Du Fu (7 12 ~ 770) was beautiful, whose real name was Shaoling Yelao, Han nationality, and he was born in Gongxian County, Henan Province (now gongyi city, Zhengzhou, Henan Province). He is as famous as Du Gongbu and Du Shi, a great realistic poet in Tang Dynasty and a world cultural celebrity. He is concerned about the country and the people and has a noble personality. He wrote more than 1400 poems in his life, and his poetic skills were exquisite, so he was called "poet saint" by later generations. Yuan Wailang, the proofreading department, has Du Gongbu Collection handed down from generation to generation, and the memorial sites include Du Fu Caotang, Du Fu Tomb, Du Gong Temple, Du Fu Park, Ling Du Bridge and Ling Du Academy. From the 19th year of Emperor Xuanzong of the Tang Dynasty (73 1) to the 4th year of Tianbao (745), Du Fu, who was only 20 years old, began to roam for more than ten years in order to broaden his horizons, understand social conditions and get to know famous poets. The first roaming place is mainly concentrated in wuyue area in the south of the Yangtze River. He visited ancient temples and famous mountains in Jinling and Gusu, visited Zhejiang, went boating on Tunxi River and went straight to the foot of Tianmu Mountain. In the 23rd year of Kaiyuan, Du Fu returned to Luoyang with great ambition to take the Jinshi exam, but unfortunately he failed to make the list. The following year, he started his second wandering with a lonely heart. This time, his footprints are mainly concentrated in Qi-Zhao area. These two wanderings have made the young Du Fu gain a lot. He appreciated the beautiful scenery of mountains and rivers in the Tang Dynasty, and was influenced by two different cultures, Jiangnan and Shandong, which enriched his knowledge and broadened his horizons. In the 29th year of Kaiyuan, he settled in shouyangshan near Luoyang and married Yang. In the third year of Tianbao, Du Fu met another new star in China poetry circle in Luoyang and was impressed by Li Bai's outstanding style. As soon as they met, they talked about poetry and papers, traveled to Liang, Song and Qilu, and forged a lifelong friendship. Since then, Du Fu has written about ten poems as a reward for Li Bai. In the autumn of the fourth year of Tianbao (745), Du Fu decided to go west to Chang 'an, while Li Bai went south to Jiangdong. They had to break up in Yanzhou, but they never expected to meet again. The long-term travel to the north and south has greatly broadened the poet's horizons. On the one hand, the beautiful mountains and rivers, scenic spots and historical sites of the motherland and the prosperity of the prosperous Tang Dynasty at that time made young poets full of vigor and pride. On the other hand, the poet also had a certain contact and understanding of the dark reality of social life. During this period, Du Fu wrote the most and most mature five-character poems, followed by five-character poems and ancient poems. Other poetry genres are relatively few, most poems are short in length, and the scale of the system is not very large. This period can be regarded as the preparation period of Du Fu's poetry creation. From the fifth year of Tianbao (746) to the fourteenth year of Tianbao (755), in order to recruit talented people, in the sixth year of Tianbao (747), Xuanzong ordered to recruit talented people from all over the world to come to Beijing to take the exam, and Du Fu was one of them. However, due to the obstruction of the traitor Li, Du Fu's desire to serve the country as an official failed again. In the tenth year of Tianbao, Xuanzong held three ceremonies to pay homage to Laozi, the ancestral temple and heaven and earth. Du Fu took the opportunity to write three gorgeous "big gifts", which was appreciated by Xuanzong. In order to allocate official positions, Xuanzong ordered the Prime Minister to test Du Fu's talents, but the matter ended in vain. In desperation, Du Fu had to keep writing poems to rich and powerful people, hoping to get their recommendation, but failed to do so. In this way, Du Fu's political ambition of "respecting the monarch and being virtuous" was shattered in Chang 'an. Shortly after Du Fu arrived in Chang 'an, his father died of illness and his life became very tight. In order to get an official position and a part-time job, Du Fu "detained the rich in the morning and followed the fat horse dust at night." He struggled in a humiliating life, and hunger and cold were commonplace. After a long time, Du Fu got the humble position of Cao Jun led by Wei. This is the fourteenth year of Tianbao-the eve of An Shi Rebellion. During this period, the Tang empire was weakening day by day, and the Anshi rebellion was brewing. Chang 'an, as the political, economic and cultural center at that time, gathered all the most prosperous and essence things, but at the same time it was also a den of evil, a place where powerful people were rampant and arrogant. This is both heaven and hell, and all kinds of contradictions are exposed here. Du Fu also experienced a very difficult life here. With the disillusionment of naive fantasy and the frustration of positive ideal, Du Fu began to face up to the dark reality. It not only witnessed the arrogance and extravagance of the upper class, but also touched the hardships and hardships of the broad masses of the people, and sang the eternal quatrains of "the wine and meat in Zhumen stink, and the road freezes people to death". During these ten years, Du Fu wrote about 1 10 poems. The dark and rich life has expanded the field of Du Fu's poetry creation and the length of his poetry. Poems of more than 200 words are common, and even long poems of 500 words have appeared. In terms of poetic genre, he wrote many seven-character ancient poems in this period, which was not found in the first period. Perhaps this informal "long sentence" is more suitable for writing Du Fu's grief and excitement. Being trapped in Chang 'an for ten years tortured Du Fu, and also created Du Fu, giving him the opportunity to deeply understand the life of the lower class and experience the sufferings of the people personally, which pointed out the direction for his future life and creative path. In the past ten years, his works, such as Car Shop, Two Roads, and 500 Words from Beijing to Fengxian, are full of bitterness and tears, all of which reflect his hatred for the powerful and his deep sympathy for the working people. Du Fu fell into the Anshi Rebellion and became an official, which was the darkest period of the Anshi Rebellion. In November of the 14th year of Tianbao (755), An Shi Rebellion broke out. In June of the fifteenth year of Tianbao (756), Tongguan fell, Chang 'an fell, and Xuanzong fled to Shu. Du Fu left Chang 'an in exile one month before the fall of Chang 'an. In July of the same year, Prince Hengli ascended the throne in Lingwu, and Du Fu went to Lingwu from Zhangzhou, but unfortunately he was captured by the rebels on the way and sent to Chang 'an. In April, the second year of Zhide (757), Du Fu fled from Chang 'an to Su Zongfu and was appointed as Zuo Shiyi. However, shortly after taking office, Mr. Su was angered by the housing management incident and was almost convicted. In August of the same year, Su Zong allowed Du Fu to return to Zhangzhou to visit relatives in order to alienate him. After recovering Chang 'an in September, Du Fu 1 1 month returned to Chang 'an with his family. In June of the first year of Gan Yuan's reign (758), he was demoted to join the army, and it was during his demotion that he wrote famous works such as Three Officials and Three Farewells. In July of the second year of Gan Yuan (759), Du Fu abandoned Qin Zhou as an official guest, and then stayed in Tonggu and Chengdu, where his life was very difficult. During these four years, Du Fu was trapped in the Anshi Rebellion for about nine months, while he was an official for about two years and two months. Although this period was only four short years, it was very crucial in Du Fu's creative history. Judging from the number of works, it is more than twice that of Chang 'an's ten-year creation. Judging from the quality of his works, the content is particularly substantial, which is a high degree of unity of ideological and artistic pursuit, forming a peak in his creation. The Anshi Rebellion intensified ethnic conflicts, and Du Fu was once trapped in the rebels, and witnessed Hu Bing's atrocities and the pain of the country's demise. Therefore, the most striking feature of Du Fu's works in this period is his patriotism. His joys and sorrows are closely related to the victory and defeat of the war and the gains and losses of the city at that time. During his more than two years as an official, it was because of Tang Suzong's condescension and alienation that he was able to go deep into reality and people. It is precisely because of these personal experiences that Du Fu wrote a lot of brilliant realistic poems during this period. In terms of poetic genre, except for the Five Laws, the five-character ancient poems in this period were written the most, reaching 90, and the five ancient poems "Northern Expedition" with the longest length in its poetry collection were also written at this time. In addition, there are 22 ancient poems with seven words, among which the longest collection of ancient poems with seven words, Washing the Horse, was also written at this time. They are all to express more complicated events, things and emotions. During this period, Du Fu adopted more poetic styles of ancient poems. Du Fu's last creative career was a slightly stable period, but he finally drifted for eleven years from the age of 48 to the age of 59. It is not only a sad review, but also a quest in troubled times. It is not only a period when the poet's poems increased greatly in his later years, but also a period when he was ill. Generally speaking, it can be divided into three stages: before Kuizhou, it should be regarded as the first stage, which lasted more than six years (760 ~ 766), including five years of living in Chengdu Caotang. At this stage, Du Fu wrote 585 poems. Moving to Kuizhou should be regarded as the second stage, about two years (766 ~ 768). Although the time is short, the works in this period are the most, with 437 poems written. After leaving Kuizhou, wandering in Hubei and Hunan belonged to the third stage, which lasted nearly three years (768 ~ 770). At this time, the poet Du Fu was already a disabled old man, but he still wrote 150 poems. Du Fu wandered southwest for eleven years and wrote more than one thousand poems. These poems account for more than 73% of the existing works, most of which are modern poems-quatrains and metrical poems, as well as long sentences. This period is the maturity of his poems, among which Kuizhou wrote more than 400 poems in two years. At this time, he was weak and sick, and the poet seemed to realize that his fate was too much and his time was running out. All he can understand is poetry. Only writing poetry can soothe his lonely and painful mind, and only poetry is the spiritual comfort and the sustenance of life. Therefore, Du Fu needs him whether he is ill in Kuizhou or wandering in Xiangjiang River. It can be seen that in poetry creation, Du Fu has accumulated a lot. The poet's consistent and persistent creative spirit is very worthy of our affirmation and study. Due to the time, life, age and many other reasons, the greatest feature of Du Fu's works in this period is to vigorously carry forward the lyrical characteristics of poetry. In other words, there are many lyric poems and few simple narrative poems. These lyric poems have many contents and themes, including lyric poems describing scenery, lyric poems expressing working life scenes, lyric poems recalling the past and so on. Some of these poems are loud and straightforward; There are thrilling, cadence. However, there is a common feature that these lyric poems are saturated with reality. However, the most noteworthy thing is his political lyrics-mainly some political satires. Du Fu has always been a poet who worries about Li Yuan in his poor years and sighs in his intestines. During Du Fu's eleven years of wandering in the southwest, the lower classes were always in a miserable situation and the country was always in turmoil, so this kind of political satire always ran through his three stages of this period. Some of these satirical poems are incisive, such as "Don't be frugal, thieves are princes" in Du Fu's Five Emotions (Part III), while others are poems like "Sick Orange" and "Flower Duck" written by borrowing scenery. In Du Fu's other poems that directly reflect the reality, the narration is often mixed with discussion or resentment, with a strong lyrical atmosphere. The content of Du Fu's poetry in this period was mainly lyrical, so the form of poetry also developed in this period. Two forms of modern poetry, namely, metrical poetry and quatrains, are widely used in poetry creation. Thirty-one poems of Du Fu's life were written in this period. Among his first seven-character quatrains of 107, 105 was written at this time. At the same time, Du Fu also wrote 48 1 five-character poems and 125 seven-character poems, among which the number of five-character poems was the largest, and the longest one (Autumn Hundred Rhymes) was also written during this period. Due to various restrictions, regular poems are not suitable for narrative, but more suitable for lyric, which is one of the reasons why there are more regular poems in this period. However, as a poetic style, metrical poetry also has its own uniqueness, because it is musical and concise, and requires high generality. Therefore, as a weapon of irony, it is very powerful, can hit the nail on the head, surprise, and get twice the result with half the effort. To sum up, Du Fu's epic narrative poems are of great value, but his lyric poems also need the same attention, and deserve our attention. We should grasp the poet's great soul and noble personality more keenly by tasting these beautiful lyric poems. Through the interpretation of the works, we can truly enter the poet's real emotional world and laugh, cry, sigh and grieve with the poet.