What is Tao Yuanming's poem "Immigration [Part One]"?

The answer is as follows:

Two Movements One (Tao Yuanming)

I wanted to live in Nancun, not for the sake of Buqi's house.

people who are more thoughtful are happy with the morning and evening.

I have been pregnant with this for quite a few years, and today I am in the army.

there is no need to cover the bed mat.

neighboring songs come from time to time, but resistance to words is in the past.

appreciation, doubt and analysis of strange writing.

Appreciation

This poem is about the original intention of moving to seek friends and the past happiness of the neighborhood. Yinwei whole poem, every four sentences is a level.

the first four sentences: "In the past, I wanted to live in Nancun, not for my house. I am happy to hear more people, and I am happy with the morning and evening. " Tracing back to the past, starting with the word "past", linking emigration with seeking friends, focusing on the word "joy" because of different things. The ancients were superstitious. When they moved to choose a house, they predicted it first and asked for good luck. When the house was auspicious, they moved, but when it was dangerous, they did not. However, as the old saying goes, "A house is a divination, but a neighbor is a divination." ("Zuo Zhuan Zhao Gong Three Years") The settlers don't care about the good or bad of the homestead, but care about the good or bad of the neighborhood. With his intention, the poet shows that he has long yearned for Nancun, and that the house is not for feng shui and good luck, but for friends. Three or four sentences, make up the mood of Buju. "Plain-hearted person" refers to a person with pure and kind heart. The old theory refers to Yin Jingren, Yan Yanzhi and others. Count, calculate. The poet heard that there are many people with genuine qualities in Nancun, and they are willing to spend time with them. Tao Yuanming lived in the era of "Zhen Feng died, the great pseudo-culture prospered, Yan slacked his efforts and retired, and the city was driven by the heart of easy progress" ("Fu for those who feel that men don't meet"). He was saddened by the social atmosphere full of hypocrisy, machine fraud, profiteering and strife, but he was unable to set things right. He could only lead a clean life, retire to the countryside and devote himself to self-sufficiency. Buju seeks friends, does not follow the trend, does not pray for blessings, and only chooses good neighbors, which is the expression of the poet's lofty sentiments and inner personality.

the middle four sentences: "I have been pregnant with this for quite a few years, and I am serving in this army today. Why should the disadvantages be wide? Take enough to cover the bed mat. " From Buju's original intention to wish to move, it is a poetic turning point and deepening. Our service refers to the matter of moving. "Cheap house", dilapidated house, here refers to the humble new house. The poet once again shows that the desire to move to Nancun has long existed, and now it has finally come true. His feelings of happiness are beyond words. Then he said, as long as there are good neighbors and friends, it doesn't matter if the house is smaller, as long as it can cover a bed and a mat, why do you have to ask for spaciousness? I don't want to spend the morning and evening in my neighborhood, but I don't want to spend the morning and evening in my neighborhood. Although the disadvantages are small, I enjoy it. The poet's broad-minded mind and the fun outside things are self-evident. In the pursuit of housing, many people of insight have shown lofty spiritual realm throughout the ages. Confucius intended to live in the eastern minority areas. Someone told him that the place was too humble. Confucius replied, "Where is a gentleman living?" ("The Analects of Confucius Zi Han") Du Fu lived in Chengdu, and his hut was broken by the autumn wind. In his sorrow, he still eagerly called: "There are thousands of buildings in Ande, which is a great shelter for all the poor people in the world. Whoo! When I suddenly see this house in front of my eyes, I will freeze to death alone! " ("The Cottage is Broken by the Autumn Wind") Pushing yourself and others shows the lofty feelings of worrying about the country and the people. Liu Yuxi wrote an inscription for the humble room: "The mountain is not high, and the fairy is famous; The water is not deep, and the dragon is the spirit. I am a humble room, but I am virtuous. " (Humble Room Inscription) He despises the meanness and corruption of officialdom and pursues noble morality and interest. In terms of aesthetic temperament, he has something in common with Tao Yuanming's poem.

the last four sentences: "neighboring songs come from time to time, and the resistance to talking is in the past. Wonders are appreciated, doubts are analyzed. " Describe the joy of friends in detail. Adjacent songs, that is, neighbors. In the poem "Farewell to Yin Jin" written in 411 AD (the seventh year of Yixi), the poet said: "Last year, my family was in the south, and I was a neighbor when I was young." It can be known that Yin Jin 'an (Yin Jingren) was once a neighbor of the poet. Loudly speak, talk warmly. In the past, it refers to the past. The friends mentioned in the poem are mostly scholars, and the content of the conversation is naturally different from that with farmers, "Seeing each other without miscellaneous words, but knowing Sang Ma is long" is limited to farming (see "Returning to the Garden"), but with the characteristics and hobbies of scholars. They reminisce about the past together, and have a heart-to-heart talk freely and unreservedly. Together, they appreciate strange writing, * * * analyze difficult meanings, swim in the sea of learning, and pursue spiritual communication. When the poet wrote Two Movements, he was in the middle age of forty-six or seven. This is a period of maturity in all aspects of life. The fun and charm of middle age lies in knowing life and yourself, so as to do what you can and are willing to do and enjoy the life you can enjoy. Like other works after reading Tao Yuanming's return to the field, the feeling in Two Movements is vivid and strong: the poet hates the dark and dirty society and despises the ugly and hypocritical officialdom, but he does not hate life. In his sincere love for rural areas, relatives and friends, he found the happiness of life, the destination of life, the comfort and rest of the soul. High-spirited, free and easy, he loves life, loves life, has a unique and cordial emotional appeal, and is full of interest and reason. The charm of Tao Yuanming's poems comes from his poetic love and grasp of life and nature.

The style of Tao Yuanming's pastoral poems has always been known for its simplicity and naturalness. This unique style is the externalization of the poet's qualitative and natural personality. Judging from this poem, the story of emigration is a very common thing. But in the poet's leisurely writing, readers feel cordial and tasteful. The language used, like spoken language, is gentle and subtle, seemingly simple, but it tastes mellow, and the feeling of thinking is true and the meaning of enlightenment is far away. If you want to move, you will get what you want: "Why should the disadvantages be wide? Take enough to cover the bed." Simply speak everyday and express your life views directly. The word "why bother" is profound in its frankness, which reflects people's general mentality of seeking fame and profit, being refined and refined, being upright and upright, like a crane among pines and a swan in the sky. Another example is the poet's writing of harmonious and frank neighborhood friendship, which is only expressed by "coming from time to time", which can be described as saving ink and drawing people's imagination. Appreciating strange writing, taking the form of "* *", analyzing doubts and taking the form of "facies" are all vivid words. It is all right if you admire the strange writing and analyze the doubts, but it is impossible to deepen the theme of the joy of emigration because of the sharp drop in sentiment. While "* * *" and "Faxiang" are successive, and loudly speak's modality is vividly displayed, which makes "appreciation of strange writing, analysis of doubts and doubts" become a wonderful poem and win the appreciation of readers throughout the ages.