What kind of poem is Shu Dao Nan?

Category: Culture/Art >> Literature >> Novel

Problem description:

Although there are antitheses, the number of words in each sentence is different?

Analysis:

Shu Dao Nan is a Yuefu-style poem. Please refer to:

Li Bai's most famous works are poems that sing in the style of Yuefu, that is, from textbooks.

So-called works that praise the great rivers and mountains of the motherland, such as Difficult Roads in Shu and Sleepwalking in Tianmu.

Farewell ","Lushan sent the land division to the virtual boat "and so on. These poems are very similar to Han Fu, and they are all spread out.

Yes, I feel that the language is ups and downs, and the syllables are powerful, as if everything is spinning around.

It's dark, flying sand and stones, especially happy. After reading it, it's like a calm and then a storm. I feel

The surroundings immediately became very calm, as if nothing had happened, leaving no trace.

No aftertaste. The most interesting thing is his "Difficult Road to Shu", which begins with imagination.

He wrote the Shu Road like a no-man's land on the Qinghai-Tibet Plateau, and finally said, "Dangers abound,

Why do people from afar come here? ""Although the Silk City is delicious, I still want to go home soon. ""sideways

Look at the west and ask for advice. "these words are translated into vernacular: since Shu Dao is so dangerous, then

Why do people from far away go there? Actually, Chengdu is good, but it's too dangerous, isn't it?

If you go home and rest. After making up my mind, I still have some regrets in my heart and headed for Shu.

Sigh angrily. After reading this, you will find that the poem has turned sharply and turned into an old man completely.

True story!

Teaching topic "Difficulties in Shu Dao"

Text description

1, the difficulty of Shu Dao is an old topic in Yuefu's Xiang He Ge Ci. Tone tune. Yuefu solved the problem and said, "The difficulty of Shu Road is prepared for resisting Tongliang and Yulei (both are the names of Shu Mountain)." Based on the content of this poem, this paper uses unrestrained style and exaggerated description to describe the poetry of Qin Dynasty.

2. This poem is a masterpiece of Li Bai's poetry, a hymn to the beautiful scenery of the motherland, and a masterpiece of positive romanticism in the history of China literature. Appreciation is difficult, and students can be guided to break through from two aspects. The first is a breakthrough in the theme, that is, "knowing people and discussing things." To understand Li Bai's life, we must know that this poem is a work that turns mountains and rivers into a means of competition. What is written in the poem is not a real meaning but a metaphor, which is a statement. However, in Li Shitong, the famous Hu Zhenheng said: "Bai Shuren sings for himself. They say they are in danger, but they are more cautious, like a cloud, "but the wolf to his companion?" And the people of righteousness are far away. Combined with the frequent wars in Shu before and after the Anshi Rebellion, we can see that the poet's intentions are probably the same as Hu's.

Secondly, it is a breakthrough in writing. Shi Li, who is called "earth-shattering, makes the gods cry", should be prepared to understand the romantic creation method. It focuses on the expression of subjective feelings, and often needs something suitable for it to make the best use of it. There are waves at the bottom of the pen in the chest. Li Bai expresses his ideal feelings with rich imagination, exaggerated techniques and vivid descriptions. In order to highlight the lyric theme, with the unpredictability of "Six Dragons", "Yellow Crane" and "Ape", the high-risk journey of Shu Road is increasingly highlighted; Natural landscapes with strong sense of * *, such as sad birds and ancient trees, and "Zigui jathyapple", have rendered the sadness of travel and the desolate and desolate environmental resentment on the Shu Road, effectively setting off the difficulties of the Shu Road; The risk of "returning to Sichuan" sets off the high risk of mountains; "Dead pine" sets off the danger of cliff.