2. Where is the rhetorical device/beauty of the word "provoke" in Liu Zhong?
The beauty of personification lies in inversion. The wind was blowing willow branches, but it was turned by the poet's clever pen. What I wrote was that the willow branches provoked the unfamiliar spring breeze, which revealed the poet's own worries: although the scenery was beautiful, it was made like this by my mood. I really don't know if you recruited me for no reason or if I shouldn't look at you like this. "
3. "The rain in Tianjie is crisp, but the grass color is far away." What kind of spring is it? Is "near but nothing" contradictory to the whole poem? Try to explain
Described the spring scenery that has just arrived; There is no contradiction. In the distance, a large area of newly grown tender grass came into view. Under the advantage of quantity, we can see extremely beautiful green. When we approached, because the number of grass that caught our eye was relatively reduced, the land covered with sparse grass was exposed, and we couldn't feel a green ocean from afar.