Introduction to the Four Great Masters of the Southern Song Dynasty
Introduction: The Four Great Masters of the Southern Song Dynasty are also known as the Four Great Poets of the Zhongxing Dynasty. Now I will introduce the four great masters of the Southern Song Dynasty to you. Welcome to refer to them!
The Four Great Masters of the Southern Song Dynasty The Four Great Poets of Zhongxing
The Four Great Poets of Zhongxing, also known as the Four Great Masters of the Southern Song Dynasty, are collectively referred to as the four poets of the early Southern Song Dynasty in China: You Mao, Yang Wanli, Fan Chengda, and Lu You. They were able to escape from the prison of the Jiangxi Poetry School. Write works with unique ideas and art. At that time, Yang and Lu were particularly famous. Very few works of You Miao have been handed down; although Yang and Fan are not as good as Lu You, they each have their own characteristics. Yang Wanli rejected the rigid style of Jiangxi Poetry School and created a lively and natural Cheng Zhai style. The number of works handed down by Yang Wanli and Lu You is astonishing. The four great poets of the Zhongxing Dynasty represent the second most prosperous period of poetry in the Song Dynasty. Yang Wanli has "Chengzhai Collection", Fan Chengda has "Fan Shihu Collection", and Lu You has "Lu Fangweng Collection" handed down to the world.
The Four Great Poets of Zhongxing, also known as the Four Great Masters of the Southern Song Dynasty, are collectively referred to as the four poets of the early Southern Song Dynasty in China: You Kuan, Yang Wanli, Fan Chengda and Lu You. At that time, Yang and Lu were particularly famous. Very few works of You Miao have been handed down; although Yang and Fan are not as good as Lu You, they each have their own characteristics. Yang Wanli rejected the rigid style of Jiangxi Poetry School and created a lively and natural Cheng Zhai style. The number of works handed down by Yang Wanli and Lu You is astonishing. The four great poets of Zhongxing represent the second most prosperous period of poetry in the Song Dynasty. Yang Wanli has "Chengzhai Collection", Fan Chengda has "Fan Shihu Collection", and Lu You has "Lu Fangweng Collection" handed down to the world.
The Four Masters of the Southern Song Dynasty
The Four Masters of the Southern Song Dynasty in the history of painting refer to Li Tang, Liu Songnian, Ma Yuan and Xia Gui, the painters of the Southern Song Academy in the history of Chinese painting. They are also known as the "Four Masters of the Southern Song Dynasty" for short. :? Li, Liu, Ma, Xia. ?Li Tang was slightly earlier among the four. Liu, Ma, and Xia inherited and developed Li Tang's painting techniques, which became the mainstream of the Southern Song Dynasty painting academy. The style characteristics of the four of them are: Li Tang's paintings are vigorous, sharp and majestic; Liu Songnian's paintings are influenced by Li Tang and are more prominent in neatness. Ma Yuan and Xia Wa learned from Li Tang's brushstrokes, which are strong and concise, with dripping ink and wash, creating multi-directional close-ups in the library. It is also known as Ma Yijiao and Xia Banbian. His painting style had a great influence on the Zhejiang School and courtyard style landscape paintings of the Ming Dynasty. It belongs to the style of Haozong simple all-in-one painting. It was not called this at first. Tu Long said: Li Tang, Liu Songnian, Ma Yuan and Xia Gui were the four great masters after the southern crossing. ?Zhang Chou believes:?Liu Songnian of the Southern Song Dynasty was the first, followed by Li Tang, Ma Yuan and Xia Gui. ?Zhang Taijie said: ?Liu, Li, Ma, and Xia all bear important names, but Li and Ma are the most important. ?
The Four Masters of the Southern Song Dynasty refer to the Southern Song Academy painters Li Tang, Liu Songnian, Ma Yuan and Xia Gui in the history of Chinese painting. They are also known as the "Four Masters of the Southern Song Dynasty", abbreviated as: "Li, Liu, Ma and Xia". ?Li Tang was slightly earlier among the four. Liu, Ma, and Xia inherited and developed Li Tang's painting techniques, which became the mainstream of the Southern Song Dynasty painting academy. The style characteristics of the four styles are: Li Tang's paintings are vigorous, sharp and majestic; Liu Songnian's paintings are influenced by Li Tang and are more prominent in neatness. Ma Yuan and Xia Wa studied Li Tang's painting style with strong and concise straight strokes and dripping ink, creating multi-directional close-ups of the library, which are known as "Ma Yijiao" and "Xia Banbian". His painting style had a great influence on the Zhejiang School and courtyard style landscape paintings of the Ming Dynasty.
The Four Great Masters of the Southern Song Dynasty refer to Li Tang, Liu Songnian, Ma Yuan and Xia Gui, the painters of the Southern Song Academy of Painting in the history of Chinese painting. It belongs to the style of simple and simple painting of Haozong. It was not called this at first. Tu Long said: Li Tang, Liu Songnian, Ma Yuan and Xia Gui were the four great masters after the southern crossing. ?Zhang Chou believes:?Liu Songnian of the Southern Song Dynasty was the first, followed by Li Tang, Ma Yuan and Xia Gui. ?Zhang Taijie said: ?Liu, Li, Ma, and Xia all bear important names, but Li and Ma are the most important. ?
Style characteristics
The style characteristics of the four of them are: Li Tangzhi's paintings are vigorous, sharp and majestic. After moving to the south, his painting style changed to ink and wash; Liu Songnian's paintings The painting was influenced by Li Tang, and its neatness was more prominent. Li Tang, the master of Ma Yuan and Xia Gui, used strong and concise brushwork, dripping ink and ink, and his compositions were mostly close-ups. It is also known as Ma Yijiao and Xia Banbian. Since the paintings of Dong Ju and Guo Cheng were lost when the Southern Song Dynasty was crossing south, the painting style of Li and Tang had to be used as the standard. Therefore, it is said that the Southern Song Dynasty had courtyard paintings but no courtyard style. His painting style had a great influence on the Zhejiang School and courtyard style landscape paintings of the Ming Dynasty. It belongs to the style of Haozong simple all-in-one painting. It was not called this at first. Tu Long said: Li Tang, Liu Songnian, Ma Yuan and Xia Gui were the four great masters after the southern crossing. ?Zhang Chou believes:?Liu Songnian of the Southern Song Dynasty was the first, followed by Li Tang, Ma Yuan and Xia Gui. ?Zhang Taijie said: ?Liu, Li, Ma, and Xia all bear important names, but Li and Ma are the most important. ?
Historical evaluation
Tang Gao of the Yuan Dynasty said: "The famous people in the Southern Song Dynasty Painting Academy include Li Tang, Zhou Zeng, Ma Yuan, Xia Gui, Li Di, Li Anzhong, The disciples of Lou Guan and Liang Kai were sent to Li Tang for their appreciation, and the others could not be separated from each other. ?The person who advocated this theory was Tang Yin of the Ming Dynasty, who inscribed Liu Songnian's "Spring Mountain Immortal Hidden Picture", which is known as "Li Liu Ma Xia". Later, Tu Long said: Li Tang, Liu Songnian, Ma Yuan, and Xia Gui are the four great masters of southern crossing. Zhang Chou believes: Liu Songnian of the Southern Song Dynasty was the first, followed by Li Tang, Ma Yuan and Xia Gui. ?Zhang Taijie said: ?Liu, Li, Ma, and Xia all bear important names, but Li and Ma are the most important. ?In short, the four painting schools of the Southern Song Dynasty dominated the landscape painting world of the Southern Song Dynasty for more than a hundred years. They add luster to the history and style of painting, and are famous throughout the ages.
Representative works
For example, Li Tang created the "big ax splitting" method in his later years, and his representative works include "Wanhe Valley Pine Wind Picture" and so on. Liu Songnian is known as "Liu Qingbo" and "Anmen Liu". His representative works include "Four Scenes of Landscape" and so on. The history of Ma Yuan's painting calls him: "Ma Yijiao". His representative works include "Ta Ge Tu", "Water Tu", etc. Xia Gui's painting style is similar to that of Ma Yuan, and he is also known as "Ma Yuan" and "Xia Gui". The history of painting calls him "Xia Banbian". His representative works include "Streams, Mountains and Qingyuan Picture" and so on. They also influenced the Zhejiang School of Landscape Painting in the Ming Dynasty, even reaching as far away as the East, and were highly regarded by Japanese painting circles.
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