Original poem:
Overnight temple
The tall buildings of the temple on the mountain are really high, like a hundred feet. People upstairs are like a hand that can pick off the stars in the sky.
Standing here, I dare not speak loudly for fear of disturbing the gods in the sky.
Explanation:
The high-rise building of the temple on the mountain is really high, it seems to be 100 feet. People upstairs seem to be able to pick off the stars in the sky with one hand.
Standing here, I dare not speak loudly for fear of disturbing the gods in the sky.
Dangerous building: a tall building, referring to the temple at the top of the mountain. Danger: high. 100 feet: Fictional, not real. The buildings here are very high. Fear: fear, fear. Surprise: Call the police.
Extended data
This poem depicts the towering buildings in the temple in an extremely exaggerated way, expressing the poet's wonder at the engineering art of ancient temples and his yearning and pursuit for the immortal life.
The poet spent the night in a temple in the deep mountains, and found a high Buddhist scripture-storing building behind the temple, so he climbed it. Looking at the distance from the railing, there are many stars. Li Bai wrote this short poem about a scenic trip full of poetry.
The first sentence depicts a steep, straight and towering temple building. The word "danger" is eye-catching and eye-catching. The ingenious combination with the word "high" in the same sentence accurately, vividly and vividly depicts the extraordinary momentum of the mountain temple standing on the top of the mountain and dominating the world.
The second sentence uses extremely exaggerated techniques to set off towering peaks and temples. In three or four sentences, "Dare" describes the author's psychological state in a dangerous building at night. From the poet's psychology of "dare" and "fear", readers can completely imagine the distance between "Mountain Temple" and "Heaven and Man", so the height of Mountain Temple is self-evident.
Li Bai's poems are full of individuality and strong subjective lyricism. The content shows the rebellious spirit of being vulgar, resisting, not flattering powerful people, praising rangers and immortals, and is known as "Xia" and "Poet Fairy", that is, Li Bai, the poet fairy of later generations. Shi Li's poems are rich in imagination, peculiar in structure, extremely exaggerated, vivid in metaphor and full of myths and legends.
Li Bai's poems are rich in materials, rich in imagination, bold and unrestrained, and are the highest in Tang poetry. Later poets such as Su Shi, Lu You, Xin Qiji in Song Dynasty, Gao Qi in Ming Dynasty and Gong Zizhen in Qing Dynasty were all deeply influenced by Li Bai's poems.
Li's poems praise magnificent nature, are good at describing and praising mountains and rivers, are bold and unrestrained, and despise meticulous carving and duality arrangement. Instead, he scribbled his impressions and feelings in his mind with bold and unpredictable techniques and lines, created a unique artistic image and put on an unparalleled style.
Li Bai is good at using the language of Yuefu folk songs, rarely carving, and is natural and frank. The use of Yuefu spirit and folk song language has reached an extremely mature and liberated stage.
He praised Li Bai as a "fairy". Du Fu spoke highly of Li Bai, praising his poems for "shocking the wind and rain" and "making ghosts cry", which were invincible and outstanding.
Li Bai wrote many poems in his life, of which more than 900 have been handed down to this day. His poetry creation involves a wide range of China classical poems, many of which have excellent works. And because of the different fate, the poetic style of each period is different.