What is the scene of Mount Tai, the head of the Five Mountains? Lianmian can't get enough of its blue color on Qilu.
Nature has endowed Mount Tai with all the strange sights of the mountains, which makes the south side of the mountain bright and the north side dark, which is completely different.
Clouds are rising, jumping in the heart, and birds are coming back to the mountains.
You must climb the peak of Mount Tai, and then look out. Surrounded by mountains, it will look small.
The whole poem runs through with the word "Wang". The title of the poem is "Looking at Spring", which means looking at the spring. The author is touched by the natural season in spring returns and hopes to restore the country's stability and prosperity.
The first two sentences take on the topic and write the general impression of seeing from afar in spring. The capital has fallen, the mountains and rivers remain the same, and the personnel are completely different. The capital city has ushered in the annual spring again. In terms of "deep vegetation", it is followed by "national destruction". The people fled and dispersed, and the vegetation was allowed to grow wildly, making it desolate. Both sentences used the turning point method, but the first sentence was reversed, and the next sentence was folded smoothly, showing changes in the composition. The ruins of "national destruction" and the vitality of "city spring" formed a sharp contrast. This contrast, It embodies the poet's deep feeling of worrying about the country. Sima Guang of Song Dynasty appreciated this connection very much: "The ancients were poetry, which was more important than words, making people think and get it ... Du Zimei was the most famous poet in modern times. For example, this statement was' mountains and rivers are there', and there was nothing left in Ming Dynasty; There is no one in the Ming Dynasty. "(See Wen Gong's Continued Poems)
The couplet was received from afar, and the panorama was pushed to a close-up. The understanding of these two sentences is different in various notes. The focus is on who is" tearful "and who is" heart-pounding ".One explanation is that the poet himself is tearful about flowers, but shocked by the smell of birds. Birds are shocked by "hating farewell". This seems unreasonable, but in fact, they use empathy. Flowers and birds are natural things. Now, due to the poet's special mood, they feel that they are also human. The flowers are full of dew, and the birds are crying because of the sad situation. It is more meaningful and meaningful to write like this than to express their inner feelings directly. Writing is not only personal feelings, but also shows the empathy of many people who suffered from the war at that time. It is difficult to describe them properly without using special expression techniques.
Because of the distant view and close observation, the necklaces have turned from looking forward to thinking, and their feelings have naturally changed from mourning for the country to missing their loved ones. In terms of expression techniques, they have changed from feeling in the scenery to expressing their feelings directly. " It is said that it refers to the first month, February and March of that year, or refers to the whole spring. In fact, the Anshi rebellion began in November of the year before last, and Du Fu was trapped in Chang 'an for seven or eight months. He said, "Last year, Tongguan was broken, and his wife and children were separated for a long time" ("Shu Huai"), "The news of several States was broken, and the poet was worried about sitting in the middle of the book" ("Snow"). This poem often misinterprets the original intention.
First, it describes two kinds of scenes, namely, national ruin and spring coming, and then it describes two kinds of feelings, namely, "feeling for time" and "hating farewell". Here, the "farewell" of relatives is caused by the "time" of war. Such a link is buckled. Because his pain and happiness are deeply rooted in the soil of society and history, he has become the representative and mouthpiece of society, times and mankind. "(See" belinsky Literature ") Du Fu interweaves family worries with national worries in his poems, which profoundly shows that the personal fate of honest intellectuals is closely related to the fate of the country and the nation, with a high degree of generality and typical significance. It is the spiritual essence of "depression and frustration".
The last two sentences of the poem are a stroke of genius. A few crosses make the image of a white-haired old man full of sadness stand in front of readers. The author looks forward to Spring, but he is trapped by "feeling the time" and "hating farewell", and finally he is agitated and scratches his hair frequently. Although the poet is only 45 years old at this time, he is worried all day. This couplet unifies the feelings of "feeling for the time" and "hating for parting" described earlier, and concludes the whole article. The author uses this conscious action of scratching his hair to turn the full-fledged sadness into a vivid image that can be seen and felt, which naturally guides the reader into the artistic conception of the poem and produces a * * * sound.
This verse is a five-character rhyme. The two couplets in the middle are antithetical. Very neat. The rhyme feet "deep", "heart", "gold" and "hairpin" all belong to the flat voice invasion department. According to modern Mandarin, it doesn't sound harmonious enough, but it is very harmonious when read from the ancient sounds preserved in the dialect. For example, in Hakka, "deep" reads qim, "heart" reads sim and "gold" reads Gi. It can be seen that it is because of the change of ancient and modern sounds. The word "Guo" in this poem's opening sentence is an ancient entering tone. The entering tone is short and urgent, which is suitable for expressing the feelings of anger and sadness. Therefore, at the beginning of this poem, the tone of depression and frustration is set, which is in tune with the sadness of "feeling the time" and "hating farewell", and thus produces a deep power to knock people's hearts.