In the long development of China's literary history, some fixed or conventional image group have been formed. Understanding these image group will undoubtedly get twice the result with half the effort for appreciating ancient poems and accurately capturing the thoughts and feelings expressed by the ancients. For example, the emotional categories are: sadness, anger, yearning, parting sadness, homesickness, chasing the past and hurting the present. To understand this emotion deeply, we must dig out the author's feelings through the language shell of poetry. Look for emotional carriers in poetry, such as willow-(representative) farewell, chrysanthemum-envy, full moon-yearning, fallen leaves-frustration, spring breeze-pride, historic sites-nostalgia and so on. The interpretation of image group, the emotional carrier in ancient poetry-image, has become a breakthrough in the appreciation of ancient poetry.
The so-called image is the artistic image created by the objective object through the unique emotional activities of the creative subject. As far as classical poetry is concerned, the "scenery" written by the poet and the "things" sung by the poet are objective "images"; The "emotion" expressed by borrowing scenery and the "ambition" expressed by chanting things are both subjective "intentions"; The perfect combination of "image" and "meaning" is "image" Taking the image of poetry as a breakthrough, multi-dimensional interpretation is one of the keys to appreciate poetry.