Autumn keeps people's hearts! Even if it doesn't rain, it's still very cold. It's always cool at night and the weather is fine.
There is a bright moon.
Afraid of going upstairs. Rest in your dreams when you are old.
Flowers, smoke, water.
Keshang stayed for a long time. The weeping willows don't touch the skirts.
Dragon islands
Tie a boat. The first song is a song.
"Shaking" and "Basso" in music have a sandwich flavor, such as "tickling is inherently dull" and "pressing your fist with Basso" are more colloquial and express your feelings more directly. The second song is a word, which is usually more elegant than the song (the style of the song is more popular), so it is more implicit in emotional expression (compared with the song) and there will be no interlayer. There are several words on the epigraph (the name of the word spectrum), just a few words. When I say elegant, it's like "autumn leaves are popular", "flowers and smoke flow" and "weeping willows don't touch my skirt", which needs more explanation in translation, unlike the above song "clenching fists", which is easy to understand. I don't know if you are satisfied with this answer.
You can read more words and songs, and you should be able to feel this feeling. 2006-12-1316: 53: 05 Supplement: Sorry.
I'm so nervous. The first song is Guan Hanqing's Get Drunk, also called Bare Nails, and the second song is Wu Wenying's Farewell to Tang Duoling.
Reference: I
Personally, I understand that music and words are the same. Music has scores and special syllables, while writing focuses on the use of writing skills. Moreover, there were songs and words in Song Dynasty and Yuan Dynasty respectively. Because of the different backgrounds of different dynasties, their reasons and practices are different, so they may not be compared. Modern people will be confused, mostly because they don't know the dynasty and background of their songs and words. As long as we know the background and age of the author, it is easy to understand and know whether it is a song or a word. First of all, let's look at the basic difference between Qu and Ci: Yuanqu or Yuanzaju is a popular opera art in the Yuan Dynasty, and it is a general term for Sanqu or Zaju. Compared with the legend of Ming Dynasty (Nanqu)
Later generations called Yuan Qu Bei Qu, which has the same literary status as Song Ci and Tang Poetry. Sanqu Sanqu is a kind of song form that can be sung by music. According to the records in the Collection of Brothels, there are many forms of singing in Yuan Sanqu, such as performance singing, dance accompaniment, musical instrument accompaniment and so on. At the banquet, the actor explained that Hua "held a lotus in his left hand and a wine glass in his right hand, and played a new lotus song in a sudden rain"; Lian zhixiu said, "If there are drinkers, they will dance and sing Song of Heaven, and the girls will dance together. It is really immortal." There are two main forms of Yuan Sanqu: poems and songs (also called songs and songs). Poetry was originally a folk minor, and most of the literati's poems were elegant and vulgar, while the folk poetry was vulgar. Poetry is mainly about description, which is more popular and vivid than Tang and Song poems, and it does have a unique style and spirit. Ci: Ci is an artistic form of poetry and a poetic style in ancient China, also known as Qu Zi Ci, poetry and long and short sentences. Nanliang, which began in the Southern and Northern Dynasties in China, was formed in the Tang Dynasty and reached its peak in the Song Dynasty. At first, it was sung with music, so writing lyrics is also called lyrics, relying on sound. Later, it gradually came out and became a special poetic art. As for the lyrics of modern people, please refer to the lyrics. The origin and development of Ci can be traced back to the Southern and Northern Dynasties in China. Xiao Yan, the founding monarch of Nanliang, was proficient in music and loved folk songs. Before seizing the throne, he was called one of the "Eight Friends of Jingling". More than 90 poems, mostly Yuefu, mostly imitating folk songs. The most famous poems are Songs at Four o'clock in the Midnight, Playing Bronze Hooves in Xiangyang, Music on the Clouds in the South of the Yangtze River, Jiangnan Lane and so on. Because of Liang's love for poetry and the special status of the emperor, the evolution of his poetry began to show signs of developing into ci. The earliest origin time of ci is still controversial in academic circles. What is certain, however, is that in the Liang Dynasty, there was no clear form of "Ci", and Ci really began to appear in China in the Tang Dynasty. More precisely, it was in the early Tang Dynasty in China. With the introduction of "Hu Yue" and "Yan Yue" at that time, Ci gradually broke away from the traditional five-character ancient poems and seven-character ancient poems and became a poetic art. Generally speaking, the evolution and development track of Ci is roughly as the scholars said: "Goumeng was born in Sui Dynasty, developed in Tang Dynasty, spread in the Five Dynasties, flourished in Northern Song Dynasty, flourished in Southern Song Dynasty, cut in gold, scattered in Yuan Dynasty, fell in Ming Dynasty and irrigated in Qing Dynasty. (Liu's History of Ci) = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = The playwright's dysmenorrhea is chaotic, and he has many feelings about social life. He wrote a script that deeply pondered the situation and fate of life and looked at society through "emotion". Sanqu has a wide range of contents, among which the theme of sighing and retiring is the most prominent. In the mid-Yuan Dynasty, the theme of zaju creation focused on love, immortality and literati deeds, showing the unique pursuit of playwrights. When expressing love, they pay more attention to "love" itself, because they are eager to find a place to escape from the world. They sang their unexpected depression and homesickness in the drama of literati deeds. Although Yuan Zaju still occupies an important position on the stage at the end of the Yuan Dynasty, its theme is mainly to promote feudal morality, and its plot is bizarre. However, the number of works is greatly reduced, and the content and style are following suit, which is the main reason for its decline. The creative center of zaju moved to the south, and most important playwrights lived in the area south of the Yangtze River in Zhejiang and Jiangsu today, but they strengthened the opportunity to communicate with Nanxi Opera, which provided opportunities for the further development of traditional operas, especially Nanxi Opera, Kunqu Opera and Cantonese Opera. In the development process of five pronouns, due to the advocacy of the monarch, Southern Tang Ci flourished. Jiangxi poets Yan Shu and Ouyang Xiu, who came from the hometown of the south of the Yangtze River, followed Seo Woo in the Southern Tang Dynasty, claiming to be romantic, and devoted themselves to creating short and pithy ci. During the 70-80 years after the establishment of People's Republic of China (PRC) in the Northern Song Dynasty, the two Song Poetry Altars flourished during the period of Zhao Zhen in Song Renzong. Representative writers are Yan Shu (99 1 ~ 1055), Ouyang Xiu, Zhang Xian (990 ~ 1078), Liu Yong and others. Liu Yong began to create a large number of slow words and long tunes, which opened up a broad road for the development of post-Song Ci. There are more than 200 pieces of Liu Yong's movements handed down from ancient times, including more than one slow word 100. Famous long tunes, such as "Looking at the Tide of the Sea" and "Klang Ganzhou" (it is raining at dusk), describe urban life and farewell scenes in a poetic way, with many words, which fully embodies the characteristics of large space and suitability for circulation of slow words, making Song Ci unique in the Tang Dynasty. Another contribution of Liu Ci is to develop the theme of Song Ci to a certain extent, and introduce the description scope of Ci from the small literati courtyard to the metropolis; At the same time, the lyrics were popularized. Most of Liu Yong's ci poems were written by geisha. At the same time, Zhang Xian is also famous. Later, Su Shi dominated the ci world with his sudden emergence. On the basis of the long tune of slow words initiated by Liu Yong, he further "put poetry into words", completely broke through the traditional theme and style of words, expanded the realm of words, improved the character of words, and made it a new poetic style that could express various contents, thus opening up a positive new direction for the development of Song Ci. Zhou Bangyan was also an important poet in the late Northern Song Dynasty. Zhou is proficient in melody and can compose music by himself. When Song Huizong was in charge of the Loud Department of the Central Music Organ, he was the main representative of the poets who paid attention to temperament in the Song Dynasty. He is the author of * * * Collection, which is popular all over the world with "True Color" and "Doing Things". In the late Southern Song Dynasty, it was Jiang Kui who set up another school besides Xin Ci. Jiang inherited Zhou Bangyan and started the school of metrical poetry. There are six volumes of Songs of the Taoist White Stone, and many self-written and self-directed songs, such as Yangzhou Man, etc. 17 self-written and self-directed songs, all of which are accompanied by phonetic notation, which is the only complete score seen in the existing Ci collections of Song people. At that time and later, influential poets such as Shi Dazu, Wang, Zhang Yan, etc. They all pay attention to rhythm, diction and sentence making, and emphasize form over content, which runs counter to the new poets. It was some poems of Wen Tianxiang and Liu Chenweng at the end of the Song Dynasty that became the inheritors of patriotic words such as Xin Qiji and Lu You. The nature and style of words were originally called "Quzi Ci" or "Quzi", which is a kind of long and short lyric poem with music as the main theme, sung according to the score, fixed number of words and regular lyrics. Because of the close relationship between Ci and music, Ci also had other nicknames in Song Dynasty, such as Yuefu, Zhang Yue, Song, Xiaogeci and Life. The main characteristics of ci style are directly related to the singing nature of ci. = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = Examples of songs and words are as follows: A famous song: Yang Chunqu Tianjia, Guan Yunshi, Wild Goose Will Win. Farewell to "Liuzhi" Qiu Hong. Ling Jiutai nostalgic "Xue Anfu" double tone. Chu Tianyao crossed the Qingjiang River. The Disyllabic Tone of Song Jun's Ci Xue Angfu. Laurel medal. Mid-Autumn Festival, Zhang, water fairy. The Beauty of Playing and Singing "Xu Zaisi's Ci:> From the early Northern Song Dynasty to Song Renzong, Xiao Ling was the main creator of Ci, represented by Yan Shu (991-kloc-0/055) and Ouyang Xiu (1 007- 1 072). The foundation is to inherit the legacy of the late Tang and Five Dynasties, especially the Southern Tang Dynasty. It adopts the tune of old songs, entertains itself with small words, and pursues profound, elegant and profound style. For example, Yan Shu's "Huan Xi Sha": a new word, a glass of wine, when was it old and the sun set last year? There is nothing to do, flowers bloom and fall, as if we have already met, and the fragrant path in the small garden lingers alone. This is the representative work of Xiaoling Ci in the early years of Northern Song Dynasty. Another example: You can look at Dimfragrance by Jiang Kui in the Southern Song Dynasty: In the old days, look at me more and play the flute in Bian Mei. Arouse jade people, regardless of cold and climbing. He Xun is old now, but he forgets the spring breeze. But the strange flowers are sparse outside the bamboo, and the fragrance is cold into the Yao mat. Jiangguo is silent. Sigh is far from the road, and snow begins at night. Cui Zunyi cried, and the red calyx had no words to remember. Chang Ji once held hands, a thousand trees pressed, and the West Lake was cold and blue. Fragments and blows, when can you see them? = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = The emergence and development of China's literature in various eras started from the pre-Qin Dynasty >: Han Dynasty > Wei, Jin, Southern and Northern Dynasties > Sui and Tang Dynasties > Song Dynasty >; Yuan >; Modern Poetry in Ming and Qing Dynasties: ancient poems (literati), parallel poems (folk poems) and modern poems (short poems) in The Book of Songs of the South; The lyrics of modern ci/qu Xin poetry have no rhyme: eight-part essay in parallel prose, ancient prose and vernacular Chinese
Music has only notes and so on, but the words are buried under the notes and so on.
What is the most famous Gongdiao before the brand name of Ququ?
For example [tune]
[double tone] and so on
You can fill in the interlayer in the text (the font is relatively small); There must be no lines in the text.