Imagination, Lyricism and Narration
trait
New ideas. The so-called "new ideas" means that the ideas are novel and original, and only do what should be done. On the basis of profound national traditional culture, closely combining life practice and reform practice, fully integrating the spirit of the times and social implications, actively absorbing outstanding cultural elements from outside the country, and vigorously carrying out poetry innovation with essential significance and characteristics of the times. In other words, it is necessary to integrate into the quasi-pulse of the times, know the heartbeat rhythm of the public, and create a new poetic realm in which you have me and I have you. Deep feelings. The essence of poetry is lyricism. The feelings expressed in poetry should be true and profound. Whether it is a landscape poem, a potato poem, a three-fingered poem, a bobo poem, a root-seeking poem, a pioneer poem, a guardian poem, a QQ poem, a dream poem and a wandering poem, we should express our true feelings. At the same time, we should express our feelings in depth, aiming at the beautiful and magical nature and colorful human life, deeply express the joy, anger, sadness and joy in the hearts of the public, and give abstract emotions concrete forms. Only in this way can the poems written touch the readers' hearts, infect their emotions and arouse their resonance. The facts are right. Poetry works are healthy in content, unique in opinions, exquisite in elaboration, positive and uplifting, and attract people to be kind. Eulogize the truth, goodness and beauty, and lash the false, evil and ugly, so that the hearts of the public can be purified in honesty, the souls can be promoted in integrity, and the thoughts can be opened in aesthetics. Bright colors. The language of poetry should be fresh and the overall color of poetry should be bright. We should use a lot of words with vitality in traditional languages, use a lot of lively popular words in today's high-tech era, actively absorb excellent foreign language elements, fully reflect the spirit of the times, reveal social implications, and strive to be meaningful, fresh, harmonious and smooth. Appropriate form. The so-called "appropriate form" refers to the internal form and external form of poetry, which should be suitable for the 4,000-year-old China poetry tradition, today's reform and opening-up society and millions of ethnic minority local readers. Furthermore, we should take our traditional culture as the "main" and "root" and properly graft the excellent "branches and leaves" of foreign culture. Only in this way can innovative works conform to the characteristics of "hundreds of millions of China people's psychological structure, cognitive ability, ideology, production lifestyle and customs" and be loved by hundreds of millions of people. Specifically, the arrangement of words, words and sentences, and the choice of poetry content should be suitable for the reading psychology, reading habits and aesthetic requirements of millions of people in this nation. "External form" should express "the rhythm of Chinese"; The "external form" of Kubinashi's rhyming poems should also have the rhythm and rhythm of Chinese language, without the tendency of prose culture. Don't put on unfamiliar clothes for words, and don't wrap obscure fog for sentences. The width of the canyon jumping between sentences is appropriate, and the rainbow of thinking is vaguely related. Semantic buds are half-open and half-closed, open for reality, closed for emptiness, and confused. Poetic fresh, not muddy. (For details, see Caigan Yin Convention on the Creation of Rooted Poems). The style of writing is unique and has its own personality, which is very interesting to read: the saying of distance is interesting, and the saying here is interesting; Or harmonious melody, cadence, long aftertaste, endless aftertaste; Or fresh and elegant, relaxed and pleasant, wonderful; Or humorous, full of fun, making people laugh when they wake up in the middle of the night; Or clever metaphor, suddenly enlightened, reverie; Or subtle, deep, tasteful and chewy.