The first section of this poem shows the uniqueness of this poem with unique ideas and forms. "A colorful wall chart without lines"-you can feel its beauty, but you can't touch its shape; "A pure but unsolvable algebra"-I can understand its feelings but can't find its fruit.
Isn't this helplessness and sadness exactly where I miss you like a dream? The strings are lonely, the sound of the piano is broken, and hope and disappointment are flashing in the "rain beads under the eaves".
Not like the pain of "swimming from it, swimming in the middle of the water" and "between water and water, the pulse can't be said", the lingering acacia sorrow overflows between the lines of the poem, which makes people unbearable to touch.
Extended data:
In the early 1980s, just 20-year-old Shu Ting, like a new star, rose in Ran Ran, a newly revived China poetry circle. Some of her poems reflect the meditation and pursuit of the younger generation, which are deep but not depressing, obscure but not obscure.
Shu Ting is good at introspecting the rhythm of self-emotion, especially showing the unique sensitivity of women in grasping complex and meticulous emotional experience. Her poems are full of romanticism and ideals. Her love for the motherland, life, love and land is warm and peaceful, with latent passion.
Her poems are good at expressing inner feelings by artistic means such as metaphor, symbol and association, revealing rational thinking in a hazy atmosphere, which is the product of the combination of romanticism and modernism.
Shu Ting can also find a sharp and profound poetic philosophy (miss, Huian woman) in some conventional phenomena that are often ignored by people, and write this discovery with both speculative and touching power.