The mountain city is full of rain flowers and banyan leaves are full of warblers.
To annotate ...
① Banyan: evergreen tree with aerial roots, thick stems and lush foliage. Produced in Guangdong, Guangxi and other provinces.
2 thought: the thought of living in a foreign country.
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This poem was written in Liu Zhou's secretariat.
It's February, in the warm zone of the south. Liuzhou is already full of flowers and beautiful spring. However, an unexpected storm looted the flowers and sent away the spring scenery. This is undoubtedly a spiritual blow to poets living in exile. Originally, he could also put his feelings in the scenery and relieve his inner troubles, but the reality is so ruthless! Sad mood triggered his poetic thinking.
"The official feels sad, and spring is like autumn." This poem begins with a straightforward expression of the mind. "Official sense" and "thought" are intrinsically related. Who is not moved by the hardships of traveling abroad for many years, the hardships of staying away from relatives in hometown and the sadness of leaving relatives and friends? Being demoted repeatedly should be doubly heavy. The word "* * * sad" truly shows the author's special mentality at this time. The pain of "official feeling" and the depth of "thinking" overlap and hit the poet's heart. He wanted to get rid of it, but there was nothing he could do. Under the control of this mentality, he had to walk out of the study and walk in the yard. And when he witnessed the past half of spring, his mood became heavier and heavier. "Spring is half like autumn", which is plain and fresh. It is a unique feeling that ordinary people have never had and will never have. It is indeed the scenery in the eyes of sad people and the condensation of mutual affection in their hearts. The word "lost in mind", with the meaning of "spring is half like autumn", is extremely confusing and annoying.
Three or four sentences, emphasizing narrative description. It seems that it is still difficult for people to understand the weight and connotation of rain, so the word "let a hundred flowers blossom" was added immediately. This rain is not the rain that moistens everything in early spring. It swept through the mountain city, and it rained heavily, washing everything away. This sentence is far from the point, which puts the second sentence "spring is like autumn" into practice and leads to the last sentence. "The leaves of banyan trees are full of songbirds." Dalbergia odorifera in Liuzhou has a large crown and four branches, so it can not be injured for a long time. But after the looting of this storm, those century-old banyan trees are also full of leaves. These scenes make the poet sad, and the warbler's voice adds a heavy sadness. The word "chaos" is obviously a true reflection of the poet's distracted mental state.
This poem describes the scenery and kills the article. The writing is dignified and profound. In February, when the spring was strong, it turned out to be a scene of flowers dying and banyan leaves full of autumn, which aroused the poet's officialdom feelings and thoughts. His thoughts are different from his normal state, and his words and expressions are extremely dull. Su Shi's inscription on Dongpo once commented on Liu Zongyuan's and Tao Yuanming's poems, saying: "What is expensive is dry and light, which means that the cream is dry outside and beautiful, and it is also deep and thick." The works with rich content but slightly dry and indifferent words are actually the result of the poet's painstaking tempering, which is the highest realm of poetry creation art. Such works are often "see the fiber in simplicity and see the indifference in taste", and only after careful chewing for a long time can we get the real taste.
Two consecutive questions in Qi 'an County, the first one.
One of the two consecutive problems in Dumuqian County
On the bridge of Erji Sunset Creek, half a ray of light smoke is in the willow shadow.
How many violets depend on each other and hate each other, looking back at the west wind for a while.
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The first sentence of the poem points out that the time and place are on the Erji Sunset Creek Bridge. Time is a bipolar sunset, so it is neither under Levin nor in the twilight. The light and brightness in this painting spread out in front of the reader, soft and appropriate. The location is on the stream bridge, which means that when the poet sings, he is neither walking on the shore nor rowing on the stream, which sets the direction for the last three sentences overlooking the willow shadows on the shore and the violet on the water.
The second sentence of the poem, in the half-wisp of light smoke and willow shadows, describes the scenery of willow smoke on the shore as seen from the creek bridge. The poet's observation is extremely subtle and his words are extremely precise. The half smoke in this sentence and the two sunsets in the previous sentence are not only literal, but also logical. It is precisely because of the setting sun that the shore willows in front of us will contain smoke; Because the sunset is still two poles high, it can't be hazy smoke, only half a wisp of light smoke; Moreover, this half ray of light smoke can't get out where the sun shines, but can only float in the shadow of willow trees.
The first two songs are purely about scenery, but judging from the sunset and willow scenes selected by the poet, people feel that the scenery in the picture is not so bright, but slightly dim; The artistic conception of this poem is not so cheerful, but slightly sentimental. This is a harmonious atmosphere arranged to arouse the hatred of the green lotus in the second half.
How many green lotus flowers hate each other in the third and fourth sentences of the poem? Once, I looked back at the west wind and wrote down the lotus leaves I saw from the bridge. These two poems, with the word "how many words to ask" as the boundary, make the poems present the beauty of swaying wind and gods on the surface of what they write. The first sentence uses the word "lean" to show the shape of green pavilions on the water, and the second sentence uses the word "instant" to vividly capture the instantaneous dynamics of lotus leaves flying with the wind before looking back. In classical poetry, we can pick up many sentences about wind and lotus, among which the most well-known is Zhou Bangyan's Su Mu Gai, in which the leaves of Chuyang are dry and rainy, the water surface is clear and round, and the wind and lotus are mentioned one by one. Wang Guowei praised these words as people who can really get the spirit of lotus in "Ci Hua on Earth". However, if we only compare them a little, we should say that these two poems of Du Mu make the form of Feng and Lian more vivid, not only vividly in the pen, but also full of emotion between the lines.
Here, the poet not only follows things when writing the scenery (Wen Xin Diao Long Xun pian), but also describes the shape and dynamics of the wind and lotus in detail; I wander with my heart when I feel things (ditto), and write the expression and modality of wind and load differently. Of course, Feng He is heartless, so there should be no hatred. The hatred of wind and load is presented from the poet's mind. The poet threw his feelings into the lifeless wind and lotus, looked at the wind and lotus and looked back with his own emotional color. He felt that they seemed affectionate and resentful, so he unexpectedly combined the description of the external state of things with the revelation of his inner story. On the surface, what is written here is the hatred of the green lotus, but in fact, it is to see me in things and to write the hatred of poets.
Li Jing, the leader of the Southern Tang Dynasty, wrote a poem "Huanxi Sand Scattering". In the second half of the poem, he changed his head and dreamed that the chicken was in the distance, and the small building blew through the cold jade, which has been told by people all the time. But Wang Guowei thinks that these two sentences are not as good as the first two sentences in the first half of it. The west wind worries about the green waves. What he appreciates is that it is full of vulgarity and beauty is fading. And there are two sentences in the original words: it is also ugly with Shaoguang. These words and Wang Guowei's praise can be used as footnotes for Du Mu's two poems. Judging from Du Mu's experience, what he shows is such a hatred that beauty is dying. Du Mu is a man with political ambitions and opinions. Unfortunately, he was born in the declining period of the Tang Dynasty. He is determined to win all his life without asking for anything in return. At this time, he was excluded and became an official, with a hidden pain of hard-to-pay ambition. Therefore, even the heartless violet in front of us looks sad.
Spring is cold, February is sunny in Baling.
Chen Chunhan February Baling Ri Feng
In February, Baling was windy, and the cold spring was not over.
Haitang blushed without hesitation and drizzled independently.
Translation and annotation
It is windy and rainy almost every day in Baling in February, and it never stops. The cold spring brought great disaster to the flowers and trees in the garden. You see, under the attack of wind and rain, the flowers that once bloomed have withered. Buds that have not yet bloomed no longer bloom. In the cold wind and rain, the new flowers and young leaves in the garden are dim. How can this not make people worry and fear! You see, there, beside the short fence, the delicate begonia does not spare its bright red flowers, standing independently and blooming brilliantly in the cold wind and rain.
1, Baling: This is Yueyang City, Hunan Province.
2, Garden Gong: Poet's Note: Borrowing a small garden, hence the name Garden Gong.
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This quatrain is not so much about cold spring as about begonia. Speaking of chanting Haitang, I can't forget Su Shi's poem "Haitang": the east wind is full of glory, and the fragrant fog turns to the corridor. I was afraid that the flowers would fall asleep in the middle of the night, so I lit candles and put on red makeup. In fact, these two begonia poems are all about themselves through begonia. The holiness and loneliness of Haitang in Su Shi's works is a portrayal of his relegation to Huangzhou. Chen's Haitang is elegant and lofty, which is a portrayal of his exile life. So the wind chill in the first two sentences is not only the wind chill in nature, but also the wind chill in society. In the Southern Song Dynasty, the small imperial court was broken and the wind floated, and the poet's life experienced ups and downs, so he was not afraid. In the last two sentences, the poet wrote Haitang in a way similar to describing pine, plum, chrysanthemum and bamboo, saying that it was proudly independent of wind and rain, even though it was detrimental to its beautiful rouge color. The style and elegance of begonia have been fully demonstrated. The poet's touch on Du Fu's forest, wet by rain and rouge, is not only more charming, but also more character. The poet's style, personality and elegance are integrated into the description of Haitang, making this poem a masterpiece of chanting things, which is the secret of chanting things.
The spring breeze in February is like scissors.
The spring breeze in February is like scissors.
The Willow
Author: He
Original text:
Jasper dressed as a tree, hanging down ten thousand green silk tapestries.
I don't know who cut the thin leaves, but the spring breeze in February is like scissors.
Precautions:
1, Liu Yong: a poem of Liuzhi Ci.
2. Jasper: Describe the color of willow branches and leaves. The new willow in spring is green and swaying, just like Yushu.
3, makeup: decoration, dressing up.
Poetic:
The willow in early spring is green, just like a graceful beauty, and those thousands of strands of hanging silk are like green nepotism. I don't know who cut this green leaf, but it was carefully cut by the spring breeze in February.
Appreciate:
This is an object-chanting poem about willow trees in early spring and February.
The beauty of willow image lies in Naman's long branches. Once a year, it grows new green leaves and hangs down, which has a charming posture in the spring breeze. This is something that everyone can appreciate. In classical poetry, readers often see this kind of imagery beauty to describe and compare a beautiful woman's slim figure and graceful waist. This poem is original. Turn it over. Jasper pretended to be a tree. At first, the willow appeared as a beauty: ten thousand green silk tapestries hung down, and these countless hanging silk became her nepotism. The high word in the previous sentence sets off the graceful charm of the beautiful Tingting; The vertical character of the next sentence implies that the slender waist is swaying in the wind. There are no words of willow and waist branches in the poem, but the beauty embodied by weeping willow and willow in early spring is vividly written. "Southern History" says that Liu Yong is the secretariat of Yizhou, presenting several Shu Liu, which is very long and looks like silk thread. Emperor Wu of Qi planted these willows in Taichang Cloud and in front of the temple, but he didn't say they were romantic and lovely. Here, wicker is said to be a green silk belt, which may be the hidden use of this famous allusion about willow. But it's a waste, and you can't see any traces.
Jasper makeup leads to blue silk tapestry, and blue silk tapestry leads to who cuts it out. Finally, scissors vividly describe the invisible and unpredictable spring breeze. These scissors cut out bright green flowers and plants, and put on a new makeup for the earth. It is the symbol of natural vitality and the inspiration of spring to people's beauty. From jasper makeup to scissors, readers can see a series of processes of the poet's artistic conception. A series of images in poetry are closely linked.
In ancient China, there were many famous beauties, Liu. Why should we compare them with Jasper? This has two meanings: first, the name Jasper is related to the color of willow, and Jasper and the green in the next sentence complement each other. Second, Jasper will always leave a young impression in people's hearts. When mentioning Jasper, people will think of Jasper songs that were widely circulated when Jasper broke the melon, and poems such as Jasper's little daughter (Xiao Yi picking lotus poems). Jasper has almost become a general term for young and beautiful women in ancient literary works. Comparing willow with jasper, people will imagine that this beauty has not yet reached its heyday; This willow is still a willow in early spring, and it is not the time to hide crows with dense branches and leaves; This is also related to the fine leaf spring breeze in February below.
Jasper dressed as a tree, hung with ten thousand green silk tapestries, profoundly grasped the characteristics of weeping willows. In the poet's eyes, it is like the embodiment of beauty. The tall trunk is like her graceful charm, drooping wicker, like the ribbon on her skirt. Here, willow is a person, and this person is willow. There seems to be no obvious difference between the two. Jasper also has a pun meaning. Literally, it is in harmony with the green of willow trees, and it also refers to young and beautiful girls, which just echoes the spring breeze in February below. This is the weeping willow in early spring, and it is not yet time for the trees to be graceful and mellow in summer and autumn. But the following two sentences are better: I don't know who is carrying thin leaves, and the spring breeze in February is like scissors. Before he opened it, who thought the spring breeze was like scissors? Turning the warm and cold February spring breeze from invisible to tangible shows the magic and dexterity of the spring breeze, making Singing Willow a poetic model of describing the object.
This poem sings the spring breeze through the willow tree, compares the spring breeze to scissors, says that she is the creator of beauty, and praises her for cutting out the spring. This poem is full of people's joy in early spring. The novelty and appropriateness of metaphor and metaphor is the success of this poem. Therefore, "Notes on Tang Poems" says: things are wonderful, and the meaning is soft.
The quatrains of ancient poetry are so classic, concise and full of infinite feelings. Want to see more quatrains and ancient poems? Please enjoy the beautiful sentences about February.