Song Zhou Zizhi's Good Things
Haitang blushed without hesitation and drizzled independently.
Song Chenyu Yi's Cold Spring
Ask the shutter man, Haitang is still there. Do you know that?/You know what? Do you know that?/You know what? Red should wither and green must grow?
Green manure: Full of green leaves. Red and thin: safflower is thin.
Song Liqing's "Dream"
Who is in charge of the spring after the flowering of begonia? It urges flowers and rain every day.
Who is in charge: Who is in charge.
Song Li Misson's The Young Mermaid
Layers of leaves grow between the new branches of begonia, and the little buds hidden in them glow a little red.
Jin Yuanhao asked "Two begonia of the same generation"
Love your heart, don't spit lightly, teach peaches and plums to be spring breeze.
Writing Haitang later than Li Tao seems to have a reserved, self-respecting and self-effacing character.
Jin Yuanhao asked "Two begonia of the same generation"
2. Appreciation of Su Shi's Begonia —— Preview of appreciation of Su Shi's poems: Su Shi's east wind is full of glory, and the fragrance is foggy and empty.
I was afraid that the flowers would fall asleep in the middle of the night, so I lit candles and put on red makeup. Appreciation: This poem is about what Su Shi and his friend Shang Huashi saw in the blooming season.
The first sentence is about begonia during the day, and "pan-worship" refers to the noble beauty of begonia. The second sentence is about night begonia, and the author creates a fragrant, ethereal and somewhat psychedelic realm.
Slightly lonely, in line with Haitang's self-indulgence and loneliness. The last two sentences are allusions, and the author is afraid that flowers will fall asleep in the middle of the night. Not only compare flowers to people, but also compare people to flowers. I am very touched by the thought of flowers, which shows that the author is a person with temperament.
On the one hand, the author wants to light a red candle to accompany and care for Haitang, and on the other hand, he wants to create an atmosphere for Haitang to cheer up and stay awake. The last two sentences are very romantic.
Song Shi Hui Hong's "Cold Zhai Night Talk" thinks that this poem is a "word-making work" and a "change from ancient times to modern times". This quatrain was written in the third year of Yuanfeng (AD 1080), and Su Shi was demoted to Huangzhou (now Huanggang, Hubei).
The first two sentences are about the environment, and the last two sentences are about loving flowers. The title is Haitang, but the pen does not describe Haitang. This is a curved pen.
"The east wind curled up" describes the blowing state of the spring breeze, using the phrase "the autumn wind curled up" in "Nine Songs of Chu". "sogou" refers to the growing spring. With the word "Pan", it vividly writes the warmth of spring and creates momentum for the blooming of Haitang.
The second sentence is about the silhouette of Haitang, and the fragrance of Haitang is scattered in the dense fog, which is refreshing. "the moon turns to the gallery", the moon turns to the gallery, but this begonia flower is invisible; It means that the night is deep and people can't sleep. Of course, you can also read a metaphor from it: you are far away from the rivers and lakes, which is not in line with the king's favor.
"I'm afraid of falling asleep at night" is the key sentence of the whole poem. This sentence is a turning point, writing the mentality of flower lovers.
When Yuehua could no longer shine on the beauty of Haitang, the poet was suddenly filled with pity: Haitang is so beautiful, how can she bear to let her live alone in the dark? This flower, which has accumulated a season of hard work and quietly blooms, is unexpectedly unappreciated. Is it too sad and disappointing for her? It's quiet at night, and I'm full of loneliness, so I can't sleep naturally. Flowers are lonely and cold, and I want to sleep. How can I spend this long night alone? No, only I can listen to the sound of flowers; Only this lonely begonia can accompany me all night! A "fear" writes out my worries and fears caused by unbearable loneliness, and also hides my persistence in spending the night with flowers. The word "only" polarized the infatuation of the flower lover. Now all he can think of is the bright smile of the flower, and everything else, such as E799Be5Bae6E79Fa5E98193E7898E6983313323638136, can be written off for the time being.
The last sentence goes further, raising the love for flowers to the extreme. "So" refers to the word "lest" mentioned above, which means doing it on purpose. It can be seen that the poet has a special liking for Haitang.
This sentence uses the allusion of Emperor Xuanzong of the Tang Dynasty that Yang Guifei's drunken appearance is "Haitang didn't sleep enough", and instead uses flowers as a metaphor for people, chanting little by little without trace. "Lighting a Candle" is a wonderful contrast with the "Moon Corridor" mentioned above. Moonlight seems to be too jealous of the brilliance of this blooming begonia, so mean and ungrateful, and refuses to show her a beautiful stage; Then let me drive away the darkness of this long night for her with a red candle with a high fever! The poet's chivalry and kindness are faintly visible here.
"Red Makeup" echoes the word "flowers go to sleep" in the previous sentence, which is extremely charming and moving. On the surface, the words "burn" and "photo" are written about my love and care for flowers, but in fact, they can't help but reveal some unhappiness in life.
He wants to get rid of the pain in "playing with things" (enjoying flowers), even if it is only a moment of detachment. Although a hundred flowers blossom, it has taken a step towards decline. Although the high-spirited flower is far away from the soil of reality after all, he thought about this positive attitude of going his own way and enjoying life. Who can stop it? .
3. Appreciation of ancient poetry in senior high school: Two quatrains of Begonia were written in the third year of Yuanfeng (AD 1080), and Su Shi was relegated to Huangzhou (now Huanggang, Hubei).
The first two sentences are about the environment, and the last two sentences are about loving flowers. The title is Haitang, but the pen does not describe Haitang. This is a curved pen.
"The east wind curled up" describes the blowing state of the spring breeze, using the phrase "the autumn wind curled up" in "Nine Songs of Chu". "sogou" refers to the growing spring. With the word "Pan", it vividly writes the warmth of spring and creates momentum for the blooming of Haitang.
The second sentence is about the silhouette of Haitang, and the fragrance of Haitang is scattered in the dense fog, which is refreshing. "the moon turns to the gallery", the moon turns to the gallery, but this begonia flower is invisible; It means that the night is deep and people can't sleep. Of course, you can also read a metaphor from it: you are far away from the rivers and lakes, which is not in line with the king's favor.
"I'm afraid of falling asleep at night" is the key sentence of the whole poem. This sentence is a turning point, writing the mentality of flower lovers.
When Yuehua could no longer shine on the beauty of Haitang, the poet was suddenly filled with pity: Haitang is so beautiful, how can she bear to let her live alone in the dark? This flower, which has accumulated a season of hard work and quietly blooms, is unexpectedly unappreciated. Is it too sad and disappointing for her? It's quiet at night, and I'm full of loneliness, so I can't sleep naturally. Flowers are lonely and cold, and I want to sleep. How can I spend this long night alone? No, only I can listen to the sound of flowers; Only this lonely begonia can accompany me all night! A "fear" writes out my worries and fears caused by unbearable loneliness, and also hides my persistence in spending the night with flowers. The word "only" polarized the infatuation of the flower lover. Now all he can think of is the bright smile of the flower, and all the other unhappiness can be written off for the time being: this is a transcendental realm of "forgetting me" and "being or not".
The last sentence goes further, raising the love for flowers to the extreme. "So" refers to the word "lest" mentioned above, which means doing it on purpose. It can be seen that the poet has a special liking for Haitang.
This sentence uses the allusion of Emperor Xuanzong of the Tang Dynasty that Yang Guifei's drunken appearance is "Haitang didn't sleep enough", and instead uses flowers as a metaphor for people, chanting little by little without trace. "Lighting a Candle" is a wonderful contrast with the "Moon Corridor" mentioned above. Moonlight seems to be too jealous of the brilliance of this blooming begonia, so mean and ungrateful, and refuses to show her a beautiful stage; Then let me drive away the darkness of this long night for her with a red candle with a high fever! The poet's chivalry and kindness are faintly visible here.
"Red Makeup" echoes the word "flowers go to sleep" in the previous sentence, which is extremely charming and moving. On the surface, the words "burn" and "photo" are written about my love and care for flowers, but in fact, they can't help but reveal some unhappiness in life.
He wants to get rid of the pain in "playing with things" (enjoying flowers), even if it is only a moment of detachment. Although a hundred flowers blossom, it has taken a step towards decline. Although the high-spirited flower is far away from the soil of reality after all, he thought about this positive attitude of going his own way and enjoying life. Who can stop it? .
4. The text of an ancient poem about begonia "Begins with Ancient Poems of Begonia Flowers" > > Bai Haitang's "Poetry of Begonia Bai Haitang" is a poem written by two sisters when the Grand View Garden Poetry Society opened in A Dream of Red Mansions.
Praise Bai Haitang and Xue Baochai, cherish beauty, cover up the sun, criticize Chen Geng: Baochai's poems are self-description and satirize current events. Only the behavior of goods is the first, and the skill is the last.
Delicate and erratic words, colorful words have been washed away, and must be washed away. I hate that the tone of the poem of a hundred beautiful women in the recent novel is just a brilliant draft.
, since hand in hand urn irrigation basin. Rouge washes away the shadow of the autumn platform, and ice and snow absorb the soul.
Chen Geng's double-breasted criticism: Seeing that he was totally honest, he finally refused to comment. It's more beautiful when the flowers are light. Chen Geng criticized with his binoculars: Great! How many people can have high-spirited eyes! Tonamiyama is more hidden.
How can I get jade without trace? Chen Geng's two-pronged criticism: watch him satirize Lin Bao and his wife. In order to pay for Bai Di's cleaning, Chen Geng criticized him: Look at the state when he received himself.
Tingting fainted without saying a word. Appreciation: This is a seven-character poem by Bai Haitang written by Baochai in the thirty-seventh chapter of A Dream of Red Mansions.
The first couplet, "Cherish your posture, cover the door by day, and fill the basin by hand", describes the treasure of begonia, caring behind closed doors and irrigation by novices, which is very detailed. Zhuan Xu's "rouge washes away the shadow of the autumn platform, and ice and snow reveal the soul", praising Bai Haitang's whiteness and elegance, washing away the bright color of rouge, and taking ice and snow as the soul.
The necklace is "more beautiful when the flowers are light, but there is no trace when the jade is worried", which is why it is more proud because of its elegance. Sentimentality will inevitably leave spots. Tail couplet "wants to pay Bai Di's cleanliness, but is speechless". In return for Bai Haitang's elegance, he stood there silently until sunset.
Baochai sings Bai Haitang according to her own personality. She has a strong self-esteem, "she doesn't like flowers or powder", "she has a square personality and beautiful appearance", and the so-called "cherish her beauty" is pure and clean. And Jia Tanchun, cold grass setting the sun, heavy doors, moss after the rain spread pots.
Jade is harder than pure spirit, and snow is easier to forget. My heart is weak, and my beautiful image is marked in the middle of the night.
Don't say that immortals can feather, but sing with me late. Bai Haitang Jia Baoyu's autumn colors reflect the heavy doors, and the seven sections are full of snow.
Taking a bath is too real to shoot a shadow, holding the heart of the jade as the soul. Xiao Feng is not worried about a thousand points, and Chen Geng's double-line criticism: this sentence has been in his mind.
The rain added a tear. Chen Geng's Double Criticism: The beauty is that Dai Yu will not be forgotten.
If you are interested in leaning on the painting column alone, Chen Geng will double-row and criticize: Baoyu's efforts will not be good. It's just that I'm obsessed with Daiyu, so I'm not alert.
Clear the anvil and complain that the flute will send dusk. Ode to Bai Haitang's Lin Daiyu, half-rolling the curtain and half-covering the door, and Chen Geng's double-row criticism: Not to mention flowers, it is said that people who look at flowers suddenly get chic.
Grind ice into soil and jade into pots. Chen Geng Double Batch: Great! People think he is different.
Steal a pear for three cents and borrow a plum blossom for a soul. The moon cave fairy sews robes, and the woman who always wipes crow marks in my heart in autumn.
Who is shy and silent? I'm tired of leaning against the west wind at night. Chen Geng's two-pronged criticism: It's really easy to knock on the sidelines.
Don't fall by yourself. Ode to Bai Haitang Shi Xiangyun (1) Immortal descended to Jingmen yesterday, and Chen Geng made a double-row criticism: It's novel to think about it, and it doesn't leave four sets.
Plant a pot of lantian jade. Chen Geng Double Batch: Good! The word "basin" is more stable and does not fall into four sets.
Since Frost Moth prefers cold, Chen Geng's two-pronged criticism: don't take off his future appearance. It's not about beautiful girls, it's about souls.
Qiu Yin praised him, and Chen Geng criticized him both ways: awesome! This sentence overwhelmed Fang Qun. Rain stains have increased night marks.
But I like the poet's tireless singing, which makes my loneliness ache. Chen Geng's two-pronged criticism: Great! "Bai Hai Tang Fu Shi Xiangyun" (2) It is also appropriate to have a corner and a basin from the steps to Robbie Gate.
Chen Geng's two-pronged criticism: Better! Flowers are hard to find a mate because they are happy and clean, and people are easy to break their souls because of autumn sadness. Jade candle drops dry the tears in the wind, and the crystal curtain separates the remnant moon marks.
The dark color wants to persuade Chang 'e, and the night is dim in the empty corridor. Chen Geng's two-pronged criticism: two songs can really roll.
Poetry is a good poem, prose is a strange poem. I never thought there were two more poems to roll. Other appreciation: [Explanation] This is the first time that the sisters of Grand View Garden have sung since they formed the Haitang Poetry Society.
Li Wan was promoted to president by everyone, responsible for commenting on poems, limiting the rhyme of Spring Festival and supervising spring. After the poem was written, everyone thought Daiyu was the best, but Li Wan put Baochai first, and Tanchun agreed that Baoyu was unfair to Daiyu.
The next day, Shi Xiangyun arrived and wrote two more songs, which were praised by everyone. A (Jia Tanchun) cold grass in the setting sun with heavy doors, moss full of rain basin.
Jade is harder than pure spirit, and snow is easier to forget. My heart is weak, and my beautiful image is marked in the middle of the night.
Don't say that immortals can feather, but sing dusk with me. [Note] 1. Cold grass-autumn grass.
2. Moss color. /Students /3. "Jade is"-use jade and ice and snow to describe white flowers.
Su Shi's poem "Plum Blossoms Bloom under the Pine Wind Pavilion" reads: "In the plum blossom village under Luofu Mountain, jade snow is the bone and ice is the soul." At the same time, this is a flower personification, compare it to a fairy, because "Zhuangzi Xiaoyao Tour" once said that the beautiful man of God is "skin like ice and snow".
Enchant, make people crazy. 4. Image beauty-physical beauty.
There are marks on the moon-there are shadows on the moon. The "mark" here is not tears.
Li Shangyin's poem "Apricot Flowers" says: "Less help is more strength, and there are marks on the wall." In a word: the midnight moon shows the beautiful figure of Bai Haitang.
5. "Mo Dao" two sentences-don't say that the white fairy is going to fly to the sky, she sings passionately with me at night. In ancient times, it was a kind of white silk.
This refers to white clothes. Take "fairy" as the flower, and inherit "snow as the muscle nose"
Taoism calls immortality or soaring "feathering", which means that you can go to heaven by becoming a bird. The last sentence is based on the poem "Begonia Flower" written by Liu Jian in Tang Dynasty: "There will be more love tomorrow night, and the fragrance under the moon will be accompanied by drunkenness."
Secondly, (Xue Baochai) cherishes Fangzi's appearance and hides the door during the day, so he joins hands with the urn to fill the moss basin. Rouge washes away the shadow of the autumn platform, and ice and snow absorb the soul.
You know that flowers are brighter when you are pale, but how can you get jade without trace when you are worried? If you want to pay for Bai Di, you should be clean. If you don't talk about Tingting, you will faint. [Note] 1. Hand urn-portable pottery used to hold water.
2. "Rouge" is the rhetorical syntax of the poem, which means that Bai Haitang's recitation washes away the glitz of rouge and brings in the purity of ice and snow, so he can show his noble figure and soul on the autumn stage and dew. "。
3。 . .
5. "Crabapple" and "Crabapple"-A preview of the content of appreciation of Su Shi's poems: Su Shi's east wind is full of worship, and the fragrance disappears and the moon turns to the gallery.
I was afraid that the flowers would fall asleep in the middle of the night, so I lit candles and put on red makeup. Appreciation: This poem is about what Su Shi and his friend Shang Huashi saw in the blooming season.
The first sentence is about begonia during the day, and "pan-worship" refers to the noble beauty of begonia. The second sentence is about night begonia, and the author creates a fragrant, ethereal and somewhat psychedelic realm.
Slightly lonely, in line with Haitang's self-indulgence and loneliness. The last two sentences are allusions, and the author is afraid that flowers will fall asleep in the middle of the night. Not only compare flowers to people, but also compare people to flowers. I am very touched by the thought of flowers, which shows that the author is a person with temperament.
On the one hand, the author wants to light a red candle to accompany and care for Haitang, and on the other hand, he wants to create an atmosphere for Haitang to cheer up and stay awake. The last two sentences are very romantic.
Song Shi Hui Hong's "Cold Zhai Night Talk" thinks that this poem is a "word-making work" and a "change from ancient times to modern times". This quatrain was written in the third year of Yuanfeng (AD 1080), and Su Shi was demoted to Huangzhou (now Huanggang, Hubei).
The first two sentences are about the environment, and the last two sentences are about loving flowers. The title is Haitang, but the pen does not describe Haitang. This is a curved pen.
"The east wind curled up" describes the blowing state of the spring breeze, using the phrase "the autumn wind curled up" in "Nine Songs of Chu". "sogou" refers to the growing spring. With the word "Pan", it vividly writes the warmth of spring and creates momentum for the blooming of Haitang.
The second sentence is about the silhouette of Haitang, and the fragrance of Haitang is scattered in the dense fog, which is refreshing. "the moon turns to the gallery", the moon turns to the gallery, but this begonia flower is invisible; It means that the night is deep and people can't sleep. Of course, you can also read a metaphor from it: you are far away from the rivers and lakes, which is not in line with the king's favor.
"I'm afraid of falling asleep at night" is the key sentence of the whole poem. This sentence is a turning point, writing the mentality of flower lovers.
When Yuehua could no longer shine on the beauty of Haitang, the poet was suddenly filled with pity: Haitang is so beautiful, how can she bear to let her live alone in the dark? This flower, which has accumulated a season of hard work and quietly blooms, is unexpectedly unappreciated. Is it too sad and disappointing for her? It's quiet at night, and I'm full of loneliness, so I can't sleep naturally. Flowers are lonely and cold, and I want to sleep. How can I spend this long night alone? No, only I can listen to the sound of flowers; Only this lonely begonia can accompany me all night! A "fear" writes out my worries and fears caused by unbearable loneliness, and also hides my persistence in spending the night with flowers. The word "only" polarized the infatuation of the flower lover. Now all he can think of is the bright smile of the flower, and all the other unhappiness can be written off for the time being: this is a transcendental realm of "forgetting me" and "being or not".
The last sentence goes further, raising the love for flowers to the extreme. "So" refers to the word "lest" mentioned above, which means doing it on purpose. It can be seen that the poet has a special liking for Haitang.
This sentence uses the allusion of Emperor Xuanzong of the Tang Dynasty that Yang Guifei's drunken appearance is "Haitang didn't sleep enough", and instead uses flowers as a metaphor for people, chanting little by little without trace. "Lighting a Candle" is a wonderful contrast with the "Moon Corridor" mentioned above. Moonlight seems to be too jealous of the brilliance of this blooming begonia, so mean and ungrateful, and refuses to show her a beautiful stage; Then let me drive away the darkness of this long night for her with a red candle with a high fever! The poet's chivalry and kindness are faintly visible here.
"Red Makeup" echoes the word "flowers go to sleep" in the previous sentence, which is extremely charming and moving. On the surface, the words "burn" and "photo" are written about my love and care for flowers, but in fact, they can't help but reveal some unhappiness in life.
He wants to get rid of the pain in "playing with things" (enjoying flowers), even if it is only a moment of detachment. Although a hundred flowers blossom, it has taken a step towards decline. Although the high-spirited flower is far away from the soil of reality after all, he thought about this positive attitude of going his own way and enjoying life. Who can stop it? .
6. Su Dongpo's ancient poem-Haitang (a brief analysis) The poem is full of glory, and the fragrance is foggy and empty.
I was afraid that the flowers would fall asleep in the middle of the night, so I lit candles and put on red makeup. This quatrain was written in the third year of Yuanfeng (AD 1080), and Su Shi was demoted to Huangzhou (now Huanggang, Hubei).
The poet first described the begonia in the breeze, deliberately expressing the color of begonia. "East wind" is the spring breeze, "curled up", the breeze blowing gently, "worship" refers to the noble and gorgeous luster.
The meaning of this poem is: the breeze gently blows the begonia, and the begonia radiates gorgeous luster. The word "plate" describes the scene of begonia flowers swaying in the moonlight and breeze.
The second sentence describes the fragrance of begonia under the moon. It's refreshing to write about the fragrance of begonia in the dense fog.
The "bright moon corridor" is the bright moon corridor, which can't shine on Haitang. In this case, begonia flowers can only give off fragrance in the lonely and dark night.
Obviously, the begonia flower at this time is as talented and ideal as the poet himself, but it can't be reused. It's really far away from the rivers and lakes, which is not in line with the king's favor! Therefore, the description of lonely night scenes here implies the poet's loneliness psychology. The best part is three or four sentences.
"Fear" in the sentence is anxiety, which vividly describes the poet's psychological activity of loving flowers and his unwillingness to enjoy fun. "So" refers to the word "lest" mentioned above, which means doing it on purpose. It can be seen that the poet has a special liking for Haitang. These two poems are praised by later generations as "the strangeness of language creation and the ingenuity of conception".
In ancient times, "strangeness" often used people as metaphors for flowers, and the author used flowers as metaphors for people, using empathy. In the poet's imagination, begonia flowers, like people, will fall asleep in the middle of the night. Therefore, it is nonsense to light a candle to cheer up Haitang, which vividly shows the poet's feelings of loving flowers more than cherishing them.
"Qiao" is the poet's metaphor of himself with flowers. Haitang is so beautiful, how can you bear to let her live alone in the dark? This flower, which has accumulated a season of hard work and quietly blooms, is unexpectedly unappreciated. Is it too sad and disappointing for her? Obviously, Haitang is actually the poet himself. The experience that Haitang can only bow its head in the darkness without moonlight is a portrayal of the poet's own experience. "I'm afraid of falling asleep at night" implies self-pity.
However, the poet was not depressed by this. We can clearly feel the poet's open-minded and free-spirited mind from such vivid images as "east wind", "worship of light", "fragrant fog", "high candle" and "red makeup". Throughout the poem, the first two paragraphs show that the poet's time to enjoy flowers is the moonlight in spring, describing the brilliance and fragrance of Haitang in the moonlight in the east wind, which is real writing, while the last two paragraphs describe the expression of Haitang, which is empty writing.
The combination of reality and reality not only shows the elegant and refined beauty of begonia, but also expresses the poet's love for flowers and cherishes them, and even writes the life sentiment that talents don't meet. The language of the whole poem is simple, containing but not revealing, feeling but not hurting, affectionate and intriguing.
7. An ancient poem about Chinese flowering crabapple "Spring Festival Evening Garden" In the Song Dynasty, Wang Qi took off the residual makeup of plum powder and painted a new red flowering crabapple.
It's time for the tea tree to bloom, and a little thorn grows on the berry wall. Living in the east of Dinghui Garden, there are flowers all over the mountain, and there is a kind of begonia, which the natives don't know how expensive it is. Su Shi lived in Jiangcheng area in Song Dynasty, and only famous flowers were bitter and lonely.
Smiling at the bamboo fence, peaches and plums are always full of customs. I know that creation has profound meaning, so I sent the beauty to the empty valley. Nature, wealth is the appearance of nature, not waiting for the golden plate to recommend China's house.
In the Song Dynasty, begonia, Su Shi's east wind curled up and worshipped the light, and the fragrance turned to the corridor. I was afraid that the flowers would sleep at night, so I lit up candles and put on red makeup. The following are excerpts from A Dream of Red Mansions, Tanchun and Bai Haitang Fu. The cold grass in the setting sun is covered with heavy doors and moss, and the pots are laid after the rain.
Jade is harder than pure spirit, and snow is easier to forget. My heart is weak, and my beautiful image is marked in the middle of the night.
Don't say that immortals can feather, but sing dusk with me. Baochai's "Bai Hai Tang Fu" cherishes its beauty, hides outside the door during the day, and carries an urn to fill the moss basin.
Rouge washes away the shadow of the autumn platform, and ice and snow absorb the soul. Only when you are weak can you know that flowers are more colorful, but when you are sad, you can get jade without trace.
If you want to pay for the cleaning in Bai Di, you will get dizzy if you don't talk about Tingting. Baoyu's "Bai Hai Tang Fu" reflects the autumn gate, and the seven sections are full of snow.
Taking a bath is too real to shoot a shadow, holding the heart of the jade as the soul. The morning breeze does not disperse a thousand sorrows, and the rain adds a tear.
Deliberately leaning on the painting column, clearing the anvil and blaming the flute to send you to dusk. Dai Yu's "Bai Hai Tang Fu" is half-rolled and half-covered, with ice ground into soil and jade ground into a basin.
Steal a pear for three cents and borrow a plum blossom for a soul. The moon cave fairy sews robes, and the woman who always wipes crow marks in my heart in autumn.
Who is shy and silent? I'm tired of leaning against the west wind at night. A fairy in Xiang Yun's Bai Hai Tang Fu went down to Doumen yesterday and planted a pot of lantian jade.
Naturally, frost moths prefer cold, and their souls leave Guan Qian. Autumn covers the snow, and rain stains add night marks.
But I like the poet's tireless singing, which makes my loneliness ache. Xiang Yun's "Bai Hai Tang Fu" has a second stage, which leads to Robbie Gate and is also suitable for corners and basins.
Flowers are hard to find a mate because they are happy and clean, and people are easy to break their souls because of autumn sadness. Jade candle drops dry the tears in the wind, and the crystal curtain separates the remnant moon marks.
The dark color wants to persuade Chang 'e, and the night is dim in the empty corridor. Dream Author: Li Qingzhao last night, the rain suddenly blew, after a deep sleep, there was no residual wine. I asked the shutter man, but I knew Haitang was still there.
Know what? Know what? It should be green, fat, red and thin. Look at Begonia treading in the rain Author: Age: Song was born beautiful and once loved me deeply.
My heart was broken after the begonia opened. The oblique wind and drizzle didn't clear up, and tears dripped on the railing.
I hate not opening it, but when I open it, I take it with me. Spring cold only closed the house.
He came to see you after the weather cleared, ashamed and haggard. Begonia is planted in Qiu Jin with deep rain and dew, a cluster of light and a cluster of thick.
How many times in your life have you not used the spring breeze to fight the evening breeze? When the inn saw the screen painting of Haitang, it was boring for Song Lu, and it just wanted to plant a wall. This habit is as stubborn as a stone. Dumen sighed again, but stopped drinking and began to feel ashamed.
Begonia blooms in Chengdu in February, and Jinxiang is wrapped in the city. Yan Palace is the most prosperous flower sea, with the remains of the national tyrant.
The scarlet parrot green is very clever, and the overlapping calyx sticks to the dazzling sun. A prosperous dream suddenly blew away, and the people remembered it with their eyes closed.
Sorrow and joy are easy to know when they are looking for each other, so old people remember drunken poems. At night, the wind and rain passed, worrying about the broken branches on the screen.
When I first arrived in Shu, my temples were not frosted, and Nanchong looked at Haitang. I can't see it at that time, but I'm afraid there's a Bijifang.
Biji Haitang is unparalleled in the world, with branches like orangutan blood. Is Yan Zhuang willing to be a man? I feel colorless before flowers.
The ship is eight thousand miles to the east, and Yangzhou peony should die of shame. Rain and spring, cuckoo cries, and dreams back to Shu every night.
Why seek immortality? More importantly, it is not enough to see a thousand years. Haitang Lanzhao horizontal pond, fragrant tree low wall.
It spread the profound meaning of Dong Jun and dyed it into a beautiful scenery in West Sichuan. The broken red branches are still powdered, and the shade is fragrant.
It should be a work department without poetry, and it still contains dew for crying makeup. There is a begonia in the east of Dinghui Garden. The natives don't know it's expensive, and Su Shi's Jiangcheng is rich in vegetation. Only famous flowers are bitter and lonely.
Laughing at the bamboo fence, peaches and plums are always vulgar all over the mountain. I also know that creation has profound meaning, so I sent the beauty to the empty valley.
Nature, wealth is the appearance of nature, not waiting for the golden plate to recommend China's house. His lips were carried away by wine, and his sleeves were wrapped with Anh Hong meat.
The forest is dark and foggy, Guang Xiao is late, the warm wind is light during the day, and the spring is full. There are tears and sadness in the rain, and no one is more beautiful under the moon.
There is nothing wrong with Mr. Wang's full stomach. He walks freely and needs a stomach. Don't ask people and temples, knock on the door with a stick to see bamboo cultivation.
Suddenly, every photo of Zhang Huali was rotten, and the root of the disease was erased with a sigh. Where did the humble country get this flower? There is nothing good about moving to West Shu.
It's not easy to push your luck, but it's a swan. I can read it all over the world just to drink this song.
In the Ming Dynasty, when I woke up alone, the snow began to fall. Liu Haojun, an old writer in the field of poetry, laughed it off and made beautiful sentences famous.
Flowers are sentimental because of poetry, and poetry is more beautiful because of flowers. Cultivate the rain and dew well, and don't let it languish and get stuck in the dust.
He is as rotten as Xishu. I want to see Qixia from you. After farewell, Wang Yu, a begonia, has a pile of red snow to charm his youth, so he should teach tears when bidding farewell.
Fortunately, don't be haggard next year, and the school book is also a flower lover.
8. Three or four sentences are written about the mentality of flower lovers, which is very romantic. "I'm afraid the flowers will fall asleep at night" is the key sentence of the whole poem. This sentence changed the pen and wrote the mentality of flower lovers. The "fear" in the sentence means worry, which vividly describes the poet's psychological activity of loving flowers but unwilling to enjoy themselves: when the moonlight can no longer shine on the fragrance of begonia. This flower, which has accumulated a season of hard work and quietly blooms, is unexpectedly unappreciated. Is it too sad and disappointing for her? Poets who are lonely in the dead of night naturally can't sleep; Flowers are so lonely and cold that they want to sleep. How do poets spend the long night alone? \x0b wrote about my anxiety caused by unbearable loneliness, and also hid my persistent desire to spend the night with flowers. The word "only" polarized the infatuation of the flower lover. Now all he can think of is the bright smile of the flower, and all the other unhappiness can be written off for the time being: this is a transcendental realm of "forgetting me" and "not having me". The last sentence raised the love for flowers to the extreme. "Geng" takes care of the word "fear" mentioned above, which shows that the poet has a special liking for Haitang. This sentence uses Yang Guifei's drunkenness in the Tang Dynasty as the allusion of "Haitang didn't sleep enough", and turns flowers into metaphors, which are like songs without traces. Burning a candle inherits the above-mentioned "Moon Corridor" remotely, so let me drive away the darkness of this long night for her with a red candle with a high fever! The poet's chivalry and kindness are faintly visible here. "Red Makeup" echoes the word "flowers go to sleep" in the previous sentence and describes the charm of Haitang.