Mao Dun wrote the novel Midnight with the attitude of almost writing history, and embedded the plot in the real historical time and space of 1930. The bond trading and the war between Chiang Kai-shek and Chiang Kai-shek described in the novel are all well-documented and true historical facts.
The novel combines non-fictional historical time and space with fictional characters' stories, and the two languages of "poetry" and "history" are skillfully adjusted and combined, and the overall layout of the novel is epic, which makes the novel have "epic character".
Highlight artistic individuality and shape epic character
Realistic TV series of 40 years of reform and opening up appeared on TV screen on 20 18.
From the beginning of the year, the palace in the sun, to the most beautiful youth in the middle of the year, persimmon is red every year, and it comes back every year, and then to the end of the year, the loess is high, the little woman under the Zhengyangmen, our forty years, how many years have you been late when the wind comes back, and the era of entrepreneurship and rivers.
In order to visualize, story and detail the great and profound historical changes and ideological progress of the whole nation in the past 40 years, the creators adhere to the aesthetic pursuit of "self-innovation and courage to innovate" and try to pay equal attention to "multi-dimension and core" in the theme content.
Pay attention to the profound questioning of the meaning of life in characterization; Adhere to the guidance of socialist core values in the ideological value level, so that these works as a whole show the artistic quality of "new epic" and write a touching and wonderful chapter.