We provide you with a detailed introduction of the "phoenix tree" from the following aspects:
First, click here for the full text of "More Leaky Jade Furnace Fragrance" to see the details of "More Leaky Jade Furnace Fragrance"
Jade furnace fragrance, red wax tears,
partial photos of Qiu Si in the painting hall. The eyebrows are thin,
the temples are clouded, and the night is long and the pillow is cold.
buttonwood, it's raining in the middle of the night,
it's bitter to leave your feelings. A leaf,
a sound, empty step drops to the light.
Second, Wen Tingyun's other poems
Morning Trip to Shangshan, Luoyang, Lotus, More Leaky, and Sending People to the East. Third, the translation
Jade furnace incense, red wax tears, partial according to the painting hall Qiu Si. The eyebrows are thin and thin, the clouds are residual, and the night is long and the pillow is cold.
The jade stove emits cigarettes, red candles are dripping with tears, and the swaying light and shadow reflect the sadness of gorgeous houses. Her moth eyebrows have faded, her temples are messy, and she can't sleep for a long night, only her pillow is cold.
buttonwood, it's raining in the middle of the night, and it's bitter to leave your feelings. A leaf, a sound, empty steps drop to the light.
The buttonwood tree outside the window is drenched with cold rain in the middle of the night, regardless of whether she is sad for parting in the room. Drop by drop, the raindrops are pounding on the leaves of the phoenix tree, dripping on the deserted stone steps until dawn.
IV. Notes
Painting Hall: a magnificent inner room.
sideburns: sideburns are like clouds.
quilt.
Platanus acerifolia: Deciduous tree, which the ancients thought was the phoenix's perch.
no way: no matter, ignore it.
V. Appreciation
Wen Tingyun * * * wrote six songs with similar contents. This song "More Leaky" uses the night scene of "More Leaky" to sing about women's lovesickness, and the words are written from night to morning.
The first three words, on the surface, are scenic words, unlike "Clouds are thick with mist and sorrow will last forever, and the golden beast will disappear" in Li Qingzhao's "Drunken Flower Yin Chongyang", which contains the meaning of curling smoke from the stove to express infinite sorrow. The second sentence "red wax tears" is different: burning candles at night is used for lighting, but the word "tears" is added, which contains people's feelings. Say "jade furnace", not only see its exquisite, but also see its clean color; "Red wax" reveals the gorgeous color and provocative feelings, and the loneliness in the boudoir is also faintly revealed. "Painting Hall" describes the beauty of the living room, which is in contrast with "Jade Furnace" and "Red Wax". This sentence closely follows the previous sentence, saying that the red wax reflects the Qiu Si of the people in the painting hall. "Qiu Si" is a feeling that is invisible, intangible and deeply hidden in people's hearts. Red wax cannot be "illuminated", but the author stubbornly emphasizes "partial illumination". Those who are "biased" must take photos. Gal, the gorgeous furnishings in the room and people's feelings, skillfully linked. At the moment, in this beautiful painting hall, it is cold and quiet, only the fragrance of jade furnace and the tears of red wax are accompanied by the heroine, whether they are intentional or unintentional, but in her view, they are "biased". At this point, is wax in tears, or people in tears, muddy integration, more contrast the heroine's "Qiu Si" deep. In a word, the first sentence is mainly about setting off the scenery, the second sentence is full of emotion, and the third sentence is full of emotion, so the heroine's sadness comes out. Shi Yun, a bandit of Chen, said, "Words are solid works of expressing feelings, but words with feelings are thin. We must integrate our feelings into the scene and see our feelings from the scene. " ("Tan in the Old Moonlight Zhai Ci") Here, "melting feelings into the scenery" is gradually deepening, and it only gushes out when "it is biased".
"The eyebrows are green and thin, and the clouds on the temples are residual". Stroke the eyebrows with Cui Dai, and see the beauty of their eyebrows. The cloud on the temples describes the beauty of people by describing hairdressing as a cloud. But then a word "thin" and a word "residual" were used, and the situation was completely different. The word "thin" describes the fading of the eyebrows and the word "residual" describes the disheveled hair. These two words reflect her tossing and turning, unable to sleep, not only writing about her appearance, but also writing about her unspeakable anguish. "the night is long and the pillow is cold", continue to write about the feeling of thinking of a woman alone and sleepless, which not only points out the time: the night is long; I wrote about people's feelings: the pillow is cold, such as Li Qingzhao's "cool in the middle of the night" when she missed her husband. It can be seen that all the scenery above is what people who are sleepless at night see and feel. These scenes are like pearls, and they are strung together with the line "Qiu Si".
The upper part writes about what people see in the painting hall, and the lower part turns from indoor to outdoor, writing about what people hear. The cold rain in the middle of the autumn night drips on the buttonwood, which no one can understand. It echoes with "Qiu Si, a painting hall with partial photos", so it can be seen that "Qiu Si" means leaving love. The following is a detailed description: "A leaf, a sound, empty steps drop to the light." The drizzly autumn rain ignored the young woman's bitter feelings in the middle of the night, just let the rain beads sprinkle on the plane leaves and drop on the stone steps outside the window until dawn, without stopping. The autumn rain is endless, just as her separation is endless. Li Qingzhao's "Slow Voice": "The phoenix tree is even drizzling, and it is dripping at dusk. This time, what a sad word." From the evening when the jade stove is fragrant and the red wax is dripping with tears, to the smell of "rain in the middle of the night" and then to "dripping to the bright", the heroine's sleepless night is certainly not "a sad word".
This first word begins with the description of "Qiu Si" and "Divorce from Love" of the people in Huatang, and the artistic conception of Shangque is quite common in Huajian Collection, while Xiaque's writing method is unique. Chen Tingzhuo said "buttonwood" in several words, which means that the pen is faster, and it means that there is no thickness of the article. In fact, it is not good to "use the pen quickly" if you pour a thousand miles and stop talking. But this is not the case here. Tan Xian said that "the plane tree" seems to be a direct language, which is just a derivation from "the night is long", and he also taught the calligrapher the method of "no drooping, no shrinking". The so-called "hanging" in calligraphy refers to the vertical pen; When you make a vertical pen, you must finally shrink it up so that the font does not lose its momentum. Compared with ci, it seems straightforward and straightforward, but it must be profound and profound, ups and downs and affectionate, and it seems straight and real. It is precisely this feature that "More Leaky" wrote the night language of the phoenix tree. Here, directly writing the sound of rain and indirectly thinking about women is also a further explanation of "the night is long and cold"; But I stayed up all night, but I still used hints, which never came to light. This is the implication in the direct cause. Therefore, this word has won the calligrapher's method of "no drooping and no shrinking", which means that it is still properly matched with "implication" in its "speaking directly", otherwise it will make people feel unobstructed and uninteresting. Nie Shengqiong, a Song Dynasty poet, wrote a saying in the poem "Parting the sky and feeling different": "Tears in front of my pillow are raining in front of me, and every other window drops to the light." When it was born out of this word, it was written with shallow feelings; However, the whole word is not like the ups and downs of this word, and it lacks a turning point. In contrast, the charm is slightly inferior.
Poems of the same dynasty
Sangushi, Warm Cuisine, Farewell to Xu Kan, Poem of Deep Sorrow, Poem on Jia Dao's Tomb, Couplet of Tiantai Temple, Song of Eternal Sorrow, Memorizing the South of the Yangtze River, Spring Trip in Qiantang Lake and Ode to the Mujiang River.
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