Introduction: The Spring in Hangzhou is a seven-tone poem written by Bai Juyi, a poet in the Tang Dynasty. This poem gives a comprehensive description of the spring scenery in Hangzhou, melting and casting the most characteristic scenery in Hangzhou in one article. The following is an appreciation of Bai Juyi's ancient poem "Spring in Hangzhou" which I compiled for you. I hope it will help you!
Hangzhou Chunwang
Tang Dynasty: Bai Juyi
Looking at the sea tower, the dawn shines, and the river embankment is covered with white sand.
Taosheng enlisted in the temple at night, and Liu Sechun hid in Su Xiao's home.
Red sleeves weave silk to praise persimmon, while green flags sell wine while pear blossoms.
whoever opens the southwest road of Husi, the grass green skirt is inclined at the waist.
Translation
The Wanghai Building outside Hangzhou is covered with bright morning glow, walking on the berm and stepping on soft white sand.
The roaring sound of Qiantang waves reached the enlisted men's temple in the spring night, and the delicate green willows were wrapped in Su Xiaoxiao's house.
The girl in tea boasts that Hangling persimmon is a good weaver, and competes to buy wine and drink "pear flowers" in front of the green flag.
who opened the road to the lonely mountain in the middle of the lake? The grassy path is like a girl's green skirt with a crooked waist.
Note
(1) Wanghailou: The poet originally wrote: "The East Building is called Wanghailou."
(2) Dike: namely Baisha Dike.
(3) Wu Member: Zi Xu, a native of Chu in the Spring and Autumn Period. His father and brother were all killed by King Chu Ping. Wu Yuan fled to the State of Wu, assisted the King of Wu to defeat the State of Chu, and assisted the King of Wu Fu Cha to defeat the State of Yue. Later, he was slandered and killed by Fu Cha. According to folklore, Wu Yuan was named Taoshen after his death, and the Qiantang River tide was aroused by his resentment and anger, so he was called "Zi Xutao". Ancestral temples have been set up to commemorate the past dynasties, called Wugong Temple. Xushan in Lianli Temple is also called "Wugong Mountain".
(4) Su Xiao: Su Xiaoxiao, a famous prostitute in Qiantang in the Southern Dynasties. Old Su Xiaoxiao's Tomb by the West Lake Cold Bridge.
(5) Tea: refers to the girl who weaves silk.
[6] Persimmon stems: "Persimmon stems are produced in Hangzhou, and flowers are especially good." Wu Zimu's Dream of Liang Lu in the Southern Song Dynasty said in Volume 18: "The local silk in Hangzhou is called persimmon and dog's feet ... all of which have special patterns and different color patterns."
(7) green flag: refers to the wine flag in front of the wine shop. Selling wine: buying wine.
⑻ pear flower: wine name. The poet's original note said: "Its vulgarity is that wine is cooked when the pear blossoms are ripe, and the number is' Pear Flower Spring'." This sentence describes the customs and specialties of Hangzhou: boasting that the local silk "persimmon" produced in Hangzhou has a good color, and the citizens are eager to drink pear spring wine when the pear blossoms.
Appreciating
The first couplet, "Looking at the Sea Building" and "Protecting the River Embankment" were introduced first, because the buildings are tall and the embankments are long, which can be seen throughout. They are "bright" and "white" in the glow of the morning glow and the sunny sand, setting off a beautiful and smooth atmosphere, and gradually opening up the following beautiful scenery. Here, it is an objective phenomenon to "shine" on the early dawn and glow of the building, and it is the interest of tourists to "tread" on the embankment. Everything is seen from the poet's eyes and closely follows the word "hope" on the topic. The original note in the poem: "The East Building is named Wanghai Building", and Hang Cheng is adjacent to Qiantang River, so the embankment is built. After the couplet turned one floor, it led to obvious seasonal characteristics: the spring tide was surging, the night waves were swaying, and the sound directly vibrated the Wugong Temple on the top of Mount Wu; Shaded by willow branches, Su Xiaojia is in the depths of the new green, and spring seems to be condensed in her flowery years and fiery enthusiasm ... These two sentences interweave sound and color, and contrast reality and reality, respectively giving birth to wonderful associations of "entering at night" and "hiding in spring" from audio-visual perception, and melting into the "Wu Temple" and "Su Xiaojia" containing deep and distant historical content, making the ancient scenic spots transcend time and space and take them with them.
The third joint looked away from the four scenic spots in front and focused on folk customs and personnel. The silk weaving industry in the south of the Yangtze River is prosperous, so the poem notes: "There are persimmon stems in Hangzhou, and the flowers are especially good." According to Wu Zimu's "Dream Liang Lu Products", this is the pattern of silk; It is also a local wine, and the poem also notes itself: "Its vulgarity, winemaking is ripe when pears are ripe, and the number is' Pear Spring'". Here, the exquisite weaving skills of women workers in Hangzhou and the folk customs of people competing for good wine at that time are described, and the prosperous social scene is outlined. The color contrast and product contrast between "tea" and "green flag", "persimmon" and "pear flower" are more like a beautiful and elegant painting, overflowing with rich and lively life interest. The tail couplet closes the beam with the wide scene seen from the distance, and the darkness and the first sentence take care of it. "Southwest Road of Husi" refers to the long dike that leads from the broken bridge to the middle of the lake to the lonely mountain, and there are many flowers and plants on both sides. The poem notes: "Gushan Temple Road is in the middle of the lake, and when the grass is green, it looks like a skirt." Look, the lake is full of clear waves like a girl's colorful skirt fluttering, and the Bai Causeway is covered with lush smoke and green grass, just like a green ribbon on a girl's skirt. In the last sentence, I sang about "Who will open it", so I asked questions, and then I used the wonderful metaphor of "skirt waist", which reminds people of the West Lake in spring, as if it were the incarnation of a charming young girl.