Poetry mostly expresses a person's ideals and ambitions through scenery and the like.
Most of the words are decadent voices in the boudoir.
Therefore, it is called "poetic rhyme"
Orthodox scholars generally disdain to write lyrics.
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(Explain what I said upstairs: P)
The word was originally named "banquet"
Song and dance leisure work
Mostly the theme of flowers.
As for Su Shi and Xin Qiji's bold and unconstrained ci, although in a sense, they expanded the realm of ci.
But in the traditional sense, it violates the general style of words.
Therefore, Li Qingzhao raised an objection to Su Shi in Luntz.
The proof is Su Shi's ci collection Dongpo Yuefu.
Although he is famous for his brave words.
However, most words in the word set are still brightly colored words.
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What we are discussing is the landlord's problem, that is, the material of words is the theme. The theme of the word is obviously boudoir, because the word is to be sung by a geisha with music, and the word sung with music is a word in the orthodox sense. As for bold and unconstrained ci, it is by no means the peak of the development of ci style, but the expansion and innovation of ci style context and theme, which can only belong to a part of ci style theme.
Secondly, the theory of "verve" first put forward by Li, a scholar in the Ming Dynasty, has been widely recognized by the academic circles. When we study poetry, especially the chapter of Su Shi in the history of China literature, we should know that the artistic features of Su Shi's ci mainly focus on "Su Shi's opposition to the traditional concept of' poetic rhyme'", "washing away the realm of beauty fragrance and getting rid of the degree of taking precautions", which broadens the realm of ci and sets up a different banner of ci style. "
You once again said that Su Shi broke free from the bondage of music. Although it is progress in the eyes of most people, it should have been added in accordance with the law long ago. Li Qingzhao was right to criticize Su Shi's reform. He just turned the words into "long and short ear poems" So is this an improvement or a retrogression in writing?
And you said that scholars despise each other, and Li Qingzhao is the representative of graceful words, so it is natural to oppose him. Apart from Li Qingzhao, Qin Guan was Su Shi's proud disciple, but he turned to Liu Yong and the Song Dynasty poet Zhang Yan. After Su Shi, he also put forward "heroic words, indecent words" in his theoretical work Etymology. In addition to the article, poking fun at pen and ink is the poetic ear of long and short sentences. "Visible, in the history of words, bold words are not as weighty as you think. Just look at the number of delegates and attitude.
Third, lobbying "Su Shi changed Ci from an accessory to music into an independent lyric poem, which fundamentally changed the development direction of Ci, theoretically broke the position of poetry respecting Ci, and made the aesthetic status of Ci keep pace with poetry." I don't agree either. Su Shi only said in Suixian: "Jin is a relatively small word. Although it has no taste of Liu, it is also a family. ..... quite spectacular. " The "home" proposed here is to distinguish it from the "taste" of Liu Yong's ci, and refers to the bold style of his ci, not for the status of his ci.
It is not Su Shi who really improves the status of Ci in theory, but Li Qingzhao. Her On Ci is the first systematic monograph on Ci in ancient China. In it, she put forward the theory of "don't be a family", which is a great difference between poetry and ci. Wu's General Theory of Tang and Song Ci (1985 edition. Zhejiang Ancient Books Publishing House also has the saying that "Li Qingzhao created the Ci' Biepai', which clarified the rhythm and style characteristics of Ci and set a boundary stone for the difference between poetry and Ci".
Fourth, did Chunqiu Jun read through Dongpo Yuefu? It is not that we can look at the comparison between bold words and graceful words in the early and late stages. No matter in which period, obvious euphemisms account for the majority. Even in the Huangzhou period when Nian Nujiao was written, he also created a lot of graceful words. Even the representative figures of uninhibited ci poetry, when writing ci poetry, the theme is decadent boudoir. Can't you explain the characteristics of words?
P.S. Chunqiujun's views can indeed be found in many formal literature textbooks, but this is the previous view of the academic community, and I think we should have our own opinions in the continuous development.
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Su Shi's poems are certainly good, but Liu Yong's poems have also inspired him.
In addition, I agree with the last three lines of Spring and Autumn Jun's viewpoint: graceful and restrained words are authentic, and Dongpo began to change the style of words greatly, which has far-reaching influence. Can be called the father of courage, not as good as later generations.