liu zongyuan
Su Yunzhou Zhu,
Xiao Riming Wu Cun
Gao Shu Lin Qing Chi,
The wind scares the night and it rains.
Don't give your heart anything,
I will be the guest and host.
This poem was written when Liu Zongyuan was exiled to Yongzhou for five years. It depicts the morning scene of Yugong Pool after the rain. It shows a beautiful picture of rain clouds by describing such scenery as Suyun, Dawn, Tall Trees and Clear Pool.
The poet closely followed the topic of "walking after rain" and first outlined the environment around Yugong Pool. The first sentence "Su Yunzhou's Note" pushed the time to last night, pointing out that after a night rain, the last few residual clouds in the sky floated away from the sandbar in the water. At this time, the morning sun rises gradually, and the bright sunshine shines on the villages far and near, making them bright.
Next, describe the close-up of the fish pond in detail. The tall trees face the clear pool water, and the green trees and the pool water set each other off. A gust of wind came, so that the rain beads left on the leaves of the rainy night seemed to be frightened and fell one after another. The poet's meticulous observation of the scenery is amazing. He captured the instantaneous dynamics of the scene and creatively personalized "Night Rain" with the word "Quiet". Suddenly, the landscape in the pen is full of vitality and fluidity. These two sentences are strangely conceived, and they paint a very brilliant and energetic picture with extremely concise language and distinctive scenery. Finally, describe the poet's feelings in the landscape. At present, the colors are bright and beautiful, and you can see an open and fluttering cloud, a village in the sun, a tall tree clearing the pool, and the wind and rain are falling. These scenes are dynamic and static, and are harmoniously unified in one picture. The poet was intoxicated by this pleasant beauty. In this rare "no attachments" moment, I deeply feel that I feel very comfortable with the natural scenery in front of me, just like welcoming the host and guest. A short poem depicts such a vivid and touching scenery, showing the poet's artistic skills in refining words and meanings. At the same time, the description of the scenery is full of the poet's emotions, and there are feelings in the scene, which makes the whole poem natural.
From midnight, the West Park is worth the moon.
liu zongyuan
Feel the smell of falling,
Open an account in Linxi Park.
On the cold moon, Dongling,
Dilute bamboo roots.
The stone spring is much louder than the ring,
When the mountain birds are noisy.
Depending on the age, Dan,
What will loneliness say?
Most of Liu Zongyuan's poems were written after relegation, mostly to express the sadness of living in exile and exile. This poem was written in the predicament that the poet was demoted to Yongzhou.
The beginning of the poem tied the meaning of the topic: late autumn, lonely on a cold night. Poets who are agitated are still lonely at midnight and can't sleep. There was a slight sound of "numerous dew" dripping from outside. As you can imagine, it was a quiet night. So he opened the door and went to the West Park. Outdoor, empty and quiet. A bright moon climbed up from the back of Dongshan Mountain and sprinkled its cold light on the sparse bamboo forest. The word "Lingling" is cleverly used here. The poet describes the moonlight with its meaning of "coolness", which contrasts with the word "coldness" in "Leng Yue" and deliberately renders a bleak artistic conception.
At this point, there was silence all around. At the foot of the mountain, the sound of spring water flowing from the crevices becomes clearer, and the wild birds in the mountain occasionally make a loud noise, reflecting the Qingyuan, quiet and empty environment.
The poet wrote about the quiet atmosphere around his residence, with "countless dewdrops" falling to the ground, a stone spring "ringing" and birds singing in the empty mountains and deep streams. This technique of entering silence with sound and contrasting dynamic and static vividly outlines the deep and quiet moonlight scenery. In this landscape, there are complicated thoughts and feelings as poets: grievances after being left out in the cold, loneliness of leaving their relatives in their hometown, and arrogant and noble feudal intellectuals? .
Facing the cold and silent scenery in front of him, the poet leaned against the door and meditated until dawn. Nevertheless, the poet could not get rid of his lonely and depressed mood, so he finally said, "What will loneliness say?" In a few words, all his pains and troubles were in silence.
Poets are good at choosing distinctive scenery to describe the tranquility of the earth and the emptiness of Shan Ye, so as to draw a picture of a moonlit night with quiet artistic conception, which is covered by countless dewdrops, Leng Yue, sparse bamboos, the sounds of stone springs and the birds singing in mountain streams, showing the characteristics of painting in poetry, silence is better than sound, and dynamic and static contrast.
Old fisherman
liu zongyuan
An old fisherman spent the night here, under the cliff in the west,
Small Qing Ji incense burning bamboo.
Then, at sunrise, he walked through the fog.
Alas, it's a green landscape.
I turned around and saw the waves coming from heaven.
Clouds on the cliff floated leisurely one after another.
These seven ancient poems and Liu Zongyuan's other five-line poem Jiang Xue are all about fishermen. The images of fishermen all reflect the ideal personality that poets yearn for, but each has its own artistic characteristics: the old man in Jiang Xue reflects cold light in the detached things, while the fishermen here reveal sadness in elegance.
"An old fisherman spent the night here, and under the western cliff, Xiaoxiang was burning the bamboo forest." Xiyan, the western mountain outside Yongzhou. In the first year of Shunzong Yongzhen (805), Liu Zongyuan was demoted to Yongzhou Sima. He traveled all over this area and wrote "Eight Records of Yongzhou", which is known as "the last song of the ages", and expressed his thoughts with mountains and rivers. We read this poem together with Eight Chapters of Yongzhou, so that the beauty of mountains and rivers and the beauty of personality displayed in this group of works can reflect each other, and it is easier to see the loneliness and lofty feelings of the poet in this period. The landscape characters in the works are branded with the poet's aesthetic taste. Why did Liu Zongyuan pay special attention to the image of fisherman between green mountains and green waters? Does he think of the scene where Qu Yuan was exiled to Xiaoxiang more than 0/000 years ago and had a heart-to-heart talk with fishermen by the river? Did Qu Yuan's noble tragic images of "making lotus flowers as clothes and picking hibiscus as clothes" and "drinking magnolia in the morning and autumn chrysanthemum in the evening" arouse the poet's feelings? With Liu Zongyuan's self-effacing personality, he would never compare himself with the sage Qu Yuan, but we can vaguely see the poet's shadow from the fisherman's interest in life. This fisherman lives in Xishan, where he is "carefree and suffocating, but he can't get his own limit. He travels with the creator, but he doesn't know what his poverty is" (the beginning of Travel Notes of Xishan Banquet). He drank "clear and beautiful" Xiaoxiang water, and even the bamboos cooked with water were spotted bamboos soaked in yellow tears. What a noble and poetic life! Doesn't this fisherman look like a scholar? The time changes from "night" to "dawn", the picture changes from dark to bright, and the relaxed poems of "Qing Xiang" and "Zhuzhu" make readers more relaxed and fascinated.
"Then, at sunrise, he walked through the fog, alas, it was a green landscape." After cooking in the morning, the wind and smoke are clean, and the mountains are illuminated by Zhao Hui. Shouldn't this fisherman be on his boat? However, there was no one there. Just as you were staring into the distance, suddenly there came a cheerful fishing song from the mountains. You can't help but feel happy. You are going to see the fairy's face, but the song floats away and disappears in the green everywhere. Is anybody there? In the end, I can't reach it-this hope is just a wish. It turns out that the previous "Stay" and "Xiao Ji" are all legends about this master. However, how wonderful, vague but true, "alas, it is a green landscape." When you wake up from a dream and look at the scenery in front of you, it seems that the mountains are greener and the water is greener. It seems that the beauty of this scenery is only called down from the fairyland with a sigh. No wonder Su Dongpo, a great poet in the Song Dynasty, called it "strange interest", which is really an elegant and detached aesthetic realm with a little mysterious flavor.
You may be a little disappointed and have to go boating. However, when you are in the middle of a boat and look back at the top of the mountain where the fisherman lives, "I turn around and see the waves moving like from the sky, and the clouds on the cliff come idly, one after another." Fisherman-a simple fairy, living in the sky, ethereal, beyond the world. You see, the carefree realm of ancient and modern hermit Tao Yuanming has appeared on the rocks here again.
It should be said that this fisherman image written by Liu Zongyuan is not a realistic reflection of the life of fishermen in the middle Tang Dynasty, but an objectification of the poet's own interests. This image is noble, carefree and illusory at the same time; Behind them are the shadows of Qu Yuan and Tao Yuanming. In this way, readers can see a layer of sadness from the poet's painstaking ideas.
Liuzhou dongmang