On the Central Idea of Konoha

The central idea of "Muye": By analyzing the reasons why China used Muye instead of leaves, the author expounds the implied features of classical poetry language.

Paragraph analysis 1 natural paragraph, with the image of "Muye" in many poets' works as the introduction, leads to the discussion topic.

The second paragraph discusses the reasons why "Muye" is often used in ancient poetry, and excludes the factors that the poet considers writing practice. From "Konoha" to "Konoha", it is pointed out that ancient poets borrowed from predecessors' creations and created them in their own study, which made China's poems so colorful.

The third paragraph explains the difference between "wood leaf" and "leaves" and "fallen leaves". The key lies in the word "wood". In poetry, words with the same concept may also have great differences in image.

The fourth paragraph explains the first artistic feature of "wood": the factor of falling leaves.

The fifth paragraph explains why "wood" has this characteristic. Because behind the concept, poetic language still hides suggestibility, which seems to be the shadow of the concept.

The sixth natural paragraph explains the second artistic feature of "wood": it has a yellowish and dry feeling of fallen leaves, which brings a sparse autumn breath.

The seventh paragraph shows that the concepts of "konoha" and "leaf" are almost the same, and the artistic images are almost thousands of miles apart.

To sum up, the full text can be roughly divided into three parts. 1~3 The natural passage is the first part, which lists a phenomenon in the history of ancient China poetry, that is, "Mu Ye" has become a favorite image of poets. The key to the image of "Muye" lies in the word "wood". The fourth to sixth paragraphs are the second part, explaining two artistic features of "wood" and why there are these features. The seventh paragraph is a summary.

About the author: Lin Geng (19 10 February 22 -65438+2006 10 October 4), a native of Minhou, Fujian, was born in Beijing. Modern poet, ancient literary scholar and literary historian. Professor Peking University. 1928 graduated from the middle school affiliated to Beijing Normal University and was admitted to the Physics Department of Tsinghua University.