2. Write a composition with ancient poems and sentences. The topic is self-made, and the red candle is rewarded.
People often linger in the poems of the prosperous Tang Dynasty, thinking about the glory, boldness and freedom that the world once had. This is the most brilliant chapter in the history of China literature.
All the flowers are gone, and the school is bleak, looking around at a loss and having no opinion. The spiritual loss is directly proportional to the decline of society as a whole. After the mid-Tang Dynasty, there will be no more free and easy in the prosperous Tang Dynasty, no more rolling in, no more mighty poetic style. Since the Tang Dynasty, is there no longer the beauty of poetry and the soul of art?
In the prosperous Tang Dynasty, poets always expressed their feelings directly, no matter how miserable the situation was, they were strong-willed and self-restrained. After the mid-Tang Dynasty, even in the late Tang Dynasty, more poets looked down and examined themselves carefully, which narrowed their distance from the outside world. The return of human nature has been reborn in this low-key color, and some literary beauty belonging to the self has begun to be discovered. "And a moment that should last forever came and went before I knew it." "It was long before I met her, and after we parted, the east wind started and a hundred flowers blossomed." If such beautiful and melodious words were spoken by Li Bai and Du Fu, they would certainly not fall. Obscurity was not the wind in the prosperous Tang Dynasty, but there was a harmonious beauty in the late Tang Dynasty, which was unified with the overall tone of society. Bright and flowing colors gradually return to peace, gentleness and implicature, the vision becomes smaller, the space of the soul becomes larger, the statement of objective things is often vague and the spirit is prominent. Even if there is a long sword singing and dancing in the shadows, it is lonely and unhappy. It is a desolation and loneliness that the cold wind can't overcome. Sorrow pervades between the lines and spreads in the rendering of emotions.
Li Shangyin, a poet in the late Tang Dynasty, should be pushed to bring the beauty of this cool tone into full play. Exquisiteness and profligacy, fullness and passion in the prosperous Tang Dynasty have been rare since the late Tang Dynasty. From masculine to feminine, the poet's aesthetic taste gradually returned to a natural state. "However, I felt the harmonious heartbeat of the sacred unicorn without rosy clouds and flying wings." This image, which is completely constructed by mental images, seems incredible, but in fact it shows his inner feelings quite subtly and achieves the artistic effect of resonating with the reader's heart. These artistic expressions, which attach inner illusion to objective things, push the artistic conception beauty of China's characters to the peak. The multi-angle expressions of characters show the mutual substitution and mutual foil between objective and subjective, thus building a bridge between spiritual images and external things. People's inner feelings and experiences express a more distant situation like looking at flowers in the fog in hazy and sad language. "Silkworms will weave until they die in spring, and candles will drain the wick every night." Li Shangyin's poems are like a tearful beauty, sad but not hurt, gorgeous and unyielding. In the lingering silence, people look back, low eyebrows and shallow words, and mixed feelings. You can make your heart dance in poetry and fluctuate in the ups and downs of your inner feelings.
Li Shangyin's poems are morbid in female beauty, but these do not detract from his gentle and mature poems, which are dazzling, gloomy and frustrating, with long aftertaste and myriad images. "It often rains in spring dreams, and the spirit wind does not satisfy the flag all day." If it is intermittent, it will make people daydream and realize their own world. His poems don't need to be understood, they need to be experienced, and they are really "understandable and unspeakable". Only by realizing one's own world in the situation created by oneself and remembering the emotional and psychological images that the poet wants to express can one feel the unique artistic charm of poetry.
3. Write with ancient poems as the topic, and seek a good topic and an outline of a composition that is "well written". The topic is the eyes of composition. If a pair of beautiful and bright eyes can be embedded in the composition to make readers fall in love with this article at first sight, then our works will be seen and won more favor. The title needs innovation, highlighting the word "new" and being novel and unique.
Classical poetry has rich symbolic meaning and connotation. Taking them as a topic is unconventional, novel and refined, which makes people feel shocked. Second, readers love it and have a sense of intimacy. San Mao, a writer in Taiwan Province Province, adopted the novel Jade Case written by Xin Qiji, a poet in the Song Dynasty. Lantern Festival, the phrase "Thousands of Baidu searched for him, suddenly looking back, the man was in the dim light"; Peng Jingfeng's "Pear Blossoms on the Postal Road" is a poem written by Lu You, which says "Pears on the Postal Road are everywhere". Qiong Yao's "Deep Courtyard" also used the phrase "How deep is the yard".
I used poetry to enter the topic and played a lot of beautiful eyes. For example, being alone in this mountain (Su Shi's poem), being alone in a tall building (Wang Guowei's words), and stormy Ren Pingsheng (stormy Ren Pingsheng's words) and so on. Another example is: the composition with the title of "Honesty", the composition with the title of "Searching for Thousands of Baidu" and the composition with the title of "Missing" with the title of "The so-called Iraqi people are on the water side" all quote famous sentences, which are lyrical and pun-like.
Does it help you?
4. The subtitle composition with ancient poetry as the inscription is: true friendship, good affection and beautiful love.
-inscription
Friendship, affection and love are all true in one's life. These three are people's true feelings: true friendship, good family ties and beautiful love.
I believe in truth and I believe in friendship.
Friendship is like two separate circles, although there is a distance and no intersection, it can reveal deep true feelings. "Peach Blossom Pond is deeper than thousands of feet, so it's not as good as Wang Lun's" Friendship ".I advise you to make a glass of wine and go to Yangguan's" Friendship "for no reason. Gao Jianli attacked the king of Qin only because he had a deep and sincere friendship with Jing Ke, while Boya's father destroyed the piano sacrifice just to commemorate the friendship that bosom friends were hard to find. I believe in friendship, which is a spark caused by the collision of people's hearts, a true embodiment and a true revelation. We should all believe that friendship will accompany us on the long road of life. Gao Shi has a poem saying, "Mochow has no confidant in the road ahead, and everyone knows you." He believes in friendship and that he will be accompanied by a bosom friend on the journey of life.
I believe in kindness, and I believe in affection.
Affection is like two tangent circles, with a little intersection, which reveals the true feelings, not the true feelings. "The line in the hands of a kind mother. Making clothes for her wayward boy's body "is a kind of family relationship," Don't do it with kindness and smallness, don't do it with evil and smallness "is a kind of family relationship. Zeng Guofan is sincere and affectionate, and the letter from home full of inculcation is affection. Empress Zhao loves her son deeply, which is her affection. I believe that kinship is the best flower of blood relationship, a little care and true love. Feelings are like a cup of tea. The more it is soaked, the stronger it is, and the intoxicating tea fragrance is emitted. No matter what difficulties and helplessness we face, home will always be the habitat and haven of our hearts. Du Fu said in a poem, "After three months of war, a letter from home is worth a ton of gold." He believed in his family, and he believed that his family accompanied him fearlessly in his life journey.
I believe in beauty and I believe in love.
Love must be two intersecting circles, which blend and depend on each other. "Once the sea was short of water, amber was forever" is love. "We hope that two birds will be one, fly in heaven and grow together on the earth, two branches of a tree." It is love. It is love that Liu Lanzhi and Jiao Zhongqing turned into peacocks, love that Cui Yingying bid farewell to Zhang Sheng's pavilion, and love that she burst into tears. I believe in love, which is the emotional product of people's spiritual integration. Love is beautiful: lovers depend on each other and play butterfly lovers lightly; Before and after the flowers, * * * gives affection; Next to the peony pavilion, the soul blends; Such as drinking wine, soaking nectar, plucking a love thread and playing a beautiful chapter of Fly with Me.
Take the best family as the boat, set up the sail of true friendship, sail in the wind and harvest the most beautiful love. I believe in truth, goodness and beauty, and there is true love in the world. I believe that affection will accompany me all my life, friendship will dance with me and love will never leave me.
5. The essay contains 600 ancient poems, "Silver Candle Cold Painting Screen, Light Luo Small Fan Flying at Fireflies". It's as cool as water at night, sitting and watching the morning cow and the weaver girl. " This is the ancient poem Autumn Night, the first Tang poem I can recite, which leads me into the ocean of ancient poetry.
When I was a child, I lived with my grandfather who loved Tang poetry and listened to him recite all kinds of Tang poetry all day. Over time, under the influence of my grandfather, I became poetic and often took the initiative to read various Tang poems.
Once, my grandfather taught me a Song of Eternal Sorrow, and one of them made me appreciate the most: "If you don't work hard, you will be sad." This sentence is concise and clear, which hit the nail on the head and expressed that we should cherish the good times now and don't waste them, otherwise it will be too late to study when we are old, leaving only a lot of sadness. In this poem, "Sunflowers in the green garden, the morning dew waits for the sunrise." This puzzles me, because I don't understand why the poet wrote this sentence. I think this sentence is redundant. Later, I went to ask my well-informed grandfather, and he answered my question with a smile. It turns out that the poet described this scene in order to better contrast the following artistic conception and pave the way for the following. In this way, I learned another trick from ancient poetry, which also played a decisive role in my usual practice and added a lot to my composition. Therefore, I love ancient poetry more and more, because reading ancient poetry not only benefits me a lot, but also makes me more skilled in the use of writing skills in practice. For example, I know from ancient poems that the full text should be written at the end to make the finishing point. I know that some places should be highly concise, and some places should be written in detail. I also know that when writing, you must have clear paragraphs and clear organization, so that people can read comfortably and get high marks.
In short, a thousand words can be summed up in one sentence, I love you! I have benefited a lot from you. I not only gained knowledge, but also purified my soul!
6. Ask for a narrative with that poem as the topic, and thank life for being poetic, embellishing our colorful life, and making life as passionate, vibrant and charming as poetry! -inscription
What exactly is a poem? Is it just Fan Zhongyan's "worry about the world first, and enjoy the world later?" Is it just Li He's "Dark clouds are pressing the city to destroy, but the real armor is scattered"? Is it just Han Yu's "to eliminate disasters for saints, to decline and cherish the old"?
This is a poem of youth. In the poems of youth, we wrote down the efforts and gains in progress and told the hardships and setbacks in growth. Life is short, and youth is shorter, just like a fleeting meteor. Although fleeting, it shines brilliantly. We are playing a colorful life in the dreamlike youth. We have found the ideal, goal and key of life. We write its top gun with hard work and endeavor, and tell its lofty sentiments with passion and unruly.
It was a passionate poem, which brought us colorful sun, tall and straight green trees, struggling footprints and an impassioned song.
This is a poem of friendship. Every picture pieced together by every wonderful fragment on campus is a poem. It makes our campus life full of warmth and happiness. There is no sadness of Li Qingzhao, no passion of Li Bai, no touching feeling of Meng Jiao, but there is everyone's sweat and unity, helping each other like brothers and sisters.
Tao Yuanming wrote a poem about rural life, "Picking chrysanthemums under the hedge and seeing Nanshan leisurely". Liu Yuxi proudly wrote a poem with his lofty dignity of "talking and laughing with a scholar, but not Ding Bai"; Gong Zizhen wrote a sad poem about her parting, "Love is not a heartless thing, but turning into spring mud to protect flowers." ...
I, on the other hand, want to write a poem about our campus friendship, a poem containing endless joy in life.
It is a poem of the years, with the changes of the four seasons and the coziness of spring.
The vitality of summer, the gentleness of autumn and the tranquility of winter, each shot is a poem, which makes us grow in the cycle of poetry.
It has a good beginning, a climax and a low end. Just like life, the beginning of every life is joyful, with suffering and happiness, loss and happiness along the way.
Poetry is invisible, it is invisible in life. It is not the gorgeous rosy clouds on the picture scroll, the ripples on the calm lake, or the spring breeze blowing through the dancing willow branches. It is a life that has been honed and shined!