Sand is covered with gold,
When it's cold, I listen to the voice of the little phoenix.
Infinite scenery must be seen,
Deafness is not necessarily Zheng Sheng's lewdness.
This is a cursive script by calligrapher Shen Peng. Title not found. This sentence cannot be found anywhere else.
Shen Peng, born in 193 1, is from Jiangyin City, Jiangsu Province. From 1950, I worked in People's Pictorial. He used to be the deputy director, director and deputy editor-in-chief of the editorial office of People's Fine Arts Publishing House, and concurrently served as the executive deputy director of the editorial board. Enjoy the special government allowance approved by the State Council and the treatment of experts in publishing industry. /kloc-0 was elected as a member of the 8th China People's Political Consultative Conference in March, 1993. Shen Peng is not only an expert in editing and publishing, but also a famous calligrapher, art critic and poet. He has served as the executive director and vice chairman of China Calligraphers Association and the chairman of China Calligraphers Association.
Pick out pure gold from sand ―― Extract the essence from a large number of materials.
Interpretation: pick, pick. Pull out sand and pick out gold. Metaphor selects the essence from a large number of things. It is also necessary to do "sand removal and gold extraction".
The source of Liu Tang's confidant, Shi Tong Zhi Shu: "Only the history before the exam, the collection of outspoken, although the ancients dross, mixed authenticity, gold placer sometimes has a price."
Liu Zhiji (66 1-72 1) was a historian in the Tang Dynasty. This word is mysterious. Pengcheng (now Xuzhou, Jiangsu) was born. In the first year of Emperor Gaozong Yonglong (680), he was a scholar. During the Wu and Zhou Dynasties, I worked as a Zuo Lang and Zuo Shi, and also studied the national history. When Zhongzong was a Fengge official, he gave up his position as a historian. Soon, in addition to writing as A Lang, he also studied national history. Later, he participated in the compilation of the Records of the Emperor. Due to disagreement with Wu Sansi, the editor, he resigned from the history museum, but soon he entered the museum three times. Xuanzong, the official left riding a regular waiter. He loved history books since he was a child, and went to the history museum several times after he became an official, so that he could read widely and understand the advantages and disadvantages of the history museum. Because of repeated conflicts with Zong Chuke, the minister of history supervision, he could not go his own way, but wrote to Shi Tong privately to see his ambition. He wrote a lot in his life, including Liu's Family Travel, Liu's Genealogy, Zong Rui Chronicle and Liu Zixuan Collection. In his view, historians must have three strengths: historical talent, historiography and historical knowledge, especially historical knowledge. In history, the emphasis on direct writing, "not hiding evil, not empty beauty", shows the progressive historical thought. Shi Tong, with 20 volumes, is the first monograph on historical theory in ancient China, which has great influence on the history of Chinese historiography.
Liu Yuxi (772-842)
There are nine poems in his "Langtaosha" group.
Eighth.
Mo Tao's slanderers are as deep as waves, and Mo Yan's guests are as heavy as sand.
Although it is hard, it is difficult to blow out crazy sand when it is not golden.
The last sentence, too, said, "Blowing out the cold sand begins with gold."