(1) Understand the ideological content of love poems and appreciate sincere and beautiful feelings.
(2) Learn how poetry expresses rich emotions through images.
(3) Exploring poetic imagery and cultivating basic skills and methods of poetry interpretation;
1, self-reading taste method
2. Reading guidance and promotion methods
Step 3 discuss communication methods
4. Reading and writing methods
1. What is an image? Image is an objective (subjective) image in poetry, such as scenery, things, people, etc.
Image type
(1) direct image
① Simple image: unique, pointing to the emotion that the poet wants to express.
② Collective image: image group and * * * point to the poet's feelings.
(2) Indirect image
(1) Concrete images: Poets grasp images that have some similarities with the emotions, people or things they express, turn them into concrete images, and indirectly express their thoughts and feelings. Generally, individuals combine into groups and become a poem; Or become a part of poetry alone. Generally speaking, ontological metaphor is hidden and is favored by poets.
② Symbolic image: an image representing a certain entity or a certain spiritual content. Its characteristics have either traditional symbolic meaning or artificial temporary symbolic meaning. But it is generally holistic or surrounded by the whole article. Generally speaking, people tend to hide the symbolic noumenon and only keep the symbolic body, thus making poetry more intriguing.
(3) Image interpretation: Poets usually create poems implicitly, and sometimes try their best to hide their true feelings and thoughts. The main way of hiding is to use concrete and symbolic images. Whether we can understand a poem depends on whether we find the noumenon hidden by the poetic image. This reading process can be regarded as cracking the code of poetry. Once the author's intentional smoke screen is broken, readers will get the aesthetic pleasure of reading. When we read poetry and appreciate its artistic taste, we often have to start with images, from the surface to the inside, and go deep into the core of poetry, so as to better and more profoundly grasp poetry.
2. Selection of images
(1) Choose the image that best expresses the poet's subjective feelings.
⑵ Choose images with rich connotations.
(3) Choose fresh images.
3. The basic method of "image breakthrough method"
The first step: grasp the subject image of poetry and understand the surface meaning and deep connotation of the subject image.
Step 2: Grasp the coordination image (sub-image) or image group and realize its auxiliary significance.
Step 3: Draw out the meaning of the poem, pay attention to the details, and put the idea into the meaning of image group and the whole poem to taste. The arrangement of the teaching content of the second class: read aloud repeatedly, taste images, appreciate beauty, decipher mysteries, read each poem in this unit, and experience the beauty of using images in poetry.
1, snake:
The main image used to express the loneliness and depression of love is "snake". Matching images are: grassland, black silk, moon shadow and flowers. The image of "snake" is endowed with new ideas, uncharacteristic and unique in the poet's pen. The poet jumped out of the ancient thinking mode about snakes and innovated the image of snakes with romantic brushwork. Here, snakes are no longer terrible and disgusting, but the embodiment of warm love and the messenger of love. In the author's pen, loneliness is like a snake, "snake", taking its similarities-silence, no words; The second section "snake" is "hurting warm homesickness", which is actually a metaphor for its own warm "lovesickness". I can't think about it every day, but I rely on my dreams. Dreams like "crimson flowers" are actually the title of this "snake". "You" is the object of lyricism, and there is no specific image, but there are two important images that are imaginative: rich black silk and crimson flowers, which are really tender and dreamy! The concrete image of "Moon Shadow" mainly highlights the characteristics of lightness, quietness and femininity.
2, "prophecy":
Express the dreamlike excitement of Cupid's existence and the loss of Cupid's speechless. The main image used is "you"-a young god. With colorful images. Young God, from the perspective of poetry, is the embodiment of the author's ideal love. Her appearance is exciting and her disappearance is extremely disappointing. The author's pursuit of artistic "mirror flowers and water moon" has been well reflected in this poem. The existence of God is a feeling, and the author's speech is full of passion, which is a detailed narrative in a dream, close to reality and meticulous description. In the sudden sweetness, Cupid's disappearance is so ruthless and decisive, just like "a mirror full of flowers and water", which is gone forever, leaving only the lonely sigh and wandering of "I". Most of the images in this poem choose natural things, and there is no earthly thing, which constitutes a beautiful artistic conception, exquisite, pure and natural, really like a fairy cave and a paradise on earth. This is in line with my emotional expression of love for God. Among them, many sentences are pure in poetic context, which makes people shocked and feel beautiful. Here are a few examples:
Section 1: I can clearly hear your footsteps sighing in the dark. It's not the whisper of forest leaves and night wind, but the tiny hoofbeat of elk crossing the moss path! Metaphor, contrast, control the scene with emotion. But the key point is the lightness and quietness of the chosen image itself, which creates an excellent environment for later lyricism. On the one hand, it shows the lightness of your footsteps, even better than "the whisper between the fallen leaves in the forest and the night wind" and "the fine hoof sound of elk walking through the moss path"; On the other hand, it also shows my sensitivity to your footsteps-God's love made me do it! In the third season, let me burn the fallen leaves I pick up every autumn and listen to me sing my own songs in a low voice! That song will be as gloomy and lofty as fire, and it will tell my life like fire. Metaphor, rendering, scene fusion. This section describes my passion for "you". The first sentence shows that love lasts for a long time and emotional accumulation takes a long time. The fire reflected my low voice, and we saw the depth of youth enthusiasm; Compared with firelight, singing mainly highlights the characteristics of melancholy and high spirits. Mixed with joy and depression, this is the true expression of the possession of love.
Section 6: You didn't listen to my exciting song, and your feet didn't stop for my trembling! Like a quiet breeze drifting through this dusk, it disappears, and your proud steps disappear! Metaphor, contrast and landscape. These words in the last paragraph express a sense of loss. This is another contrast-my enthusiasm and excitement, you "don't listen", and the word "static" reveals the extreme loss and melancholy of "I". The last two sentences, even if your footsteps disappear, the world is so quiet! The dusk background adds to my lost intensity and sad color.
3. Windows:
Writing about feelings after falling out of love shows a kind of innocence and helplessness. Compared with the previous works, poetry is more concise and emotional, leaving readers with more chewing and sadness. From the perspective of image selection, the ideas chosen by the author are like two "windows". The contrast between the front part and the back part depicts the loss and sadness of the strong enemy, showing subtle sadness. From the way of creating images, the most important thing is image contrast. The first is internal comparison. In the first part, the brilliance and ruthlessness of Your Window are in sharp contrast, and your sunshine reflects my loss and anxiety; Starry Night gives you a "carefree sleep", but I give you no hope and can only wander silently in the world! What people can't bear to guess is that the night sky brings you "my nostalgia"-although, maybe you don't care! The second is to compare with each other. The contrast between the windows is dominant. Your window is open to the sunshine and blue sky in April; My window, thinking about the night, opens to the silent night sky. There is no sound here, everything is so calm, but the implication is really "silence is better than sound"! In addition, the sub-image of the conceptual image also harmoniously enhances the intensity of emotion. This is a typical emotional writing style with scenes. For example, in the second film, "Night Wind" is like an old friend, only choking, only sobbing on the "house" with my "old friend" in my heart. Besides these, the words in this poem are particularly particular. Please carefully understand the word "like" in "like a stranger" and "like an old friend" and chew the profound meaning carefully.
4. Your name:
This is a wonderful love poem. Where is Pinocchio? A stranger: strange to crazy. From calling, writing, drawing, dreaming, to the last moment, it's really spoony people doing spoony things! Erqi: Fantasy to delusion. This is the biggest highlight. Carve your name on the tree of life and grow with it. Three wonders: crazy strange words. The last sentence. Seven "lights" are arranged together, which completely breaks the language convention, and even some crazy images express endless infatuation! From the perspective of image-building, creativity is like Your Name. The author not only changed it from invisible to tangible sound, but even gave it life, which is extraordinary!
5. goddess peak:
The greatest value lies in expressing a brand-new concept of love. Goddess peak, as can be understood from the legend, is the expression of faithful love; But the author seems to taste a different meaning from here-does the life value of women only depend on men? The finishing touch is in the last two sentences. You can also refer to Shu Ting's other two love poems "To the Oak" and "Mast Boat". To the Oak If I love you, I will never show off on your high branches like climbing Campbell. If I love you-I will never learn from spoony birds and repeat simple songs for the shade, which not only brings cool comfort all year round, like spring; It is not just like a dangerous peak, it increases your height and sets off your dignity. Even during the day. Even spring rain. No, these are not enough! I must be a kapok beside you, standing with you as a tree. Roots, close to the ground, leaves, lingering in the clouds. Every time a gust of wind blows, we greet each other, but no one understands us. You have your copper branches and iron stems, like knives, swords and halberds; I have my red flowers, like a heavy sigh and like a heroic torch. We share cold waves, storms and lightning; We * * * enjoy the mist, flowing haze and rainbow, as if we were separated forever, but we were dependent on each other for life. This is great love, this is loyalty: love-not only your stalwart body, but also the position you insist on, the land under your feet.