One
Xiayuan could not catch up with him in other years, but Xizhou suddenly met today.
The rain and cold are still there in the water pavilion at dusk, but the spring fragrance of Luo Jian is warm and unknown.
The dancing butterflies diligently collect fallen pistils, and the beautiful lady melancholy lies on the curtain far away.
Fang Fei is with me in Zhangtai Street, and I asked the palace waist how many branches to donate.
Second
The smiling pomegranate flowers are not as good as spring, and they are scattered in advance, which makes people more aware of them.
The jade plate bursts into tears, and the jade plate bursts into tears, and the brocade strings shake the strings and break the dreams.
Thousands of miles of darkness are not old things, and business in a year is like a drifting dust.
After dancing in front of the river, you look back and feel that your beauty is new now.
"I haven't been able to catch up with him in the lower garden, but today I suddenly meet in Xizhou. The rain is still cold in the water pavilion, and I don't know how warm the spring fragrance is in Luo Jian. The dancing butterflies diligently collect the fallen pistils, and the beautiful lady lies melancholy in the distance. Fenfei is with me in Zhangtai Street. How many branches are lost in the waist palace? "The waves of laughter and pomegranates are not as good as spring, and the jade plate bursts into tears, and the strings are broken by the dreams." In the old garden, a year's business is just dust. After dancing on the stream, I look back and feel that the beauty is new now."
The previous poem uses a strange association to describe peonies, thinking of the beauty lying in the distance. Using a melancholy beauty to write about the fallen peonies evokes endless associations. The imagery is rich, the poetry is beautiful, cool, and the expression is exquisite and graceful. The latter song borrows the peony's life experience to integrate one's own feelings and emotions into the object, and the object and I become one. "The jade plate bursts into tears, and the brocade strings are shaken and the dreams are broken." Infinite sadness and frustration, isn't it? Is it the author’s reflection after constantly experiencing the ups and downs of life? "Thousands of miles away, the darkness is not the old garden, and one year's business is like a wandering dust." Isn't this a reflection of his own life experience? This poem injects sentimental emotions into a hazy and magnificent poetic environment. It uses sad mood, beautiful images and words to express one's own mood and feelings. Its style is completely different from before. However, such poems about objects and feelings appeared in large numbers in his subsequent poetry creations, and each one was so sad and desolate. It can be said that this poem had an important influence on his subsequent poems about objects, and also marked the true formation of his unique creative style. There is still controversy over when the two poems "Han Gong Ci" and "Yao Chi" were written. "Selected Ancient and Modern Poems of Pingliang" compiled by Yao Xueli believes that these two poems were written when Li Shangyin was in Jingzhou. Feng Hao and Zhang Caitian believe that these two poems were written in the fifth and sixth years of Huichang respectively. Yao Xueli believed that these two poems were written based on the legend of the Queen Mother of the West, and they were definitely written in Jingzhou. Feng and Zhang believed that these two political lyrics were a satire on Tang Wuzong's foolish behavior of seeking immortality that resulted in his death. However, Tang Muzong and Tang Wenzong before Tang Wuzong all had foolish behaviors of seeking immortality. Li Ziyin's early experience of studying Taoism made him see through the vain trick of seeking immortality. Therefore, it is also possible to satirize the emperors before Wuzong. But in any case, the birth of these two excellent political allegorical poems is inevitably related to Li Shangyin's life in Jingzhou. It was the legend of the Queen Mother of the West in Jingzhou that inspired his creation and provided material for his poems.