The Fisherman is a beautiful prose with strong readability. Writing Qu Yuan at the beginning and fisherman at the end is both vivid and vivid. Dialogue is adopted in the middle, metaphors and questions are used, which are vivid and philosophical.
Stylistically, only some works of this poem, Buju and Song Yu adopted question-and-answer style, which was close to the writing style of later Han Fu. The predecessors said that Han Fu was "written by poets and extended to Chu Ci" (Liu Xie's Interpretation of Fu by Carving Dragons with Literary Mind). In the history of stylistic development, fisherman undoubtedly has an important position that cannot be ignored.
Extended data:
From the whole structure, this part is indispensable: it further exaggerates the image of fishermen; The fisherman's silence and the ending of singing away also give the full text a lasting charm. Many researchers believe that The Fisherman is a tribute to Qu Yuan. But from the description of the whole text, especially from this ending, it seems difficult to see that the author has the meaning of praising Qu Yuan and belittling the fisherman.
Qu Yuan's Fisherman has more reasoning elements, which greatly weakens the artistry. This is closely related to Qu Yuan's expression that he would rather go to Hunan and be buried in the belly of a river fish, and also to keep his innocence and integrity.
However, from the perspective of ideological connotation, the influence of The Fisherman on China's poetic tradition and literary tradition cannot be underestimated. It must be pointed out that there are two cultural archetypes or motifs in The Fisherman, which run through the whole history of ancient China literature. First, the debate is both a dream and a feeling, and second, the image of a fisherman.