You say yours, I say mine. Generally speaking, it refers to an essay written by Lao She in 196 1, which is both literary and aesthetic.
With fresh brushstrokes, the author describes the beautiful scenery he saw when he visited the grasslands in Inner Mongolia, and the touching scene of Mongolian compatriots warmly welcoming their Han compatriots from afar. The article is rigorous in thought, exquisite in structure, clear in theme, beautiful in writing and far-reaching, and praises the magnificence of the motherland and the friendship of national unity.
This article is taken from Lao She's travel notes "Scenery in Inner Mongolia", and the full text is included in "Floret Collection" 1963 edition published by Baihua Literature and Art Publishing House. 196 1 in the summer of, Lao She and a group of 20 writers, painters, musicians, dancers and singers were organized by the Ministry of Culture, the Ethnic Affairs Commission and the China Federation of Literary and Art Circles at the invitation of Ulanhu.
I traveled in eastern and western Inner Mongolia for eight weeks, and saw forest areas, pastoral areas, agricultural areas, fishing grounds, scenic spots, industrial bases and some historical sites, schools and exhibition halls. Travel notes are divided into seven sections to introduce the above contents in turn. There is a section entitled "Grassland" in pastoral areas, which is this article.
works appreciation
In the early 1960s, the socialist pastoral areas showed the author the beautiful grassland scenery and the prosperous atmosphere of people and animals. The warm hospitality of Mongolian comrades to the author and his party fully reflected the touching scene of national unity and brotherhood.
All this greatly stimulated the author's love for the socialist construction and national unity of the motherland, which made him unable to express it. But the author's feelings are deep and implicit.
Therefore, he didn't express his feelings directly, but adopted an indirect lyrical way to let his passion naturally show in the scenery, narration and object, thus making the article full of emotion and particularly touching.