Bing Xin's "After the Rain"
The green treetops shone with golden light,
The square became an ocean!
In the water A group of barefoot children,
were as happy as gods.
The little brother stepped on the water hard,
and splashed the water high.
p>
He shouted: "Sister, be careful, it's slippery!"
As he said that, he slipped!
He patted his wet and muddy pants,
p>
He said: "Oops - Oops!"
But his red and happy face,
exuded excitement and pride.
< p>The little sister pouted her two short and thick pigtails,followed closely behind the mud pants,
she bit her lip,
Holding up the skirt,
ran gently and carefully,
but in my heart I hoped that I
would also fall so happily!
< p>June 23, 1959This poem has four sections, the center of which is to describe the situation and psychology of a pair of little brothers and sisters playing in the water after the rain. The writing is bright, the language is humorous, and it is full of emotion. Touching innocence and childishness. Naturally, if you chew and taste it carefully, you will feel its deeper and richer connotations. In this poem, Bing Xin paints for us a happy picture of the happy life of children in New China; She combines emotion with scenery and reason with environment. Through a few small pictures, she creates an artistic realm that is both elusive and perceptible, and in a lively and cheerful atmosphere.
Four sentences in the first stanza. , vividly display the time, place, characters, and scenes of this poem in front of readers. "The green treetops are shining with golden light", highlighting the season of late spring and early summer; "the square has become an ocean." , it can be seen that the vastness of this square makes people naturally think of Tiananmen Square. The poet has special feelings for Tiananmen Square. The "May 4th" movement that broke out here once involved her, a girl with literary talent, into the literary world. Wave. In the article "After Returning", she once wrote with emotion: "Especially Tiananmen Square, the memorial site of the May Fourth Movement, with its dim gatehouse and desolate square, once housed thousands of innocent and pure patriotic young people. The place where the reactionary ruling class suffered bloody persecution is now a shining place with golden and green lights. It has become a symbol of the unity of the Chinese people and the people of the world in striving for peace. It has become a place where great people's leaders review the strong people's ranks during the Spring and Autumn Festival. "In this way, it is not difficult for us to understand that the poet uses the image of "a group of barefoot children" playing in the water after the rain, "as happy as gods" to convey her vision of the new China after the earth-shaking. The joy I feel when the sky clears after the rain, and the joy I feel when hundreds of millions of children can live and grow up happily.
The second, third, and fourth stanzas of the poem specifically describe the many children among them. The touching scene of a pair of little brothers and sisters treading water and playing in the water. The reason why they can play so carefree is not only due to their childish nature, but also because the social environment provides them with the guarantee of life. Take a look at what Bing Xin wrote in the 1920s and 1930s. How had such a stable and cheerful picture ever appeared in her poems, essays and novels? At that time, although she was dissatisfied with the dark social reality, she did not see the growth of emerging forces and the bright future of the motherland, so she often started from maternal love, innocence and She went to find shelter in the spiritual crisis in the beauty of nature. She confided to her mother: "The raindrops in my heart are coming. Apart from you, who is my shelter under the unobstructed sky?" Now, she sees the children of New China in the party and the people. Under the care and love of the government, they thrived and "bursts of clear and lively laughter screamed out the hope of New China." She also expressed her joy and love for the children through the language of poetry.
Guo Moruo's "After the Rain"
The universe after the rain,
is like a conscience washed by tears,
quiet and quiet.
The sea is covered with silver waves,
The sky is still haloed with smoke and clouds,
Aomori in Matsubara!
The flat shore,
< p>Fishing boats lined up in rows,No trace of anyone.
There are two or three lights shining on the far island--
First appearance Star?
Guo Moruo's "After the Rain" is a "object realm" poem that mainly describes the natural scenery at dusk after the rain on the seaside, forming a refreshing, quiet and distant and hazy realm. Different from the vigorous and wild style of Guo Moruo's "Fang Hao" and "Tiangu", this poem belongs to the category of fresh and diluted. Guo Moruo once said: "I originally like diluted people. For example, Tao's poems are quite to my taste, and in Tang poetry If I like Wang Wei’s quatrains, these should all fall into the diluted category.