The achievements of women's poetry creation in Qing Dynasty are not only reflected in the Collection of Noble Poems, but also reflected in the poems of aristocratic families in Qing Dynasty. These poems refer to the works that record and reflect the creation of female poems in Qing Dynasty. There are about 30 kinds of aristocratic poems in Qing Dynasty. Its authors are men and women, and women are no less than men.
Women's boudoir poems are represented by fifteen volumes of Shen Shanbao's Poems of Ladies. This poem brings together more than a thousand female poets from the early Qing Dynasty to Daoguang years, which is of great value to the dissemination and promotion of female literature. This book has fifteen volumes, which is huge. Although there are many books in the collection, there are many first-hand materials, which record the author's communication with contemporary female poets, and reserve many precious fragments of women's life and literary activities for the history of women's literature in China. It has the originality of self-writing, which is different from the simple compilation of Tang Lei and Lei Xuan's Poems. Although its content is mainly poetry selection, it often makes comments, makes the finishing point, and occasionally expresses its own poetic concept, which has a unique perspective and experience of women.
Poems of aristocratic men should be represented by Yuan Mei's Poems of Noble Families in Suiyuan and other works, as well as Chen Weisong's Poems of Women. Chen Weisong's Collection of Women is the earliest known work in Qing Dynasty, which records the poetry creation of aristocratic families in Qing Dynasty and has the nature of poetry. Although the space is not large, there are only two volumes of more than 90 poems. However, the basic mode of the poems of ladies in Qing Dynasty is certain, that is, the contents are generally Selected Poems of Women and Biography of Poets, with short comments to collect some anecdotes about women that have nothing to do with poetry. Generally speaking, the poems of aristocratic families in the Qing Dynasty did not break through the whole book, which shows their pioneering position in the history of poems in the Qing Dynasty. In addition, the most important thing is Yuan Mei's poetic speech to his family. Yuan Mei's theory of "spiritual nature" promoted women to write poems, and also contributed to the emergence of female creative groups such as Suiyuan female disciples. In order to encourage women to write poems, Yuan Mei strongly criticized the vulgar saying that women should not write poems, and collected a large number of works of aristocratic families in Poems with the Garden to praise them. Although there is no book dedicated to writing aristocratic poems in Yuan Mei (Suiyuan aristocratic poems, a volume contained in The Story of Selling Spouses, is probably an excerpt from Suiyuan aristocratic poems), there are a lot of words related to Yuan Mei in Suiyuan aristocratic poems and Yuan Mei's anthology and poems, so we must not ignore Yuan Mei's words in studying aristocratic poems in Qing Dynasty. Therefore, it is necessary to collect all the words of Yuan Mei's poems about women in Qing Dynasty into one set and compile it into a book "Poems of Ladies in Yuan Mei".
The deficiency of aristocratic poetry in Qing dynasty is also obvious. For example, most boudoir poems, especially poetics, are much talked about, and it is difficult to get theoretical enlightenment from them. This is because women writers are poets rather than poetics. They are good at thinking in images rather than rational thinking, and are more satisfied with emotional description or criticism. Male writers tend to talk about poetry, but they don't pay much attention to it in theory. Therefore, the development of classical poetics in Qing dynasty has not made any achievements. Another example is the complexity of the content. Although it is called Poetry Talk, there are many records that have nothing to do with poetry, which is also a common problem in many ancient poetry talks in China. There are also many poems of famous families, praising women's talents, sympathizing with their early widowed life and regretting their early death. However, they cling to the decadent concept of loyalty, filial piety and moral integrity, such as blindly praising talented women for their filial piety for their dead husbands and their parents' in-laws.
1. About the expression of poetry in the boudoir, the correct one is () (3 points).
A. The poetic talk of men's boudoir belongs to the poetic talk of Qing Dynasty. Chen Weisong's Collection of Women, the originator of poetry talk in Qing Dynasty, is the first work of poetry talk in Qing Dynasty.
B. Yuan Mei's Poem With the Garden is a masterpiece of men's boudoir poetry, and it is difficult for other poems in the Qing Dynasty to break through the basic pattern constructed by it.
C. Yuan Mei strongly advocated the theory of spirituality, encouraged women to write poems, criticized stereotypes, and wrote aristocratic poems, which promoted the emergence of female creative groups.
2. In the following understanding and analysis, the one that conforms to the original intention is () (3 points)
A. With the promotion and guidance of Yuan Mei and others, women's self-awareness has gradually increased, so that generations of female writers have emerged in large numbers, and female poetry creation has developed.
B. Shen Shanbao always insists on his own poetics from a unique female perspective in "Poetics of Famous Ladies", which is of great value to the spread of female literature.
C most female writers in boudoir poems in Qing dynasty are shorter than rational thinking, while most male writers pay little attention to theoretical research. [No.1 scholar comes from ZY 100k]
D Tang Lei and Lei Jian's Poems of Ladies are original to some extent, and many precious anecdotes reflecting the life of women in Qing Dynasty are preserved in the book.
3. The following summary of the original author's point of view, the correct one is () (3 points)
A. Contemporary writers collected and arranged the words about female poetry in Qing Dynasty in Yuan Mei's Poems with Garden into Poems with Yuan Mei.
B. The achievements of women's poetry creation in Qing Dynasty are not only reflected in boudoir poems, but also reflected in boudoir poems, among which the authors are both women and men.
D. Most of the aristocratic poems in the Qing Dynasty were short of words, and there were too many false and miscellaneous works, so it was difficult for people to get theoretical enlightenment from them.