I think the essence of Ji Bolun's poetry creation can be summarized as follows:
1. Everything Ji Bolun has done in every quarter of his life is asking about his soul, never betraying his soul, never giving up his interpretation of life, and always observing and experiencing life with a pair of philosophical and rational eyes.
2. Ji Bolun's poetic language is very similar to music. With the natural expression and release of emotions, whether low or high, readers are naturally involved in the process of insight into the soul and experience life.
Ji Bolun gave me a lot of inspiration in the content, form, language and thinking of poetry creation.
1, the content of the poem: it is mainly about the perception of life and life, the characteristics of human nature under the background of human civilization, and is keen to reveal the essence of life, life and human nature.
2. The form of poetry: either the way of dialogue between people, or the first person, or the personification and characterization of many human desires, or the form of telling stories, or spreading the philosophy of human nature to all sentient beings as a prophet.
3. The language of poetry: pay attention to describing one's thoughts in situational language, let philosophy and reason be contained in situations and life, and give readers a broad imagination space. The rhythm of his poetic language is not external, but internal, full of rhythmic beauty.
4. Poetic thinking: pay attention to the interpretation of things to be expressed from two or more aspects, and give readers a three-dimensional thinking space.
After reading Ji Bolun's poems, I feel that my blooming life has seen the brilliance of the sun and found a bosom friend who observes and experiences life with philosophical and rational eyes like me. I feel the sunshine of the sun is more brilliant, my belief in life is more firm, and my upward strength is more tenacious and lasting!
I don't want to be Ji Bolun, I just want to be a person who knows life like Ji Bolun.
There is a poet who decorated the colorful world with pearls of thought and gems of soul; There is a writer who shapes the soul of the public with lyrical style and rich imagination; He sincerely ferried in the long river of life, lighting the emotional beacon of many people; His loud cry in the world awakened many people's sleeping conscience. He is "the standard-bearer and soul of American literature"-Ji Bolun.
First, Ji Bolun's love and hope.
Contrary to the traditional style of Arabic poetry, which pays attention to the use of allusions and advocates mystery, it is also different from other poets of the same era who blindly imitate or mutate wildly. Ji Bolun erased the traces of the times and broke free from the shackles of thought, just like a bird who loves his hometown, singing happily in the blue sky: "I am a rose, opening my heart to dawn, so the girl took me off the branch and kissed me." (Song of Beauty) Through the flash of several classic images in nature, readers' understanding and experience of beauty are instantly poetic, and readers have an image understanding of beauty in the natural scenery that can be seen everywhere. Ji Bolun has a passage in the article "Life of Love": "Let us pick the fruits of the earth, just as the spirit picks the fruits of happiness from the seeds of loyalty planted by love in our hearts; Let us fill the warehouse with the products in the land, just like the barn where life enriches our feelings. " This beautiful poem skillfully personifies people by metaphor, compares love to the seeds of loyalty, blooms happiness in our hearts, turns life into crystals and products, and stores them in the granary of emotions. In Ji Bolun's works, love is a trophy of spirit, a lyric poem of the soul, and a clear spring that nourishes life and is full of life energy. Love makes countless kind, selfless and pure hearts pass through the society, warming the weak who need to be cared for and making them live and work better; In our life, everyone is doing the same thing, but our inner feelings about everything are different. For example, everyone sleeps, some sleep to rest, some sleep to get plenty of physical strength, and some sleep to meet the god of dreams and glow with the spark of inner soul. Our daily life seems to be not much different, but people come to this world and have different interpretations of the soul. People walk through materials. Crossing the material life is not the ultimate goal, but to let our spirit roam in this process and get the nourishment of love. This may be the simplest state that Zhuangzi said: "Traveling with things". Love represents hope, tacit understanding and fraternity among members of human society, a sign of healthy life and positive temperament, a posture of survival, and a philosophy of life and spiritual aesthetics. In my opinion, the reason why love is an eternal theme is mainly because our life is too confused in diversified choices, and we need a coordinate and a lighthouse to determine the future direction and distant road. That coordinate and lighthouse are love and hope. The love expressed by Ji Bolun in his articles is not concrete and superficial, but has become a spirit, a value and a feeling. In my opinion, he regards love as a yardstick and scale to measure all behaviors, and as a beacon and beacon to determine ideals.
Second, the color in Ji Bolun's works
The vast world formed by the interweaving of light and shadow is full of colorful colors. As a sentimental poet, Ji Bolun's perception of color is naturally very vivid. The author believes that there are two types of colors in his works: one is poetic and the other is emotional. For example, there is a passage in his "Farewell": "White is like a cloud all over the sky, yellow is like sunshine, and red is like sunset glow." The poet gave full play to his association and imagination and used three different colors, white-yellow-red, and matched them. It vividly captures a picture of natural scenery in the eyes of people who are sad. As the saying goes, "climbing mountains is more and more emotional, and watching the sea is more and more emotional", which fully implies the author's incomparable attachment and nostalgia for his relatives and hometown. This is a poetic color, a poetic splash-ink landscape, and a wonderful pen of "the scenery that is difficult to write now" (June 1 poem). For another example, it was mentioned in the article "Lover": "Marriage is to mix yellow wine with red wine to produce a golden color similar to that shown in summer at dawn." Among them, "yellow wine", "red wine" and "golden yellow" show us a bartender's works with excellent colors. This peculiar imagination and metaphor contains the author's accurate expression of the specific connotation of marriage, and is also the full expression of the author's feelings, which is an emotional color. In this way, the cup of thought has got rid of the mechanical single tone and integrated into the nectar of emotion, reaching a high artistic realm.
In this era of extremely rich information, there are many books worth reading, and we have read many books, but in fact, reading is not about numbers, but about which parts really enter our blood vessels in the name of life and become our salvation; The ancients played the piano, and it was "played all over the mountain" among the thousands of waters in Qian Shan. The wind is strong, and purple smoke is ringing for him. This is reading; The ancients sang. Within Cang Linwu, "Mourning, vibrating trees, very sonorous" sang with him. This is also reading, the real way of reading. You can read people, mountains and rivers, books, the world, a world and a bodhi. Ji Bolun's prose poems are a kind of reading, and his words fascinate us. Reading Ji Bolun's works is by no means an external compulsion, but an internal need. You can have a broad field of vision, a floating field of vision, a view of the world, a view of the rich categories and postures. Those profound thoughts are condensed into a culture and integrated into your life. I believe that his poems must be a cultural gene, a cultural tradition, passed down in the blood of every oriental.