1. On Li Bai's main creative achievements. 2. On the romantic features of Li He's poems.

In terms of artistic achievements, Li Bai's Yuefu, Gexing and quatrains are the highest achievements. His songs completely broke all the inherent forms of poetry creation, no one relied on them, and his brushwork was diverse, reaching the magical realm of unpredictability and swaying. Li Bai's quatrains are natural and lively, elegant and chic, and can express endless feelings in concise and lively language. Among the poets in the prosperous Tang Dynasty, Wang Wei and Meng Haoran were good at the Five Wonders, while Wang Changling and others wrote the Seven Wonders well. Li Bai is the only person who combines the five wonders with the seven wonders. Li Bai's poems are magnificent and elegant, and his artistic achievements are extremely high. He eulogized the mountains, rivers and beautiful natural scenery of the motherland, with bold and unrestrained style, elegant and fresh, full of romantic spirit, and achieved the perfect unity of content and art, so he was called the "fallen fairy". His poems mainly described the mountains and rivers and expressed his inner feelings. Li Bai's poems have the artistic charm of "the pen is shaken by the wind and rain, and the poem makes the gods cry", which is also the most distinctive artistic feature in his poems. Li Bai's poems are full of self-expression and subjective lyricism, and the expression of feelings is overwhelming. He and Du Fu are called "Big Du Li" (Li Shangyin and Du Mu are called "Little Du Li"). In Li Bai's poems, imagination, exaggeration, metaphor, personification and other techniques are often used comprehensively to produce a fantastic, magnificent and moving artistic conception, which is why Li Bai's romantic poems give people the feeling of being bold and unrestrained, elegant and immortal. Li Bai's poems and songs had a far-reaching influence on later generations. Han Yu, Meng Jiao and Li He in the middle Tang Dynasty, Su Shi, Lu You and Xin Qiji in the Song Dynasty, Gao Qi, Yang Shen and Gong Zizhen in the Ming and Qing Dynasties were all greatly influenced by Li Bai's poems. .

Li Bai successfully shaped himself in his poems, expressed himself strongly, and highlighted the unique personality of the lyric hero, so his poems have distinct romantic characteristics. He likes to express himself in a magnificent image, expressing his feelings in his poems without disguise or restraint.

Li Bai's best genre is seven-character poems and quatrains. Seven-character songs are long in length, large in capacity and free in form, which are suitable for expressing the poet's contradictory and complicated thoughts and expressing the poet's unrestrained talent, while Li Bai's seven-character songs adopt a structure of wide opening and wide closing and jumping. The beginning of a poem is often abrupt, such as a sudden surge, while the middle image of the poem is abrupt, often omitting the transitional care, as if there is no trace to follow, and the end of the poem comes to an abrupt end at the emotional climax.

Li He's poems were influenced by Chu Ci, Gu Yue Fu, Qi Liang Gong, Du Li, Han Yu, etc., and were cast by himself. Li He's inscription and postscript were all painstakingly recited.

[1], forming a very unique style. The greatest feature of Shi Li's poems is rich and strange imagination and gorgeous and strange language. Changji wrote to Tianhe and Youyue Palace; Talking about ancient and modern times and exploring ghosts and gods, his imagination is magical, magnificent and gorgeous. Changji deliberately honed his language to make it fantastic, concise, steep and colorful. There are many ingenious, strange and novel languages in his works. For example, strange words such as He Kou Cup Day (drinking by the King of Qin), Walking Clouds to Learn the Sound of Water (a ballad in the sky), and "Jade wheel rolls with wet light" (a dream of heaven) abound.

Because of his high artistic talent, he is addicted to romanticism and extremely depressed psychologically; Li He's poems are also famous for their strangeness, because he pursues innovation in deliberate suffering. But his poems are not only fantastic, but also grotesque, even grotesque, adding a new color to romanticism. There are three specific manifestations:

First, the idea is strange, the imagination is strange, often beyond the limitations of ordinary people's intelligence and natural time and space, full of mystery. For example, "Xiaobai has a red Yue Nv cheek".

Second, the image is strange and the material is strange, which is often not natural, but bizarre or even absurd. For example, "The phoenix crows in Kunshan, and the lotus cries and laughs at Lan Xiang", and "the phoenix crows" is already very strange. What is even more surprising is that it is accompanied by "Kunshan Jade Crushed" and "Lotus Crying and Laughing at Lan Xiang" to describe different sound effects. When choosing images, Li He often captures gloomy and ghostly images. Therefore, there are often images such as mourning for ghosts, eating sacrifices for mountain charms, and fireflies' graves in poems.

Thirdly, language rhetoric is peculiar, and words with strong feelings or new ideas are often chosen and special rhetorical methods, such as synaesthesia, are used. If you like to use the words "cry", "cry", "fishy", "sour", "cold", "ghost", "death" and "blood", your poems are full of cold and sad colors. In a word, Li He's poems are mysterious and strange, which can be called "the Miao nationality of Sao" and called "the dragon auspicious style" by later generations.