It means that I have climbed into a good background or family and my value has risen a lot.
Yuan Yuanqu by Wu, a poet in the late Ming and early Qing Dynasties, reflects a series of important historical events in the late Ming and early Qing Dynasties through the gathering and separation of Chen Yuanyuan and Wu Sangui, a famous prostitute in the late Ming and early Qing Dynasties, and euphemistically condemns Wu Sangui's treason.
The whole poem skillfully links Wu Sangui and Chen Yuanyuan with Five Blessingg's Cha Wang and Shi, and at the same time uses many historical allusions into the poem, so that the whole poem is shrouded with a strong sense of history.
Extended data:
Yuan Yuanqu was written by Wu, a famous poet during the Ming and Qing Dynasties.
Wu is from Taicang, Jiangsu.
He is a poet, a poet, a writer and a painter, and he has made the greatest achievements in poetry. He was the leader of Loudong Poetry School in the late Ming Dynasty, especially good at seven-character poems.
Wu attaches importance to the function of poetry in narrating historical events and expressing personal feelings. He recorded many poems, learned the ode style, and became a new poem, later called Meicun style. Its materials are mostly official history, not novelists, and narrative poems are mostly practical.
"Garden Song" is a masterpiece of Meicun style, which is very similar to that of Changqing style, and is also a poem written with love as the main line.
Changqing style refers to a new long poetic style created by Bai Juyi, Yuan Zhen and others in the new Yuefu movement, represented by Song of Eternal Sorrow, Pipa Xing and Lotus Palace Ci.
It was named because their poems were named Evergreen Collection.
The theme of this poem used to be regarded as a satire on Wu Sangui.
In the past, scholars were sensitive to politics, but in history, Wu Sangui was much more famous than Chen Yuanyuan. People hated Wu Sangui, whether it was anti-Manchu or full-Manchu. At the beginning of Yuanqu, a far-reaching event-Shanhaiguan War happened during Shen Jia's reign. It seems logical to draw such a conclusion.
The advantage of entertainment society is to free literature from political burdens, so it is not difficult to see that this poem is a round song rather than a Sangui song.
Wu Sangui occupies a small space in his poems, but he devoted a lot of space to describing Chen Yuanyuan's life and experience, and poured deep sympathy into it.
In particular, this poem does not mention the contradiction between Manchu and Han nationalities, and it is Wu Sangui's eternal crime to lead a wolf into the room.