There are three common ways of concluding sentences in poetry, namely, ending feelings with scenery, ending sentences with scenery and discussing.
1, knot feelings with scenery (landscape knot for short)
The so-called "knot feelings with scenery" means that the first half of the poem is lyrical, and finally the whole poem ends with writing scenery. The advantage of this writing method is that it comes to an abrupt end at the critical point of lyricism, leaving readers with a broad imagination space, which contains endless significance. It has strong penetrating power.
For example, Dai Shulun's "San Lv Temple" said: "Yuan Xiang is endless, why should Qu Zi complain? The autumn wind rises and sets, and there is a rustling maple forest. " The first two sentences of the poem are hanging in the air, expressing their feelings with the pen of lamentation, and writing the grief and indignation of Qu Zi's life is beyond measure. It seems difficult to continue. The talented poet wrote such a landscape in an ingenious way: "The autumn wind starts at dusk and the treetops whisper". These two sentences are unintentional, but people feel endless bitterness and infinite affection, which can be described as vivid.
For example, Meng Haoran's "Sleeping in Jiande": "My boat is sailing in the fog, the day is getting dark, and the memories of the old days begin. How vast the world is, how close the trees are to heaven, and how close the moon is to the water! Writing things and feelings in one or two sentences has revealed the word "worry". It seems that the next step is to write worry in a positive way. However, the poet turned his brush strokes to the landscape, and skillfully bound his feelings with the landscape, which contained endless significance. Shen Deqian commented: "In the second half, write about the scenery, and the guests worry about themselves."
Let's look at Wang Changling's "Joining the Army" (Part II): "The new sound of pipa dance is always to leave the old feelings behind. I can't stop listening to chaos, and the high autumn moon shines on the Great Wall. " The first three sentences are lyrical with music, and the last sentence is light, and the whole poem brings together magnificent and sad scenes, which can't help but be inexhaustible. This kind of feeling with the scene can really be described as "outstanding".
2. Complex scenes (complex for short)
The so-called "scenery with complex" means that the first half of the poem is mainly used to write about scenery, not to talk about love, and only when the whole poem is coming to an end, a lyrical stroke is added. The beauty of this technique is that it makes the finishing touch and takes the whole poem in one stroke, which makes the scenery written in the first half of the poem subjective and emotional and memorable.
Please read Li Bai's "Qiudeng Xuancheng Xie Tiao North Building": "On the picturesque river, the mountains look at the clear sky at night. Between the two rivers, one lake is like a bright mirror; The two bridges on the river look like rainbows falling from the sky. Orange forest pomelo is set off in the cold smoke of kitchen smoke; Autumn is boundless, and the phoenix tree has become old. Whoever goes to the North Building appreciates the wind. " In the first six sentences of the poem, the poet saw the scene when he boarded the North Building of Xie Tiao, and the depression and loneliness expressed in the last two sentences made the readers taste the "autumn flavor" of the first six sentences.
Another example is Kou Zhun's "Jiangnan Spring": "Waves are misty, Liu Yiyi. The grass in the lonely village is far away, and the apricot flowers fly in the setting sun. Jiang Nanchun was heartbroken, and Pingman Tingzhou people did not return. " The first four sentences of this word describe the scenery, and the last two sentences directly express the feelings, so that the expressed feelings change from hidden to obvious with the complex scenery, which is really the finishing touch.
Another example is Wang Yucheng's Little Red Lip. "Rain hates cloud sorrow, and Jiangnan is still called beauty. Fish market in water town, a wisp of solitary smoke.
The sky is magnificent, like a tune in the distance. Life, at this time, who will have the meaning of relying on. "The first half depicts the rain scene in the south of the Yangtze River with beautiful brushstrokes, and the last lyric awakens the whole word, reminding readers of the deep feelings contained in the scene written earlier: there are ambitions to make contributions, but also loneliness and gloom that are not understood.
3. Discussion conclusion
The so-called "discussion conclusion" is also one of the common ending ways. Usually, a large-scale description of a scene or thing is made in front, and feelings and comments on things are expressed at the end.
Title Xilin wall [Song] Su Shi
Looking at Lushan Mountain from the front and side of peaks and valleys, from far, near, high and low places, Lushan Mountain presents various faces.
I can't recognize the true face of Lushan Mountain because I am there.
The first two sentences, "Looking at the mountain from the side is the peak, and the distance is different", are actually what you saw and heard when you visited the mountain. Lushan Mountain is a hilly and gully mountain with undulating peaks and valleys. Tourists are located in different places and see different scenery. These two sentences summarize and vividly write the various forms of Lushan Mountain.
The last two sentences, "I don't know the true face of Lushan Mountain, but I am only in this mountain", are the experience of reasoning on the spot and talking about traveling to the mountain. Why can't you identify the true face of Lushan Mountain? Because I am in the middle of Lushan Mountain, my vision is limited by the peaks of Lushan Mountain, and I only see one peak, one ridge, one hill and one valley of Lushan Mountain, which is one-sided and inevitably one-sided. Rich in profound philosophy.
Taichengtang Liu Yuxi
Six generations of Taicheng compete for beauty, and making love in spring is the most extravagant.
Thousands of families have become weeds because of a flower in the backyard.
The emperors of the Six Dynasties were famous for their extravagance and debauchery, especially the last emperor, Chen Houzhu. In the luxurious Taicheng, he built three pavilions tens of feet high, namely Qi Jie, Lin Chun and Wang Xian. Leaning on jade all day long, ignoring state affairs. He also wrote a new song, yushu backyard flower, and filled in obscene words, which made thousands of beautiful women sing and dance. How do you know that before the attack, Sui soldiers were near Doumen, with red lights upstairs and battle company downstairs. The Golden Powder Southern Dynasties ended in this decadent sound.
This nostalgic poem, based on Taicheng, the core of the ancient capital Jinling, where the emperors of the Six Dynasties lived in politics, entrusted infinite feelings of mourning for the past and drawing lessons from mistakes. It is often necessary to express opinions in nostalgic poems, but this poem does not make abstract comments, but combines comments with concrete images to arouse people's rich associations. Let serious historical lessons turn into concrete images that shock the soul, and let poetry have infinite charm and make people think deeply. Readers will not feel the poet's fidgety comments on ancient things at all, but can appreciate the enjoyment of beauty.
Wang Fuzhi's Preface to the Red Sunset says, "Love and scenery, named two, are inseparable. God is infinite to poets. "
Scenery blending is the pursuit of China's classical poetry. The above lists three common ways to break sentences, which we use naturally and unnaturally in our creation. To sum up, it is for the convenience of mastering and improving. Of course, there are many other ways. Let's get to know each other.