Shu Ting, formerly known as Gong, is a contemporary poetess. Her ancestral home is Quanzhou, Fujian. 1952 was born in shima town, Fujian and grew up in Xiamen. If you don't graduate from junior high school, you will "jump in the queue". 1969 He began to write, and at that time, poetry had been circulated among educated youth. After returning to the city, I worked as a variety of temporary workers: cement worker, car stopper, length cutter and welder. 1979 began to publish poems in the journal Folk Customs Today, and in the same year he officially published his works in Poetry magazine. From 65438 to 0980, the editorial department of Fujian Literature and Art discussed her works for nearly a year, discussing a series of fundamental problems involving new poetry. 198 1 professional creation of Fujian Federation of Literary and Art Circles, now director of Chinese Writers Association; Vice Chairman of Fujian Branch of Writers Association, twice won the National Poetry Award. 1982 published a collection of poems, Double Mast Boat, Selected Lyrics of Shu Ting Gu Cheng, 1986 published Singing Iris, 1980 won the National Excellent Poetry Award for Young and Middle-aged People, and Double Mast Boat won the First New Poetry Award of the National Excellent Poetry Selection. 1993 True Water Without Fragrance won the "Prose Award of the Year" in the 6th China Literature and Media Festival.
Shu Ting is good at introspecting the rhythm of self-emotion, especially showing the unique sensitivity of women in grasping complex and meticulous emotional experience. The complexity and richness of emotions are often manifested through special sentence twists and turns such as assumptions and concessions. Shu Ting can also find sharp and profound poetic philosophy (goddess peak and Hui 'an daughter) in some conventional phenomena that are often ignored by people, and write this discovery with both speculative power and touching feelings.
Shu Ting's poems have bright images and meticulous and smooth thinking logic. In this respect, her poems are not "hazy". Poetry, on the other hand, mostly uses metaphors, partial or whole symbols, and rarely expresses itself, so the images expressed are vague.
As to which school Shu Ting's poems belong, it's hard to decide. Her poems are euphemistic, but have strong feelings. If you want to divide it, it can only be emotional poets and patriotic poets.
Her poems are free and easy in structure, free and easy, smooth and flowing, which really gives people beautiful enjoyment. All the words you use have to be refreshed, and you will sing along when you read them. What I experienced was her poetry, her artistic conception, her heart, and also the reason and feelings.
She is one of the representative writers of the misty poetry school, as famous as Beidao and Gu Cheng, but in fact, her poems are closer to the traditional poets with strong Taoist connotation in the previous generation, and her resistance is much less.
Shu Ting is good at introspecting the rhythm of self-emotion, especially showing the unique sensitivity of women in grasping complex and meticulous emotional experience. The complexity and richness of emotions are often manifested through special sentence twists and turns such as assumptions and concessions. Shu Ting can also find sharp and profound poetic philosophy (goddess peak and Hui 'an daughter) in some conventional phenomena that are often ignored by people, and write this discovery with both speculative power and touching feelings.
The most representative songs are To Oak, Motherland, My Dear Motherland, To the Sea, Missing ... My favorite song is To Oak, as follows.
If I love you-
Unlike climbing Campbell,
Show off with your tall branches:
If I love you-
Never imitate spoony birds,
Repeat monotonous songs for the shade;
It is not just like a fountain,
Send cool comfort all year round;
It is not just like a dangerous peak, it increases your height and sets off your dignity.
Even during the day.
Even spring rain.
No, these are not enough!
I must be a kapok beside you,
Standing with you as the image of a tree.
Roots, close to the ground,
Leaves, touching in the clouds.
Every time a gust of wind blows,
We all greet each other,
But no one
Understand what we said.
You have your copper branches and iron stems,
Like a knife, like a sword,
Like halberds,
I have my red flowers,
Like a heavy sigh,
Like a heroic torch,
We share cold waves, storms and lightning;
We enjoy the fog, the rainbow,
As if we were separated forever,
But they depend on each other all their lives,
This is great love,
Loyalty is here:
Not only love your strong body,
I also love your stand and the land under your feet.
& lt& lt enthusiastically and frankly sang the poet's personality ideal to the oak tree. Oak and kapok stand side by side and face each other in an independent manner, which can be said to be a group of symbolic images with brand-new character in China's love poems.
The image of "oak tree" symbolizes the rigid beauty of men, while the kapok of "safflower" obviously embodies the female personality with new aesthetic temperament. She abandoned the delicate nature of old-fashioned women and was full of rich and vigorous life breath, which was exactly the same as the poet's ideal of women's independent self-esteem.
In artistic expression, the poem adopts the lyrical way of inner monologue, which is convenient for expressing the poet's inner world frankly and openly. At the same time, the image is constructed as a whole symbol (the whole poem correspondingly symbolizes the independent personality and sincere love of both lovers with the whole image of oak and kapok), which makes philosophical thoughts and ideas germinate and poetic in a kind of intimate and sensible image, so this poem with rational temperament makes people feel that there is no preaching.
Catalogue of works:
I love you, flying to the moon, boating, dripping Guanyin and reading snow.
Guoguang, good friend, returning home, dusk
Sing iris, Huian girl, assembly line, sleeping clock
The waitress, the wall (I can't resist the wall), the method and goddess peak.
Archaeopteryx, mast boat, Wang Shuo, missing, April dusk
Send a friend abroad, cheat, over 23, hope.
Dedicated to my contemporaries, the song of small window and slope
"Maybe? -Answer an author's loneliness, rain farewell, gift farewell.
This is everything, to the sea, to the oak tree, a Mid-Autumn night and a selfie.