Silkworms in spring will weave until they die, and candles will drain the wick every night. In the morning, she saw her hair cloud changing in the mirror, but she bravely faced the cold of the moonlight with her evening song.
There are not many roads to Pengshan. Oh, Bluebird, listen! -Give me what she said! "I have known her for a long time, but we have been apart for a long time, and the east wind is blowing and a hundred flowers are blooming. It's hard to meet each other, and it's even harder to leave, not to mention in this late spring season when the east wind is weak and the flowers are withered! Appreciation: The ancients often said that "it is not easy, there will be difficulties", but this poem says "it is not easy", with different opinions, but the meaning goes further.
The last sentence, "inseparable", is to write the feeling of parting. The next sentence is the foil of the previous sentence. The flowers wither, which means that the east wind that breeds flowers is weak, and it also means that spring will dry up.
It is even more embarrassing to encounter the pain of parting in this environment. These two sentences are full of twists and turns, so A Qing Feng Banyun said, "Beauty lies in the first couplet" (Ying Kui Fa and Jing Ping).
Huang Shucan also pointed out in particular: "The first sentence is inflected in seven words, and it is difficult to meet each other, and it is even more difficult to leave" ("Notes to Tang Poetry").
2. Time was long before I met her, but it was longer than after we parted. The whole poem means that the origin of Li Shangyin's untitled poem was long before I met her, but it was longer than after we parted. Dongfeng 1 was unable to let a hundred flowers blossom.
In spring, the silkworms will weave until they die, and the wax torch will dry up 40% and 5%. Xiao Jing, 6 Dan, 7 worry about clouds and temples, 8 changes, and singing 9 at night should feel the cold moonlight.
Pengshan 10 There are not many roads to take here. Jade bird 1 1 intelligence 12 is an exploration of 13 genre, seven-melody, exclamatory sentences and love poems. 2. Disability: withering.
3. Silk exhaustion: here "silk" means "thinking" and means acacia. 4. Candle Torch: Candle.
Wax oil flowing out when a candle burns is called candle tears. 5. Tears: refers to wax tears, which is a metaphor for lovesick tears.
6. Mirror: Look in the mirror and use it as a verb. 7. But:: Only.
8. Yunbian: Young woman hair, meaning youth. 9. Night Singing: Night Poetry 10. Pengshan: Penglai Mountain, a fairy mountain on the sea.
This means missing the object's residence. 1 1. Jade Bird: It is said that the emissary of the Queen Mother of China and the West intends to deliver a message to her lover.
12. Diligence: profound friendship. 13. Look: it's not easy to visit the translated rhymes, and it's even harder to leave; Farewell in late spring is like the east wind withering.
Spring silkworms spit silk until they die; The red candle burns out and the tears dry. Make up in front of the mirror in the morning, lest you change color like a cloud; It's sad to sing to the moon at night.
Penglai fairyland is not far from here; Careful bluebird messenger, please visit me. It's hard to see each other, and it's hard to part. In addition, the weather in late spring, the east wind is coming, which makes people even more sad.
Spring silkworms don't spin silk when they die, candles burn to ashes, and tear-like wax oil can drip dry. A woman who dresses up in front of the mirror in the morning is only worried that she is as rich as a cloud, her black hair changes color and her youthful appearance disappears.
Men can't sleep at night, so they must feel Leng Yue's aggression. The other person's residence is not far from here, but there is no road to cross, just out of my reach.
I hope there will be a messenger like a bluebird to visit my lover and diligently deliver the message for me. As far as poetry is concerned, this is a love poem that expresses two of a kind's untiring death.
However, it has always been believed that there may be implicit trust in personnel relations. Starting with the word "difficult", it is pointed out that it is not easy to get together and it is even harder to leave. Delicate feelings, rich and colorful language, extraordinary pen.
Couplets compare spring silkworms to crimson wax, which is very wonderful, painful and firm. Then the neckline writes Xiao makeup in front of the mirror, caresses the temples and hurts itself, and counts itself; It's a trick to sing in the dark and Leng Yue covers himself.
Persuade yourself to cherish, be kind and cherish, but be bitter and considerate, which can be described as a thousand turns and a gentle face. Finally, I wrote a letter hoping that the messenger would spread good news frequently, which means graceful singing, bright future, and really a beautiful place.
Spring silkworm, a thousand-year-old beauty, is told through the ages. This is a poem with deep feelings, touching euphemism and praising faithful love.
The poet used sincere and implicit methods to write a deep hatred of parting and lingering lovesickness. "Spring silkworms die, night candles burn their wick" embodies the loyalty of love, the novelty of artistic conception and the significance of poetry, and has become a famous sentence that has been told through the ages.
Appreciation This is the most famous love poem among many poems with the title "Untitled". The first couplet is a deep sigh caused by extreme lovesickness, which highlights the pain of parting in the gathering and parting of two lovers.
The phrase "the east wind rises and a hundred flowers blossom" not only describes the natural environment, but also reflects the poet's state of mind. Things blend with me, and the mind and nature reach a subtle fit. This kind of description that reflects people's situation and feelings with scenery is common in Li Shangyin's works.
For example, the first two sentences of "A note to friends in the north on a rainy night" say: "Jun asked that the return date is undecided, and the rain rose in the autumn pool in the evening." The second sentence not only symbolizes that the poet stays in Bashu, but also reflects the boredom of leaving. For example, in "And the East Wind Has Arised, Let a Hundred Flowers Bloom", realism and symbolism are integrated into one, giving feelings a tangible external form, which is usually called the lyrical way of feeling in the scene.
The word "don't" doesn't mean we say goodbye now, but refers to the forced separation that has been completed. In previous poems, some sentences such as "It's a piece of cake to meet difficulties" (Ge Yanxing by Cao Pi) and "It's a piece of cake to meet difficulties" (Hugh by Ding Du by Song Wudi) all emphasize the difficulty of reunion and lament the pain of parting.
Li Shangyin went further from here, saying that "seeing each other late" means "parting is also difficult"-it is difficult to give up and the pain is unbearable. "East wind" points to the season, but it is a metaphor for people's acacia.
Because of lingering feelings, people are as lifeless as dead spring flowers. The word "difficult" has different meanings. The first word "difficult" is about how difficult it was for them to get together and how many ideas they pursued. The last word "difficult" describes the emotional suffering of both parties after parting, which shows how difficult and bitter the love life of the couple is.
In the second sentence, it is written that people who hurt others tend to be late spring. Flowers bloom with the power of spring breeze, and when the spring breeze is exhausted, the flowers will wither.
Flowers are still like this, what can people do? Here, the poet further expressed his deep sorrow for the world with the scene of late spring. Zhuan Xu went on to write about the feelings of "short encounter" and "difficult to leave", which was even more tortuous.
The poet wrote his infatuation and bitterness and his unrequited love pursuit by symbolic means. The word "silk" in "Spring silkworms must weave until they die" is homophonic with "thinking". You miss each other like silkworms until you die.
"And the candle will cry the wick every night" is a metaphor for the endless pain of not being together, as if the candle burned to ashes and the wax tears ran out. Miss more than, showing deep attachment, but will spend a lifetime in miss, but it also shows that meeting is indefinite and the future is hopeless. Therefore, his own pain will accompany him all his life.
However, although the future is hopeless, she loves it to death and will be attached to it all her life; Despite the pain, there is only patience. Therefore, in these two sentences, there are both disappointed sadness and pain, as well as lingering and burning persistence and pursuit.
Pursuit is hopeless, and we still have to pursue it in hopelessness, so this pursuit is also pessimistic. These feelings seem to circulate endlessly, and it is difficult to find the end; It seems to have formed a multi-faceted solid, and light can't see the whole picture from one angle.
The poet successfully expressed such a complicated psychological state with only two metaphors, which shows that his association is very rich. The phrase "Spring Silkworm" begins with its lingering attachment to human beings, its endless association with spinning, and then goes from spinning to "death".
3. What is the ancient poem "An autumn rain and a cold, and a hundred flowers bloom in the east wind"? Untitled by Li Shangyin, a poet in Tang Dynasty.
It was a long time ago that I met her, but since we separated, the time has become longer, the east wind is blowing, and a hundred flowers are blooming.
Silkworms in spring will weave until they die, and when the torch turns to ashes, tears will flow dry.
In the morning, she saw her hair cloud changing in the mirror, but she bravely faced the cold of the moonlight with her evening song.
Not far from her charming mountain, oh, bluebird, listen! -Give me what she said! .
This poem expresses the love psychology in a feminine style. It contains burning desire and persistence in sorrow, and its emotional realm is profound and rich.
The first two sentences are about the unfortunate experience of love and the mood of the lyric hero: because of some power, it is difficult for a pair of lovers to meet each other, and the pain of separation is unbearable for her. The "don't" in the first sentence does not mean that we say goodbye now, but refers to the established forced separation. The word "difficult", the first refers to the difficulty of meeting, and the second refers to the pain and embarrassment of E799BE5BA6E4B 893E5B19E313336563933. Li Shangyin has gone further from here, which shows that because the lyric hero is already so sad, just facing the scenery in late spring, of course, makes her sad. In late spring, the east wind is weak, flowers bloom and fall, and the beautiful spring is about to pass away. There is nothing that human beings can do about it. Their own misfortunes and mental pains are like flowers that wither with the passage of spring, because beautiful things are destroyed, which makes people feel endless disappointment and regret! The phrase "the east wind rises and a hundred flowers blossom" not only describes the natural environment, but also reflects the poet's state of mind. Things blend with me, and the mind and nature reach a subtle fit. This kind of description that reflects people's situation and feelings with scenery is common in Li Shangyin's works. The combination of realism and symbolism endows feelings with an external form that can be felt, that is, a lyric way in the scenery.
In a few words, it is more tortuous to write the feelings of "seeing each other late" and "inseparable". The word "silk" in "Spring silkworms must weave until they die" is homophonic with "thinking". You miss each other like silkworms until you die. Pursuit is hopeless, and we still have to pursue it in hopelessness, so this pursuit is also pessimistic. These feelings seem to circulate endlessly, and it is difficult to find the end; It seems to have formed a multi-faceted solid, and light can't see the whole picture from one angle. The poet successfully expressed such a complicated psychological state with only two metaphors, which shows that his association is very rich. In the Yuefu before Li Shangyin, it was not uncommon to compare burning candles with suffering.
The above four sentences focus on revealing inner emotional activities and concretizing unspeakable complex feelings, which are beautifully written. Five or six sentences are translated into extroverted ideas. The first sentence is about yourself, and the second sentence is about imagining each other. It vividly describes the spiritual activities of beautiful songs, rather than simply describing the fact that youth was killed by pain. Because of pain and love, I haggard at night, but I am very painful and depressed.
This poem is full of pain, disappointment, lingering and persistent feelings from beginning to end. Every couplet in the poem is a reflection of this emotional state, but the specific artistic conception of each couplet is different. They repeatedly show the complex emotions throughout the poem from different sides, and at the same time reflect the psychological process with this complex emotion as its content vertically with their close connection. This continuous, implicit and profound lyricism successfully reproduces the deep affection in my heart.