Yuan Zhen's Poems of Lianchang Palace and Song of Eternal Sorrow have always been like this, but Yuan Zhen's poems have more elements of reasoning and history.
Zhang's Moonlit Night on a Spring River is a poem with beautiful words, gorgeous language and profound philosophy. It has always been recognized as a rare and excellent writer of Tang poetry. There are only two poems left in Zhang's whole Tang poetry, but this one is enough to rank among the Tang poets.
Lu's Ancient Meaning of Chang 'an is a poem with broad weather, beautiful rhetoric and fluent language, which has a great influence on the development of seven-character songs.
Liu Xiyi's whole poem "Waiting for the North Pulsatilla" is deep and implicit, with lofty realm and profound philosophy, which has rare qualities in Tang poetry.
Gao Shi's poem Ge Yanxing is full of tragic momentum. There is a book "The Legacy of Wei Wu" suitable for boys to read.
Li Bai's "Three Ancient Styles" is elegant in style and rich in imagination, which is worth reading.
Li Bai's Long March is full of sincere feelings and exquisite brushwork, which fully shows Li Bai's peerless talent.
As for Lao Du's poems, to be honest, unless you have Lao Du's share of Confucianism, it is difficult to impress you with words. Here are some songs: Twenty-two Rhymes of Wei, Drunken Songs, Five Hundred Words of Jingfeng, Dan, etc.
"Look at Gong Sundaniang's disciples dancing swords" and so on.
As for some of Hanyu's songs, I don't know if you like them or not, but they are a little crooked and I don't recommend them for the time being.
As for too many articles, I hope to adopt them here. The landlord is in a good mood.