The scenery described in this poem is from near to far, from real to virtual, combining dynamic and static, using virtual and real, with distinct levels, showing the grand momentum of the sea changing and the sun and the moon swallowing up. In fact, it is the poet's feelings like "the sea" that express his determination to destroy all the remaining enemies and vow to unify China. It is suggested that when reading the text, readers might as well appreciate this masterpiece according to the poet's creative thinking of "seeing"-"thinking"-"saying".
The main body of poetry can be divided into three layers:
The first two sentences of the poem, "Jieshi is in the east, so as to see the sea", explain the position of the poet's view of the sea, which is an inheritance of the things about Chen Qi in the Book of Songs and looks very simple. The sea, that is, the sea, means "I climbed Jieshi Mountain in the east to see the sea." These two periods show the place where the poet sees the sea-Jieshi Mountain, in which the words "pro" and "view" convey the poet's high-spirited spirit of foresight and indomitable spirit. The passage of time can also be understood as the feelings of the heroic poet for the passage of time. At this time, Cao Cao was invincible, victorious, full of ambition, high-spirited, ambitious, and swallowed mountains and rivers. He was an image of a "retired talent" (far from being compared with the late Prime Minister Cao, who lost his mind after Battle of Red Cliffs's defeat).
On the second floor (from "How is the water" to "Hong Bo surges"), the following six sentences describe what the poet saw and heard while watching the scenery at the seaside. The sea is rippling and dynamic; The mountains, rivers and islands stand still, setting each other off into interest, showing the vastness and majesty of the sea; When we write about vegetation, it is still static, second only to "Hongbo", and then it returns to dynamic, showing the amazing power and magnificent weather of the sea. This floor is all about real scenes.
Everything that Cao Cao sees at this moment is as beautiful as his mood at this moment. "What is water, mountain island. Trees and paraquat are very lush. Autumn wind makes trees make sad sounds, and the sea is surging. The autumn wind is bleak, and Hongbo surges. " Mr. Hu: Well, well. Lian: The way the water ripples. Zhuo Zhi: Soaring into the sky. With "shrug", high. Wisdom: Li. Bleak: The sound of autumn wind blowing vegetation. H: it's very big. How vast the sea is, and the mountain island stands in the middle of the water. There are lush trees and lush herbs everywhere. The autumn wind rustles and stirs the sea. "The scenery of the sea, in Cao Cao's view, is so vast and magnificent!
"Where there is water, there are mountains and islands." It is a panoramic view overlooking the sea; The words "trees" and "herbs" are still scenery, close-ups and close-ups; The words "autumn wind" and "Hongbo" describe dynamic scenery, which is seen from a distance. They describe the big situation first, and then describe the small situation. From near to far, a static movement effectively describes the grandeur of the sea and lays the foundation for the later imagination.
The next four sentences, "the trip to the sun and the moon, if it is out of its territory; Xinghan is brilliant, if it is unexpected. " Third floor. With the help of strange imagination, the poet expressed the spirit of the sea devouring the sun, the moon and the stars. Xing Han: refers to the Milky Way. These four sentences mean "the sun and the moon in a hurry seem to come from the sea, and the bright stars seem to come from the sea." Judging from the word "if", these four sentences falsely describe the author's subjective feelings, that is, the poet's imagination when he saw the surging sea.
The last two sentences are "fortunately, Lian, the song is to be sung." It is not only the attachment of Yuefu format, but also subtly highlights the poet's straightforward expression, meaning "I am very happy, I am very happy to sing poetry and express my lofty sentiments." It is impossible for a successful person to make an expedition here, "near" Jieshi Mountain and have leisure to "see the sea".
The tone of the poem Looking at the Sea is desolate and generous, which reflects Cao Cao's extraordinary mind and tolerance. The poem also reveals some sad feelings, which is thought-provoking and has always been regarded as the masterpiece of "Jian 'an Style". This poem is expressive and lyrical. The environment is born from the heart, and the same scenery enters everyone's eyes. After thinking and refining it into words, it is different. The poet put his lofty sentiments and ambitions when he looked at the sea into the description of the scenery. "All scenery words are sentimental words" (Wang Guowei's language). This poem well embodies this feature of landscape poetry, which can be called the top grade of landscape poetry. It should also be a model of poetry, prose and other literary works and our composition writing, and it is worth learning, learning and learning. /z/q 1459 13465.htm
2. Crushing Jieshi Mountain happened to see the vast Bohai Sea. The sea is blown by the breeze, and the water is so turbulent; The seaside mountain island stands tall and straight. The forest grows layer by layer, and the weeds all over the mountains are full and lush. How powerful the cold autumn wind is, and the waves are surging. The sun and the moon rise and fall, as if in and out of the embrace of the sea; The brilliant brilliance of the Milky Way seems to radiate from the center of the ocean. Fortunately, it was great, so I wrote a song to sing my ambition.
3, "the trip to the sun and the moon, if it is out of its territory; Xinghan is brilliant, if it is unexpected. " With the help of strange imagination, the poet expressed the spirit of the sea devouring the sun, the moon and the stars. Xing Han: refers to the Milky Way. These four sentences mean "the sun and the moon in a hurry seem to come from the sea, and the bright stars seem to come from the sea." Judging from the word "if", these four sentences falsely describe the author's subjective feelings, that is, the poet's imagination when he saw the surging sea.
Reading poetry is like listening to the ancients sing emotional songs. It is with these emotional seeds that the poet's pen will bloom with beautiful flowers of poetry. When we appreciate poetry, only by grasping the emotional coordinates of this poem can we really get close to the soul of the poem and enter the aesthetic palace built by this poem. The ancients also said that "poetry expresses ambition" and "poetry expresses ambition". So what does reading Cao Cao's poems remind me of? Cao Cao worked hard all his life and fought in the north and south, but he couldn't put it down and loved literature. His poems inherited the Book of Songs and the fine realistic tradition of Yuefu in Han Dynasty, wrote current events and expressed his feelings in Yuefu, which reflected the thoughts and feelings of a politician. ……
Where there is water, there are mountains and islands. "Write a panorama (overlooking the sea); The words "trees" and "herbs" are (static) scenery, not close-ups; The two sentences "Autumn Wind" and "Hongbo" describe (moving) the scenery from a distance, describe (first summarize, then divide), and move quietly from near to far, effectively depicting the magnificence of the sea and laying the groundwork for the following imagination.