The north wind swept across the earth and messed up Pennisetum, and the weather in August will be covered with heavy snow. Suddenly, like a night wind blowing, like a pear tree in blossom. Snowflakes fell into the curtains and wet them. The fur was not warm and the gold cup was too thin. The general used cold hands to protect his hands. The armored steel was too cold to wear. The desert freezes over/kloc-0.000 feet, with a crack, and the sky is full of darkness and melancholy. In the manager's account, this wine is a farewell party, and the Huqin Pipa flute ensemble adds luster to this entertainment. In the evening, in front of the headquarters gate, heavy snow fell, the red flag froze, and the wind could not drag. We watched him go out of the tower gate, head east, into the snowdrift of Tianding Road, and at the corner of the pass, he disappeared, leaving only footprints.
This poem is a kind of singing method. The whole poem is born with snow, and it also covers two aspects: singing snow and seeing off. The first ten sentences focus on singing snow, and the last ten sentences focus on farewell, but farewell never leaves the snow scene. The whole poem uses four words of "snow": one is the snow before farewell; One is the snow when saying goodbye; One is the snow when saying goodbye; One is the snow after farewell. Everything revolves around snow, which is the center of the landscape.
Snow-chanting poems have a long tradition in the history of China's poetry. There are poems about snow in The Book of Songs and Songs of the South. In the poems of the Six Dynasties, more people wrote about snow. Bai Juyi criticized the literature of the Six Dynasties, especially the poems of Liang and Chen, demanding the comparison and sustenance of poetry, saying that "the rate is nothing more than mocking the romantic and creating flowers and plants." Cen Can's Bai Xuege, though describing snow, did not ridicule it. By describing the snow scene and cold in the frontier, he reflected the frontier life of soldiers in the army, which was not only wonderful in material form, but also rich in feelings, showing the poet's deep feelings of parting from his friends. Therefore, "Bai Xuege" is very different from the snow poems of the Six Dynasties in style, which is characterized by the similarity of joy and likeness, delicacy and delicacy.
These two poems in "Bai Xuege" have been passed down through the ages: "If the spring breeze comes at night, it will blow open the petals of ten thousand pear trees." The metaphor of winter snow with spring flowers is novel and imaginative, and won the beauty of praising snow. It can be said that it is a masterpiece of chanting snow in the Six Dynasties, which is higher than that of poets in the Six Dynasties. It is true that the snow poems of the Six Dynasties made a certain contribution to the description of snow scenes. They used many vivid metaphors to write the snow scene beautifully: Qi's poems about snow compare the snow to "silver pebbles", and there are "silver pebbles fly late and the clouds are dark." . . See flowers can be folded, since Chun Mei ". Liang Peizi's Poem on Snow also said: "Grass is like a butterfly, and trees are like flying flowers. "Blow grass with butterflies, flying flowers fall from trees, and write the shape of snowflakes dancing. Wu Yun's poem Ode to Snow compares "breeze" and "fine snow" to "lingering in the air like fog, condensing snow like flowers". He Xun's Poems in Snowland is like a bright moon at night, and the trees are clear and suspicious of spring. "Xiao San suddenly, the wanderer has been reunited. If you follow the breeze, who can say that it is not jade dust. " Compare the condensed snow to the moonlight and "jade dust" on the ground; Liu Xiaozhuo's poem about snow, "Sweet-scented osmanthus is extremely beautiful, catkins also rain", compares snow to "sweet-scented osmanthus" and "catkins". But these two poems by Cen Can are more vivid and can leave a deep and unforgettable impression on people. Different from the poets of the Six Dynasties, he decorated the snow scene with a small part and described the vast snow field with a wide view. In front, it was written that "the north wind blows away the grass", but here it was changed to "like a spring breeze blowing, and the wind comes at night". The word "suddenly" is a bit unexpected, abrupt and strange. Even better, the poet used "blowing open the petals of ten thousand pear trees" to write snow, vividly describing its brightness, freshness, beauty and flying. Metaphor contains a vast and beautiful imagination, which is both beautiful and poetic. At the same time, there is a vigorous and boundless spring between the lines, which is in sharp contrast and foil with the snow and cold described in the previous article. It seems to be patchwork and strange, which makes readers marvel.
As far as the whole poem is concerned, Bai Xuege's artistic feeling is also novel. He wrote about wind, snow, ice and cold, and tied the ground everywhere, expressing it with thick brush and heavy color. The first two lines of the poem, "The north wind breaks the grass, and eight In the snow crosses the Tatar sky", capture the characteristics of fierce wind and early snow in the frontier. The word "Juan" depicts the power of the north wind outside the Great Wall, which makes us seem to hear the roar of traffic jams; The word "fold" shows us the scene of strong wind fighting against the strong grass which is unique in the border area and will not wither after winter; A word "namely" expresses the climatic characteristics of the first snow in the frontier and the poet's surprise. The use of a word can show the poet's skill. The phrase "the sand sea is unfathomable" not only depicts the height of ice, but also depicts the vast frozen area, the vast sea and the oblique ice, and draws a magnificent picture of a silvery white world. Writing cold in poetry is another skill. High-grade cold-proof products such as Hu Qiu and jinzhou area seem to have lost their cold-proof function, and the angle bow is hard to control. All the guards' iron clothes are so cold that it is difficult to put them on to show the extreme cold in the frontier. Cold is not written abstractly, but set off by the objects around us and people's feelings, which makes people feel the power of cold and shows the bitter and cold life of frontier soldiers. Because "Hu Qiu", "Golden State", "Horn Bow" and "Iron Clothes" are all real things in the military curtain, people feel that this description is true.
The artistic style of Bai Xuege's novels is also reflected in the description of farewell and farewell scenes. At the farewell banquet, the barbarians played these urgent and complicated stringed instruments with pipa, guitar and harp, adding to the exotic atmosphere. Finally, I wrote the scene of watching my friend ride home by bike, which was especially memorable. When friends disappeared on the winding snowy road in Tianshan Mountain, the poet stopped his eyes on the horseshoe prints left by friends in the snow, and through standing and staring, the feelings of parting and homesickness were intertwined and endless, reaching the realm of scene blending. This is similar to Li Bai's "Farewell to Meng Haoran on the way to Yangzhou", in which "the lonely sail is far away from the sky, and only the Yangtze River flows in the sky". But Li Bai wrote the scene of "climbing a mountain and seeing me off in the water", which is familiar in the poem. Cen Can wrote "Farewell" in "Bian Xuehai", but he didn't see much in his poems, which made people feel novel.
Another artistic feature of Bai Xuege is its majestic momentum and bright colors. He is good at capturing the unique natural wonders in the frontier and writing vast scenery with rough brushwork. Let's take a look at how vast the scenery of "the sand sea deepens the ice depth, the clouds are overcast, and the Wan Li condenses water", and how broad the vision is, and how strange the scene of "our frozen red flag can't fly in the wind". These are the wonders of natural phenomena in the border areas, which are invisible in the Central Plains and have never been described before. It can be said that it is an unexplored field of predecessors. After Cen Can's artistic creation, it gives people a refreshing feeling. Cen Can not only makes it vivid, but also has bright colors. In the silvery world where the flowers bloom and the sand and sea ice are deep, the poet filmed "Our Frozen Red Flag Can't Fly in the Wind", which set off the whiteness of the vast Xue Hai with bright red colors, making the color of the picture bright and strong, and even touching the beauty of the scenery beyond the Great Wall, bringing magnificent and tragic aesthetic characteristics to his frontier poems.
Another artistic feature of "Bai Xuege" is that the author makes full use of the characteristics of rhyme in the style of songs, and combines rhyme with changing pictures, which is both galloping and changing freely. "Bai Xuege" turns rhyme many times, sometimes two sentences turn, sometimes three or four sentences turn, and its rhyme changes with the picture described in the poem, or one, or two, and the picture changes constantly. If the first sentence is about the wind, the second sentence is about snow, and the third and fourth sentences are about snow, there are figurative metaphors. The first four sentences were written on location, then turned to interior, writing about the severe cold in the military curtain, and then turned to the location of "the sand sea deepens the ice, the clouds are overcast, and Wan Li condenses", from the inside out, from near to far. Then write farewell, then pull your vision back to Yuanmen, and then write cold, ice and snow, farewell, clear context and rigorous composition from the inside out. These vivid pictures are like the alternate use of long shots, middle shots and close shots of a movie, which are complicated and fluctuating. Reading his poems is like watching a picture with sound, and it has a good artistic effect.