Introduction of Li Bai
Li Bai (701-February 28th, 762), a poet of the Tang Dynasty, is known as the "Poet Fairy" and the greatest romantic poet. Han nationality, born in Mianzhou (now Qinglian Township, jiangyou city, Mianyang, Sichuan), was born in Broken Leaf City in the Western Regions (now tokmak, Kyrgyzstan). At the age of 5, he moved with his father to Changlong County (Brazil County), Mianzhou, Jiannan Province, and his ancestral home was Ji Cheng County, Longxi County (now south of Jingning County, Pingliang City, Gansu Province). His father, Li Ke, has two sons (Boqin, natural) and one daughter (Pingyang). There are more than 0/000 poems in the world, such as Shu Dao Nan, Into the Wine and Li Taibai Ji. He died in Dangtu, Anhui Province in 762 at the age of 6 1. Its tomb is in Dangtu, Anhui, and there are memorial halls in Jiangyou, Sichuan and Anlu, Hubei.
His poetry creation has a strong subjective color, which is mainly manifested in his emphasis on expressing heroism and passionate feelings, and rarely describing objective things and specific time in detail. Free and easy temperament, proud of independent personality, easy to move, easy for generate to express strong feelings, forming a distinctive feature of Li Bai's lyric style. He often erupts, and once his feelings are aroused, he rushes out without restraint, just like the sky raging and the volcano erupting. His imagination is very strange, often unusually linked, and changes with the flow of emotions.
Bold and unrestrained, fresh and elegant, rich in imagination, wonderful in artistic conception, wonderful in language, romantic and clear in artistic conception.
Li Bai lived in the prosperous Tang Dynasty. He has a heroic personality and loves the mountains and rivers of the motherland. He traveled all over the country and wrote many magnificent poems praising famous mountains and rivers. His poems are bold and unrestrained, fresh and elegant, rich in imagination, beautiful in artistic conception and light in language. People call him "Poet Fairy".
Li Bai's poems and songs not only have typical romantic spirit, but also have typical romantic artistic characteristics from the aspects of image shaping, material intake, genre selection and various artistic techniques.
Li Bai successfully shaped himself in his poems, expressed himself strongly, and highlighted the unique personality of the lyric hero, so his poems have distinct romantic characteristics. He likes to express himself with majestic images, expressing his feelings in poems without disguise or restraint. For power, he "holds a chrysanthemum and stirs two thousand stones" (one of the two songs "Send Cui Shiyu after Drunk"); Seeing the hard work of the working people, he was "heartbroken like rain". When the country was destroyed and the people perished, he vowed to cross the river to clear the Central Plains. Draw a sword and hit the front column, and the sad song is hard to recover "("South Ben Shu Huai "), so impassioned; When drinking heartily with friends, "two people fall in love, one cup after another." I'm drunk and want to sleep. The Ming Dynasty intends to hold the piano ("Mountain Lovers"), which is so naive and straightforward. In a word, his poems vividly show his unruly character and unconventional image.
Boldness is the main feature of Li Bai's poems. In addition to the factors of ideological character and talent, the artistic expression and genre structure of Li Bai's poems are also important reasons for his bold and elegant style. Being good at relying on imagination and being subjective and objective are the important characteristics of romantic artistic techniques in Li Bai's poems. Almost every article has imagination, and even runs through all kinds of imagination. Realistic things, natural landscapes, myths and legends, historical allusions and dreamland have all become his imagination media. With the help of imagination, we often transcend time and space, interweave reality with dreams and fairyland, and interweave nature with human society to reproduce objective reality. The images in his works are not the direct reflection of objective reality, but the externalization of his inner subjective world and artistic truth.
One of the artistic techniques of romanticism in Li Bai's poems is to skillfully combine personification with metaphor, empathize with things and compare things with people.
Another romantic artistic technique in Li Bai's poems is to grasp a certain feature of things and boldly imagine and exaggerate on the basis of real life. His exaggeration is not only strange in imagination, but also always combined with concrete things, so it is natural and does not show traces; So bold, true and credible, it has played a role in highlighting the image and strengthening feelings. Sometimes he combines bold exaggeration with sharp contrast to enhance the artistic effect by increasing artistic contrast.
Li Bai's best genre is seven-character poems and quatrains. Li Bai's seven-character song also adopts the structure of opening, closing, jumping and swinging. The beginning of a poem is often abrupt, such as a sudden surge, while the image transformation in the middle of the poem is sudden, often omitting the transitional care, which seems to have no trace to follow, and the end of the poem comes to an abrupt end at the emotional climax.
Li Bai's five or seven quatrains more represent the fresh and lively style of his poems. For example, the beauty of "Come to Baidicheng early", "Farewell to Meng Haoran on the way to Yangzhou" and "Thinking of a Quiet Night" lies in "only looking at the prospect and spoken language, but there are overtones and foreign flavors that keep people away." (On)
The language of Li Bai's poems and songs is fresh as spoken language, bold and close to prose, but it is unified in the natural beauty of "clear water produces hibiscus, which is related to his conscious pursuit of natural beauty." He inherited Chen Ziang's literary thought and took it as his duty to restore the tradition of poetry and Sao. He once said, "Since Liang Chen, Yan Bo has been extremely thin, and Shen Xiuwen still insists on temperament and will go back to the ancients. Who is it? " (Bai Meng's "Gao Yi") He advocates "halal" and satirizes the ugly girl who is "naive" and learns from Handan. The natural beauty of his poetic language is the result of his careful study of folk songs and his understanding of popular features, which is clear as words, popular and vivid.