Fog hangs over the towering peaks, and the blue paleness can't point out the index. Gui Yan, with her back to the sun, has dyed the sky red and is about to dusk. Life is like the wind drifting into the white clouds, and the feeling of parting is like the ground after the rain. Explanation: Smoke hangs over the towering cape, and the green dot cannot be indexed. Returning geese carry the sunset, and the sky is full of red clouds. Life is like white clouds drifting into the river with the wind, and the feeling of parting is like tidbits stuck to the ground after the rain. The name of the poem: Yulouchun. Real name: Zhou Bangyan. Font size: Meicheng number. Muslim laity. Time: Song Dynasty. Ethnic group: Han nationality. Place of birth: Qiantang (now Hangzhou, Zhejiang). Date of birth: 1057. Time of death: 1 12 1 year. Main works: Slow Moon Worship, Sauvignon Blanc, Spring Rain, Bianzhou No.1, Dianjiang Lip, etc. Main achievements: graceful and restrained, denying pronoun names.
We will introduce Sunset on the Back of Wild Goose to you in detail from the following aspects:
First, the full text of "Jade Louchun" Click here to view the details of "Jade Louchun"
If Taoxi doesn't live peacefully, the autumn lotus root will never have a place to live.
Recalling the red bridge at that time, we are wandering alone on the road with yellow leaves everywhere today.
Fog hangs over the towering peaks, and the blue paleness can't point out the index. Gui Yan, with her back to the sun, has dyed the sky red and is about to dusk.
Life is like the wind drifting into the white clouds, and the feeling of parting is like the ground after the rain.
Two. notes
Stay: Stay. Connect.
Phase: mutual.
Chilan Bridge: It seems that this place is not used for place names.
Lieyao: Chen Yuanlong quoted Xie Tiao's poem "There is a hole in the window" in Selected Works.
Desire: to be.
Like: like.
Third, the background
This word was written by Professor Zhou Bangyan when he left office in Yuan _ 4 (1089). The poet is about to leave Taoxi, recalling his charming life in the past, and his heart is full of melancholy, which means he can't give up.
Four. translate
The flush in Taoxi won't stay calm, and the lotus leaves in autumn are in a place where there is no connection. Recalling the red bridge at that time, we are wandering alone on the road with yellow leaves everywhere today.
Taoxi refused to take it easy, and the autumn was broken. Recalling the waiting for each other on the Chilan Bridge at that time, today I wander alone on the barren road covered with yellow leaves.
Fog hangs over the towering peaks, and the blue paleness can't point out the index. Gui Yan, with her back to the sun, has dyed the sky red and is about to dusk. Life is like the wind drifting into the white clouds, and the feeling of parting is like the ground after the rain.
Smoke hangs over the towering headland, and the green dot cannot be indexed. Returning geese carry the sunset, and the sky is full of red clouds. Life is like white clouds drifting into the river with the wind, and the feeling of parting is like tidbits stuck to the ground after the rain.
Verb (abbreviation of verb) appreciation
This word begins with a love fairy tale, describing the disappointment caused by the poet's revisiting his hometown after breaking up with his lover. The whole word is dual, dignified and beautiful, with deep feelings.
The first sentence of the last movie "Taoxi" used the allusions of Liu and Ruan Yuxian in the Eastern Han Dynasty. According to legend, in the Eastern Han Dynasty, Liu Chen and Ruan Zhao went to Tiantai Mountain to collect herbs. They met two women by Taoxi. They were both beautiful. So they longed for each other and stayed for half a year. They are homesick, and the women let them go back. And back home, children and grandchildren have lived for seven generations. I haven't seen those two women since I revisited the rooftop. In Tang poetry, it is common to encounter immortals, truth and cheating. "Taoxi leads a restless life" implies that the poet once had a love encounter with Liu Ruan, but he didn't stay quietly for a long time and broke up soon. This is a memory of the incident of ignoring the right person at that time. There is regret in the tone, but the pen is lighter. The use of the code name "Taoxi" also implies the meaning of "Liu Lang came again today", which is in line with the rediscovery of the old place. The second sentence uses a metaphor, implying that the relationship between Taoxi is cut off, just like the lotus root (homophonic "even") in autumn can never be reconnected, and the tone is full of heavy regrets and regrets. People often use unforgettable old love as a metaphor. If meaning is used instead of language here, the new meaning will appear strange and unconventional. The following two sentences focus on summarizing the narrative, revealing the traces of clutch and inspiring the following.
"At that time, I was waiting for Chilan Bridge. Today I am looking for Huangye Road alone." In three or four sentences, they undertook "Taoxi Club" and "Never Come Again" respectively, and made a sharp contrast between "waiting for each other then" and "watching alone today". Chilan Bridge and Huangye Road are different names of the same place. The first two sentences "Taoxi" and "Autumn Lotus Root" are also dark and bright, which are divided into spring and autumn. 34 and 12 coincide, looking for it in different seasons, rendering the joy of the party and the sadness of isolation. The small bridge with red painted railings, bright and warm colors, set off the warmth and affection of former lovers; The path covered with yellow leaves, with its bleak and sad tone, renders the loneliness and sadness of today's lonely search. Looking back on the past in the case of "looking for the Yellow Leaf Road alone", the scene of "waiting for the Chilan Bridge at that time" is particularly worth cherishing, and the scene of "looking for the Yellow Leaf Road alone today" is more and more embarrassing because of the comparison of beautiful past events. Between the present and the past, not only because of mutual contrast, but also because of mutual blending and infiltration, the emotional connotation is more complicated. Since "people from the wind enter the river", the so-called "seeking independence" is nothing more than revisiting the old place, pursuing the tenderness of the past in memory, and reliving the long-lost joy and love in loneliness, but after all, loneliness and melancholy have warm and bright memories and temporary spiritual comfort. Compared with the past and the present, many things are human, but this connection has a special meaning of non-human, and it is also novel and tasteful. The poetic images of "Chilan Bridge" and "Huangye Road" have gone far beyond the category of season selection and become a symbol.
The next film "There are countless green flowers in the smoke, and the geese are dying at the back of the sun". In short, turn to writing: it is a sunny late autumn evening. In the mist, countless green peaks stand in the distance. The afterglow of the sunset reflects the back of the flying geese in the air, reflecting a touch of red that is about to fade. Its beauty is mainly not the beauty of scenery description, nor the symbolic significance of the scenery itself; But between emotion and scenery, there is a kind of connection if there is no connection, which makes people feel unspeakable. Countless childhood sweethearts stand side by side, saying nothing, silently facing those who are looking for them alone, showing the emptiness of the environment and their own loneliness; And a touch of residual red on the back of the wild goose shows the splendor of the evening scene, but it will soon fade away and disappear into the twilight.
"People enter the river like the wind, and love is like rain." Two sentences, turn lyrical. Clouds floating in the river with the wind not only vividly show the scene of a lover's sudden death, but also make people want to see his ethereal figure. Catkin stuck to the ground after the rain vividly shows the strong bond of the hero's feelings, and also tells all the distress and confusion he wants to get rid of but can't get rid of. These two metaphors do not belong to the type of framing analogy and letting nature take its course. It is the result of thoughtful exploration and innovation. However, because they vividly and aptly express the poet's feelings, they only feel heavy and powerful when read, but they can't feel the traces of their carving and description. "Love touches the ground like rain" is the word "eyes", and the whole word expresses precisely this persistent and stubborn feeling.
This word is pure contrast, thus creating a dignified style suitable for the content. The whole word is still in the turbulent pen and ink, dignified and beautiful. It is said that people can't stay, and the next love can't exist. Keep your arms, don't be stingy with your posture, you won't get tired of your board or your fiber. The news is hard to say. "Using this passage to evaluate this word is skillful, deep, flexible and should be accurate.
Six, Zhou Bangyan's other poems
Su Curtain, Six Ugly Roses after Xie Zuo, Big Spring Rain, Night Magpie, River Bridge, Warrior Lanling Willow. Poetry of the same dynasty
General Cao, Xiaqutang, Tengwangge, mistress attacked his wife and complained about the cold, and Tang Meishan's poems were also played as notes, with the title Cherish, abandoned as the value of rice crossing, seeing off guests, exclamations and titles.
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