knowledge and strength", and makes a comprehensive historical discussion with "talent, courage, knowledge and strength" as the further embodiment of the relationship of "integration of knowledge and action"
Among them, the transcendental basis of talent, the posterior premise of knowledge, the reliance of courage and the completion of strength are the main connotations of Ye Xie's poetics, and the completion of strength is the intersection and embodiment of Chinese and Western poetics.
The third chapter is characterized by the objectivity and non-objectivity of "emotion", and the subject-object theory of "reason, matter and emotion" with experience as the leading factor, imagination as the main line and the purpose of breaking through the real relationship restores the logical basis and artistic conception of the subject-object theory.
Among them, the unity of emotion, rational experience and dialectics of law are the keys to the establishment of the theory of "reason, matter and emotion", which makes the ontology of poetry present multiple characteristics of philosophical ontology, emotional ontology and historical ontology.
The fourth chapter focuses on the evolution of poetry, with Ye Xie's criticism of Confucian personality and morality as the guide, social and historical criticism as the main line and artistic aesthetic criticism as the competition, and makes a philosophical, scientific and disciplinary historical discussion on critical methods.
Therefore, Ye Xie's poetry criticism not only presents diversified cultural characteristics, but also the norm of poetry criticism centered on "context" has become the core of Ye Xie's aesthetic art criticism, showing the dynamic evolution process of poetry criticism.
The fifth chapter focuses on the cultural implication of the original poem, and discusses the cultural significance of the theory of harmony between man and nature centered on the environment, the empirical methodology centered on history and the yuantong theory based on dialogue, thus highlighting the cultural background of China's ancient artistic rational spirit, positivist cognitive structure and pragmatic language view.
Introduction to the original poem:
The Original Poetry is a literary theory work by Ye Xie, a poetic theorist in Qing Dynasty. It is considered to be the most logical and systematic theoretical monograph in the history of China's literary theory after Wen Xin Diao Long. In this book, Ye Xie raised the previous mode of studying poetry from the perspective of "poetry teaching" and "poetry method" to the aesthetic level, so it is both a poetics and an aesthetic treatise.
About the author:
Ye Xie (1627 ~ 1703) was a poetic critic in Qing dynasty. The word Zhou, the number has been raised. Jiaxing (now Zhejiang) people. He was called Mr. Hengshan because he settled in Hengshan, Wujiang, Jiangsu Province in his later years. In the 9th year of Kangxi (1670), he was a scholar and was elected as Baoying County. Soon after, because he was honest and frank without official intention, he was removed from his post, and then he traveled to places of interest in China and recited scriptures in Buddhist temples.
His main works include The Original Poem, A Study of the Stars in the South of the Yangtze River and Poems and Songs. Ye Xie's poetics has a certain influence on, but Shen and Xue failed to further develop Ye Xie's view of progress, but developed Ye Xie's view of backwardness, which is actually for another purpose.