The ancient poetry in the treasure house of China traditional culture is a bright pearl, and the artistic conception is the life of the ancient poetry. Artistic conception is also called image. What is image? To put it simply, image is an image with meaning, an objective image used to entrust subjective feelings, and the realm and artistic conception embodied in the image description in the works. Poetry expresses the natural scenery in the works, that is, it takes images from nature to express its feelings. Image is the soul of poetic art. In the long development of China's classical poetry, many traditional images have been formed, such as "moon", "water" and "flower". There are many poems about "wind" in various places, and there are also many famous works: expressing the feelings of lovesickness and parting, or feeling sad about one's life experience and the suffering of being displaced from place to place, or expressing one's broad-minded and chic mind, or praising the world.
1. Entrust the homesickness to the wind and express the homesickness.
For example, in the Qing Dynasty, Nalan Xingde Sauvignon Blanc said, "The wind is more frequent, the snow is more frequent, and it is impossible to break the homesickness dream. There is no such sound in the garden." This winter's wind and snow broke the hearts of homesick people. In the Yuan Dynasty, Liu bid farewell to the river. "The good wind makes the guests worry, and the waning moon wakes up in the curtain." When the night wind strikes, lonely guests wake up and never dream of going home again. What a sad feeling. But as far as the "good wind" is concerned, it is in sharp contrast with the mood. In Liu Che's autumn wind poem in Han Dynasty, "Autumn wind starts in Bai Yunfei, and the vegetation falls to the south". In the preface to autumn wind by Liu Yuxi in the Tang Dynasty, "Autumn wind enters the courtyard tree, and the lonely guest hears it first". It's all about autumn wind blowing, wind blowing, flowers falling and geese flying south. In this case, there will be no other emotions, only homesickness. The autumn wind all over the sky brings ubiquitous depression and leads to lovesickness.
Second, use the wind to render the sad atmosphere and set off the sad feelings.
"The wind is raining, and Chen Tuan can't sleep"; "The curtain rolls west wind, and people are thinner than yellow flowers"; "Autumn wind blows the Weihe River and leaves are full of Chang 'an"; I have known her for a long time, but we have been apart for a long time. The east wind rises and a hundred flowers blossom. "Spring breeze is not worried about being blown away by the wind, but spring will cause long-term hatred" and so on. These numerous poems contain the literati's sentimental life experience and the pain of displacement. Changfeng blows out bleak loneliness, which is infinitely bleak to read. It's really "full of worries." "
Third, show heroism with the wind.
"Yunfei winds up and the weaver girl returns to the sea" is a heroic wind; "The sky is grey, the wild is boundless, the wind blows grass and the cattle and sheep are low", which is the boundless wind beyond the Great Wall; "The wind is rustling in Shui Han, and the strong man is gone forever." This is another tragic wind. In these artistic conceptions, sadness and sadness have completely disappeared. The wind is no longer a gentle and sad image, but an invisible hand plucks the heroic and broad-minded strings in the world, which makes people feel passionate. This kind of wind is momentum and strength, and it is the carrier of the Chinese nation's high-spirited spirit.
Fourth, show vitality with the wind.
"Wildfire never completely devoured them, and they grew tall again in the spring breeze"; "Waiting for the east wind will always be spring"; "Thousands of trees bloom in the east wind night"; "The wind blows the willow flower shop full of fragrance", and when the wind sweeps away the haze, it brings people vitality and is the driving force to stretch their body and mind, so the spring breeze at this time is "busier than passers-by" and spreads the vitality of spring. "Wind" has become a symbol of vigorous vitality. At this time, only when the wind blows the hearts of literati at the earliest, let them listen to the joy of the world and express the beauty of spring lyrically on paper.
In the traditional culture of China, the image of wind often becomes the carrier of human thoughts and emotions. Because of the author's different moods, different ancient poems often express different meanings, which reflects the richness of their meanings. Different connotations form different aesthetic artistic conception, which sets off different feelings of poets and poets. The inner thoughts, feelings and styles reflect each other, which promotes the literary taste, ideological connotation and artistic attainments of poetry, by going up one flight of stairs.
2. There is an urgent need for some poems with the image of the wind. Why should I blame the willow for the spring breeze? The spring breeze is not enough-Wang Tangzhihuan's Liangzhou Ci is one year old, and the spring breeze warms Tu Su-Wang Song Anshi's Yuanri Spring Breeze, since I dare not know you, why do you divide the silk curtain in front of my bed? ? Wildfire never quite consumes them, the spring breeze is blowing high —— Spring Thoughts by Tang Li Bai —— Farewell to the Original Grass by Tang Bai Juyi. When will the bright moon shine on me in Jiang Nanan —— It is easy to distinguish the east wind when boating in Guazhou, Anshi, and it is always spring —— It is wet with apricot flowers and rain in spring, blowing noodles.
-Zhi 'an, a monk in the Southern Tang Dynasty, "Jueju" Autumn wind curled up in the autumn wind, and waves curled up under the leaves of trees in Dongting: describe the breeze blowing. Dongting: Dongting Lake, in the north of Hunan Province.
Waves: microwave flooding. Muye: Yellow leaves.
Chu Ci of the Warring States Period Qu Yuan's "Nine Songs, Lady Xiang" is sorrowful and indignant! A bleak, withered grass, withered, if it is a long trip, the mountain climbing near the water will also be bleak: lonely, depressed. Liao Li: Desolate.
If you travel far away: It seems that people travel far away. In the Warring States Period, Chu, Song and Yu argued that the autumn wind started, the vegetation turned yellow, and the geese returned to the south. The autumn wind in Liu Che is bleak, the weather is cool and the vegetation is exposed to frost. Wei Xing has many fallen leaves, so he knows it is autumn: Lvxiang Courtyard.
Tao Jin Yuanming's "Appreciating Willow, Wood and Mulberry" is a new autumn night, graceful and graceful, and the moon will be far away: describing the length of the night. Tingting: It's far away.
In Tao Jin Yuanming's "Fire in June in Wushen", it shows the whereabouts of Furong Lou, Liu Yangyue, and Furong Shu: Lotus. In the Southern Dynasties, Yan Qiu Si looked at the cold city, and Pingchu was in the cold city: the cold has invaded the city.
Look: Look into the distance. Pingchu: Ye Ping.
Cangran: The appearance of lush vegetation. Write two sentences about the scene of early autumn.
In the Southern Dynasties, the pavilion "Looking at Xuancheng County" is under the leaves, and the pavilion is high in autumn: horizontal. Konoha: Leaves.
Dragon Head: The mountain name is between Shaanxi and Gansu today. In the Southern Dynasties, Liang and Liu mixed the poem "On Dressing". The fog in Jincheng was low, and the grass under Yumen was low: the grass withered.
Under the tree: leaves are falling. Jincheng: the name of an ancient county, between Yuzhong, Gansu and Xining, Qinghai.
Yumen: Yumen Pass, in the west of Dunhuang, Gansu. Write two sentences about the cold autumn scenery in the northwest.
The autumn sounds of trees and trees in "Another Kind" written by the Southern Dynasty Cloud, and the autumn sounds of mountains and mountains in cold colors: autumn wind blowing, scattered vegetation, cold and noisy. The epitaph of Bulugu's family, the wife of Zhou Qiaocheng, was written by Wei Jiuyue: auxiliary words, meaningless.
Foreword: season. Don Wang Bo's Preface to the Autumn Pavilion: The sunset and the lonely Qi Fei are the same: the name of the bird, the wild duck.
Qi Fei: The sun sets from the sky, and I am lonely from bottom to top, competing with Qi Fei. A color: the water in autumn is blue, and the sky is blue, reflecting the water and forming a color.
Tang Wang Bo's farewell preface to Autumn Knee Palace is full of bamboo in autumn, while the cool Wuling Song Tang Li Qi's looking at Qinchuan is full of autumn leaves, and the curtain of the night pearl is not frosted. Tang Wang Changling's "Autumn Letter" contains five poems: "The phoenix tree in the golden well is full of autumn leaves, and the curtain of the night pearl does not roll frost. The smoked jade pillow has no color, and you can listen to the Nangong for a long time. "
Bai Yue reflects the cold pool, and autumn rain grows moss. Liu Tang Changqing's "You Xian Zen Master Shuangfeng Temple" went to the wild field in the south, because the leaves had fallen, and the wind in the cold zone was not far from the autumn in North Haoran's "Huai Chu Han Jiang", so it was cold to go out. Tang Li Bai's "Gift to the Master" makes the rain cold and the wind cool and clear. Tang Li Bai's "Reward for a Rain" Autumn geese are escorted by Changfeng. I face them from this villa and drink my wine full. Tang Li Bai's "Uncle Xuan Zhou's Xie Tiao Building Farewell to the School" High birds, Huang Yun dusk, a cold autumn tree. Tang Du Fu's "Late Autumn Changsha Cai Wu Waiting for the Imperial Banquet to Send Liu Yin to Join the Army and Return to Fengjie Province" is still vague. Yan Fei stayed in the clear autumn: staying for two nights.
So: still. Tang Du Fu's Eight Poems of Autumn Prosperity is in Qujiangtou, Xiakou of Zhaitang, and Wan Lifeng's smoke meets autumn sand on the far shore of Tang Du Fu's Eight Poems of Autumn Prosperity. Even the mountains are illuminated by night, and autumn is near in the sky. The moon on earth is clear, and Du Fu of Tang Dynasty cries in August and autumn. My home is Sanlian Caotang. cogon
Describe the scene of vilen in late autumn: the wind blows the thatch on the vilen and the wild fire burns the withered mulberry trees. Don Cen Can's "Going to the Girder but Sending a Mad City Master" Autumn wind moves Wan Li, and the setting sun shines high. Tang Censhen's "Gongbei Qiuxing sends Cui Mingyun" winter wind? Si=4 East wind, spring, Song and Zhu Shengsun, looking for fragrance and exploring the shore, the boundless scene is new for a while.
Wait a minute and you'll know that the east wind is always spring. Beat the sun: a sunny day. 2. Looking for fragrance: spring outing, hiking.
3. Surabaya: The name of this river is in Shandong Province. 4. Leisure: normal and relaxed.
The meaning of waiting for knowledge is easy to identify. 5. East wind: spring breeze.
[Analysis] It is generally believed that this is a poem describing a spring outing. Judging from the scenery written in the poem, it is also very similar.
The first sentence is "winning the sun to find the fragrance of Surabaya", and "winning the sun" refers to sunny days, indicating the weather. "Surabaya" indicates the location.
"Looking for fragrance" means looking for beautiful spring scenery and pointing out the theme. The following three sentences are what you saw when you wrote "Looking for Incense".
The second sentence, "boundless scenery is new for a while", is about the initial impression gained by watching spring scenery. Use "boundless" to describe all the scenery in front of you.
"A Moment of Novelty" not only describes the return of spring to the earth, the natural scenery is brand-new, but also describes the refreshing joy of the author during his outing. The word "knowledge" in the third sentence inherits the word "search" in the first sentence.
"You can easily know" means that the features and features of spring are easy to recognize. "East wind" refers to spring.
The fourth sentence, "colorful is always spring", means that this colorful scene is made up of spring, and people know spring from this colorful scene. This specifically answers why we can "wait for the east wind".
The "colorful" in this sentence also takes care of the "new situation" in the second sentence. The third sentence and the fourth sentence describe the new situation and the gains from finding incense in vivid language.
Literally, this poem seems to describe the impression of a spring outing, but the place to look for fragrance is the shore of Surabaya, which was occupied by Jin people in the Song Dynasty. Zhu has never been to the north, and of course it is impossible to swim to Surabaya in spring.
In fact, the word "Surabaya" in the poem implies Confucius, because in the Spring and Autumn Period, Confucius taught his disciples with string songs between Zhu and Si. Therefore, the so-called "seeking incense" refers to the way of seeking saints.
"Colorful" is a metaphor for Confucianism.
3. Appreciation of Wind Poetry and Artistic Conception of Ancient Poetry "Wind"
"Three autumn leaves can blossom in February. Crossing the thousands of feet waves, the bamboo branches are oblique. " This poem was written by Li Qiao in the Tang Dynasty. There is no word "wind" in the whole poem, nor does it directly describe the external form and explicit characteristics of the wind, but it shows the gentleness and tenacity of the wind through the changes of the original or original state of foreign objects under the action of the wind. Release and Openness show the tenderness of the wind vividly, and also deeply touch the readers' apathy that may have been a little early, and reawaken people's feelings for a better life. Looking at this poem, the poet indirectly expresses various forms of the wind by grasping the variability of four natural images: leaves, flowers, waves and bamboo, which makes people truly feel the charm and strength of the wind.
4. What is the image of "wind" in ancient poetry? Original publisher: Long Yuan Journal Network.
When a poet writes a poem, it is often "the words don't convey the meaning, but the image is wonderful". This kind of image is an objective image of the author's subjective feelings, usually taken from nature, and "wind" is the poet's favorite image. Ancient poems often express their feelings with the wind, express their aspirations with the wind, and create artistic conception with the wind, thus achieving the artistic effect of "endless words and endless meanings".
Keywords: wind image of ancient poetry
When a poet writes a poem, it is often "the words are not full of meaning, but the image is better". This "image" is the objective image of the author's subjective feelings in the poem, usually taken from nature, and "wind" is the poet's favorite image. Many famous poems, such as "Wildfire never goes out, spring breeze is high", "Autumn wind blows my heart, and I will always go to Yumen Pass", "At night, the south wind rises, and the wheat is full of yellow", "Reunion after a long separation, the east wind rises, and a hundred flowers bloom", "The west wind makes people grow old all night, and all the flowers are white" and "The north wind rolls white grass, and In the snow crosses Tatar. The author put all his joys and sorrows, joys and sorrows. "Whether it is southeast wind or northwest wind", what enters poetry is no longer a purely objective natural phenomenon caused by airflow, but a carrier of emotion and an image that touches the poet's feelings. Image is the soul of poetic art, and its function lies in conveying feelings, expressing aspirations and creating artistic conception with the wind, so as to achieve the artistic effect of "endless words and endless meanings". Now take the ancient poetry in middle school textbooks as an example.
[2]
5. Write the image of wind and rain. 20 lines of modern poetry should be original, unforgettable, beautiful and intoxicated.
On that day, you walked alone in a long, lonely rain lane with an oil-paper umbrella;
Even though there are many customs, who should I talk to?
Roses are very fragrant, but they have unfamiliar thorns;
Lily is pure, but cold and cheerless as an iceberg;
You are neither a rose nor a lily,
You are a sad girl like lilac,
Have the same color, fragrance and sadness as cloves;
Like a fairy outside the dust for nine days in a dream, she walked into this rainy lane;
Sorrow and hesitation in the rain, wandering in this lonely rain lane;
Passing by like a dream, far away, far away;
If I were a raindrop,
Dancing in the air with the wind,
I'll chase you,
Fly, fly, fly;
Don't go to that house with hard gray tiles,
Don't go to the sad bluestone,
Don't go to the graceful flowers,
"Fly, fly, fly"
Pursue your lilac fragrance;
At that time, I thought with my light body,
Yingying, stick to your clothes,
Close to your tender heart.
6. Poetry about writing style 1. But now I think of that night, that storm, I don't know how many flowers I folded. (Meng Haoran: "Spring Dawn")
2. The wind blows the general to hunt Weicheng. (Wang Wei: Hunting)
The forest is black, and the wind attacks the grass, but the general tries to shoot arrows at night. (Lu Lun: "Xia Sai Qu")
Wildfire never completely devoured them, and they grew taller again in the spring breeze. (Bai Juyi: "Farewell to Ancient Grass")
5. Chai Men smells dogs barking, and returns to people in the snowy night. (Liu Changqing: "Lotus Mountain Master in the Snow")
6. sneak into the night with the wind and moisten things silently. (Du Fu: "Delighting in Rain on a Spring Night")
7. Across the wall of Sanqin, across a layer of fog, across a river. ("Farewell Du to Shu Guan")
8. I want to go home by wind, but I'm afraid of Qionglou Yuyu. (Su Shi: "When will there be a bright moon in the water regulation?" )
It was a long time ago that I met her, but since we separated, the time has become longer, and the east wind has started and a hundred flowers have blossomed. (Li Shangyin: "Untitled")
10. The sky is wild, the wind blows the grass and the cattle and sheep are low. (Song of Chile)