Enjoy some modern poems, please, 3Q.

From the distance of the city, you will see me and the cloud for a while. I think when you look at me, it's far away, and when you look at the clouds, it's close. Appreciation: Although Far and Near has only six short sentences, it contains rich connotations of historical reflection. If "far" and "near" are concepts of physical distance, they exist objectively and have scientific standards. However, the psychological distance of emotions is different, and "far" can become "near" and "near" can become "far". The transformation of psychological distance between "you", "me" and "cloud" in the poem reflects the estrangement and vigilance between people, and the poet's yearning and pursuit of harmonious and ideal interpersonal relationship. The three images of "you", "me" and "cloud" in the poem all have certain symbolic significance. "You" and "I" both live in objective reality and belong to members of society, while "Cloud" symbolizes beautiful and simple nature. You looked at me from a distance. This is near and far, "near the horizon"; "When you look at the clouds, you are close", which means "Heaven is still our neighbor". The poet's dialectical emotional way of "man is far away from the world" has become the development way of human aesthetic ideal, that is, "from the truth of the object to the truth of the subject" From passive reflection to subjective creation. "This poem seems to be handy, but it is ingenious, giving people the feeling that it is natural and not dull, clever but not artificial. Weight Bailu (Taiwan Province Province) woke up to find that the vines were full of fruits. What else can I say? I have a man's stubborn rock stratum, and you are just a small seed, a small gap, and a little warmth. Today, it has spread to the whole weight of my life. Appreciating that youth is fleeting and gone forever is beyond the understanding of boys and girls who are in their prime. But to convey this instant feeling to others, poetry is undoubtedly the best carrier. But it is the author's life experience and literary skill that makes the disappearance of a youthful dream so three-dimensional, touching and melancholy. The first saving of poetry omits all the "dream" experiences, which is a long time span (poetry is allowed to jump so as to leave readers room for imagination or re-creation, which is different from narrative prose): "I" has changed from a young man in his prime to a middle-aged man with many children, just like a vine full of fruits now. At that time, "a small seed" was blown into a crack in the rock by the wind, and then germinated and grew up. Now it is covered with green leaves and branches, and it has become "the whole weight of my life". How time flies! Youth is gone forever! The myriad emotions revealed in the poem, as well as the faint feeling of loss, are tightly wrapped in the obscurity and obscurity of the poem, giving people a beautiful enjoyment. This poem is ingenious in conception and unique in metaphor, and it is a masterpiece of its kind. There is a strawberry on the other side of the fence. I know, if I want, I can climb over strawberries. How sweet! However, God will definitely scold me for my dirty apron. Oh, dear, I guess if he were a child, he would climb over there, too, if he could climb over there! " There is a strawberry on the other side of the fence "and" fence "to draw a dividing line between there and here, thus forming a distance, the distance from here to there. I am here. There is a strawberry tree over there. Strawberry is the image corresponding to the fence. Because of this strawberry, I have the urge to go over the fence. "I know, if I want to/I can climb/strawberry, it's really sweet! "The author made an empty shot first, didn't say if he had picked strawberries in the past, just made a hypothesis. I climbed up by myself, tasted the attractive strawberries and said, "It's so sweet". This assumption about "over there" is exactly the same as Haizi's preset about "tomorrow". So what is the truth? Look at some parts. " However, the dirty apron/God must scold me "The poet returned to reality from fantasy. Reason prevails. "Dirty apron" is the price of climbing the fence. Some people understand "God" as external discipline and custom. I think it is not external things or others that bind the author, but herself. "God" is the "God in my heart" that I stick to, representing the pure and elegant ideal of life. For this "God", the poet does not always insist, but also has "doubts", "Oh, dear, I guess, if he is a child/if he can climb over", which once again assumes that he can't give up the strawberries there and is deeply eager; It is also a questioning of my ideals. The poem ends here. The author should not be able to taste the strawberries over there, I think. Just as Haizi didn't really get the happiness of tomorrow.