The must-have ancient poems for the first year of high school are as follows:
Qinyuanchun·Changsha (Mao Zedong), "Drinking" (Tao Yuanming), "Sending Du Shaofu to Shuzhou" (Wang Bo) , "Happy Meeting" (Li Yu), "Looking at Spring" (Du Fu), "Dan Ge Xing" (Cao Cao), "Returning to the Garden and Living in the Fields Part One" (Tao Yuanming), "The Book of Songs·Zhou Nan·Yu Ju", "Wen Shi "Grandson Goes to the Village to Harvest Wheat", "East of Jieshi", "One of the Eight Poems of Autumn"
Climbing high, "Pipa Journey", "Jinse", "Travel to Baochan Mountain", "Red Cliff" "Fu", "Li Sao" (excerpt), "Climbing Yueyang Tower", "Chen Qing Biao", "Preface to Prince Teng's Pavilion" (excerpt).
Ancient poetry is a general term for ancient Chinese poetry, referring to poetic works created by ancient Chinese people. Ancient poetry in the broad sense includes poetry, lyrics, and Sanqu, while ancient poetry in the narrow sense only refers to poetry, including ancient poetry and modern poetry.
Formal Features
1. Neatness of Sentences
Except for words and music, most classical poems have neat and tidy sentences. For example, "The Book of Songs" basically It is four-character, "Chu Ci" is generally six-character plus the word "xi", and most ancient and modern poems are five-character or seven-character.
2. Flat and oblique tones
Ping and oblique are the two major categories of Chinese tones. In modern poetry, lyrics and music, there are very strict regulations on the use of flat and oblique characters. In some positions, flat characters must be used, and in other positions, oblique characters must be used. For example: "The country is broken, the mountains and rivers are there, the city is springy and the vegetation is deep" (Du Fu's "Spring View"), which is the sentence pattern of "廄廄廄平平, 平平廄廄平".
3. Vocabulary and syntax
Because each Chinese character is basically an independent unit with both form, sound and meaning, and many Chinese characters have multiple meanings. There are various bonding relationships among them, so the words in the poems formed by this bonding appear to be extremely complex and diverse. For example, adding another word after the word "wind" can form many words: grace, scenery, wind and thunder, wind and frost, wind servant girl, etc.
4. Rhythm and rhyme
From a sentence structure point of view, the four characters in ancient poetry are generally two, two; the five characters are two, two, one; the seven characters are two, two, Two, one. From a meaning point of view, sometimes there are special situations due to expressive needs, such as: Shiba|Five Mountains|Bian|Akagi, which becomes two, two, one, and two styles.