Yu Guangzhong's courage to face reality is also manifested in his not being immersed in the historical "apricot blossom and spring rain" and not trusting rumors from official residences or restaurants. He pondered and analyzed: "Where is the piece that dreams day and night?" "In the headlines of the newspaper? Or is it a rumor in Hong Kong? Or black keys Bai Sicong plucking the strings ... "No wonder he wants to write cold rain, listen to cold rain, and smell cold rain-the kind of rain that" drips with thoughts "can make him clear-headed, and the" drips with thoughts "can increase his hearing, and the" refreshing and refreshing "rain is refreshing. Cold rain, cold words, calm heartfelt words.
In writing, the author never ignores the aesthetic value of words. The cold rain seduced the poetic rhyme of our ancestors. Haven't you noticed that "Weicheng doesn't pay much attention to rainy city" and "It rains in the Qingming Festival" both rhyme between the lines in the form of variations. The author's "love line" is always intertwined with the rain line. In the cold rain, he remembered the "sadness" when he first came to the island, and also remembered the warmth of his first love. He also talked about it on the harbor embankment in Keelung, perhaps in a pond in Sichuan. He thinks that the fun of "Twilight Rain in Shang Lue" can only be enjoyed in China. He thought of the revival of the word "rain" in the dictionary, the romantic implication of Mijia landscape painting, the bamboo building built by Wang to listen to the rain, and the wonders of thousands of umbrellas in Cash Rain City. Rain is connected with Taiwan Province Island and the mainland, with a long history and unsatisfactory reality. Although the opportunity of writing is that the two sides of the strait have been involved in business for too long, the aesthetic object of this article is rain, so the author has been using it to wash away his melancholy and arouse readers' interest with rain. As for Tao, there is absolutely no need for art to give in. Real art has its own function of promoting good and eliminating evil, showing beauty and light. The key is that art should be true and not false, and each art variety should follow its own laws to reflect reality. Only in this way can we keep up with the pace of contemporary life. Yu Guangzhong's prose creation practice gives a convincing answer to the above analysis. Ling Ke, a literary sojourner, said that "listening to the cold rain" is directly composed of words, sounds, light and shadow, dense and criss-crossing. This may help readers to increase their confidence in the expressive force of China's writing and realistic literature, and it should also be acknowledged that this is a new situation in the field of prose since the May 4th Movement. "This comment is insightful and fair, which will arouse the thinking of writers and prose lovers. After reading Listening to Cold Rain, you can also feel Yu Guangzhong's exploration of prose art in many ways. He tried to expand the scope of "readability" of prose. The so-called "reading" not only dyes people's eyes and touches people's hearts, but also emphasizes that it is easy to recite and pleasant to listen to. To this end, he attaches great importance to the phonological beauty of words, changing the old and seeking the new, and has a unique style. Reduplicated words and sentences are used in his works so skillfully that people can't help singing at first sight. Yu Shi prefers Li Qingzhao's ci style. " Rain hits the scaly and petaled tiles, sometimes far away and sometimes near, sometimes light and sometimes heavy. This sentence is inherited from Slow Voice, but he pays more attention to the development on the basis of inheritance. This sentence, "for example, the word' rain' is out of thin air, bit by bit, bit by bit, bit by bit, and all love and rain are in it." "Repetitive words, statements, dynamics and sounds are all repetitive, which gives the word" rain "a sense of life. And the list goes on. The use of overlapping words and poetic prose sentences seems to be also called "Yu Guangzhong phenomenon", which has an intoxicating charm to read, and the cleverly constructed homophonic rhetoric also reveals a series of reverie. Another example is the sentence, "Even if it rains, there will be Qian Shan's umbrella across Qian Shan." The combination of "mountain" and "umbrella" is an appropriate metaphor, which implies endless worries and regrets. Tongcheng literati's view of "seeking God by sound" has been confirmed and developed in Yu Guangzhong's prose.
Sometimes, the author will put a long sentence, but it is not cumbersome, as if it were an andante. He is good at making phrases and short sentences jump irregularly, resulting in the effect of falling pearls and falling jade plates. After reading this sentence, he knew it was true: "Listen, Lengyu. Look at that cold rain. Smell it, cold rain, lick it, cold rain. " Not only can you recite, but you can also sing. People are inspired: verse should have rhythm, and prose should also have rhythm; And this rhythm is ever-changing, and proper scheduling is art.
It is not uncommon to use similar words or synonyms in articles. "But in a broad sense, he is also a teenager from Jiangnan, Changzhou, Nanjing, Chuanwaer and Wuling in a broad sense." Suddenly swept the landscape, the mainland customs, such as a few treasures. Look at this sentence again; "In the autumn of the mainland, it always sounds a bit bleak, sad and sorrowful whether the theory of heaven exhausts the raindrops of the phoenix tree or showers the lotus leaves. After the aftertaste on this island, there is a layer of sadness besides sadness. A word difference, and it is three points.
Reading Yu Guangzhong's prose is often knowing and sometimes nodding to those who love classical literature; For young people who don't understand new literature, they have both knowledge and beauty and benefit a lot. Of course, careful people will also find that the rest of the article also has westernized sentence patterns, otherwise it will be interesting. This shows that Yu Guangzhong not only insists on the main brain, but also is impartial in dealing with the issue of "nationalization". As for the leap-forward association in this paper and the "emotional shadow replacement" with modern style, it can prove this point better.