Ji hai's miscellaneous poems
Author: Gong Zizhen
Original text:
Kyushu is furious.
It's a pity that a thousand horses can't walk.
I suggest that god stand up again,
Don't stick to a model and leave behind talents.
Precautions:
1. Kyushu: China.
2. Angry: a lively situation.
3. rely on (sh): rely on.
4. hey (y and n): dumb. Wanma Qi Qi: Metaphorically speaking, the social and political situation is lifeless. After all, after all
5. providence: the emperor. Heavy: Come again. Cheer up: Cheer up.
6. Health: Birth.
Poetic:
China needs a storm if he wants to live. This silence is really sad. I hope that the emperor will regain his spirit and not be limited to one specification or way to choose talents for governing the country.
Appreciate:
Wan Maqi's sad remarks profoundly showed Gong Zizhen's dissatisfaction with the lifeless social situation in the late Qing Dynasty, so he enthusiastically called for social change, thinking that the bigger the change, the better, and it was as big as earth-shattering spring thunder. He also believes that the most important factor in implementing social change is talent, so he enthusiastically appeals: Heaven forbid! Please cheer up and give us all kinds of talents.
This is an excellent political poem. The whole poem has distinct levels and is divided into three levels: the first level describes the lifeless real society in which thousands of troops and horses are silent and the ruling and opposition parties are silent. On the second level, the author points out that to change this dull and decadent view, we must rely on the great power like a storm. For example, China must undergo magnificent social changes in order to be full of vitality. Thirdly, the author believes that such strength comes from talents, and what the court should do is to recommend talents in an exceptional way. Only in this way can there be hope for China. Subjective images such as Kyushu, Lei Feng, Wanma and Tiangong are chosen in the poem, which is profound and magnificent.
The first two sentences of this poem use two metaphors to express the poet's views on the situation in China at that time. It is a metaphor that under the decadent and cruel reactionary rule, thoughts are imprisoned, talents are stifled, and drowsiness and vulgarity are everywhere, which is a dead silence and suffocating reality. Wind and thunder are metaphors of emerging social forces and sharp and violent reforms. Looking at the overall situation and the overall artistic realm is magnificent and profound. In the last two sentences of the poem, I advised God to be more energetic and told that talents are not limited to one pattern. This is a famous sentence. The poet expressed his ardent hope with his peculiar imagination. He looked forward to the emergence of outstanding figures, forming a new storm and new vitality in the general trend of reform, sweeping away the dullness and depression that enveloped Kyushu, exposing contradictions, criticizing reality, looking forward to the future and full of ideals. It is unique, unique, calling for change and the future.
People laugh at me for being crazy.
People laugh at me for being crazy.
Peach blossom temple song
Author: Tang Yin
Original text:
Taohuawu Taohuaan, Taohuaan Taohuaxian;
Peach Fairy cultivates peach trees, picks them and drinks them.
When I wake up, I just sit in front of the flowers, and when I am drunk, I come to sleep under the flowers;
Half awake and half drunk day after day, flowers bloom year after year.
I hope I die of old age and refuse to bow my head in front of horses and chariots;
Cars, dust and horses are interesting, and hops are poor.
If wealth is better than poverty, one is in the sky;
If poverty is compared to chariots and horses, he has to run and I have to be free.
Others laugh that I am too crazy, and I laugh that others can't see through it;
Without seeing the five tombs of the Han Dynasty, there is no wine and hoe for farming.
Precautions:
1, chariots and horses: for dignitaries.
2.Te: that's right.
Poetic:
There are Taohuawu Taohuaan and Taohuawu Taohuaxian.
Peach Fairy planted many peach trees. He exchanged them for drinks.
Sit quietly in the flowers when you wake up, and sleep under the flowers when you are drunk.
Half awake and half drunk, day after day, year after year.
I just want to die of old age in the peach blossom wine room, and I don't want to bow down in front of horses and chariots.
Flow is the interest of nobles, and wine glasses and flowers are the fate and hobbies of poor people like me.
If I compare my poverty with that of others, one is in the sky and the other is in the ground.
If I compare my poverty to the horses and chariots of dignitaries, they will enjoy themselves, but I never tire of it.
Others laugh at me for being crazy, and I laugh at others for not being able to see through the world.
Don't you see that although those heroes were once brilliant, they no longer exist in graves and can only be used as farmland.
Appreciate:
Taohuawu, located in the north of Suzhou, was once a villa with official seal in the Song Dynasty, and later it was abandoned as a vegetable garden, which was valued by Tang Yin. In the second year of Zheng De's reign (1507), he was built in another merchant of Taohua Temple, and was the owner of Taohua Temple. That year, he was 38. Tang Yin spent most of his later life living in seclusion here, making friends and reciting poems. Song of the Peach Blossom Temple is his most famous poem, a work of self-criticism and self-condemnation.
Taohuawu Taohuaan, Taohuaan Taohuaxian. Peach Fairy cultivates peach trees, picks them and drinks them. The first four lines, like a long lens, suddenly present a fairy girl in a painting to the readers from far to near. In just four rows, six peach blossoms are used repeatedly, stacked repeatedly, hooked up back and forth, and colorful, and soon a world of flowers is piled up, which makes people suddenly fall into a set situation. The unhurried tone and speed of speech increase the reader's intimacy and curiosity: what kind of fairy life does this peach blossom fairy lead? In the next four lines, a beautiful picture of drunken lying in the flowers is unfolded: when you wake up, you just sit in front of the flowers, and when you are drunk, you will sleep under the flowers. Half awake and half drunk day after day, flowers bloom year after year. You see how carefree and happy the Peach Blossom Fairy is. She enjoys flowers in drunkenness every year. Here, flowers and wine are not completely foreign things that poets are worried about, but just a part of their lives, or they have become independent individuals, and flowers, wine and people are integrated into a harmonious whole. The above words can be described as the author's own situation, vivid, vivid and meaningful. Tang Yin, a student who once fantasized about becoming Tian Shelang, left, and the romantic genius who lived in fireworks Liuxiang left. After several years of debauchery, Tang Yin finally chose to escape from downtown, chose this paradise for himself, married Shen Shi, and began a relatively peaceful seclusion. Although there is no way to enter the official career, after all, I have something to support and live up to my prime of life. The beautiful scenery is easy to imagine, and I can sing a poem.
I hope I die of old age. I don't want to bow my head in front of horses and chariots. This sentence, which connects the preceding with the following, expresses the poet's interest: it is better to be happy and carefree in the wine room than to work hard for prosperity and sacrifice yourself and others. Car dust Ma Gui, hops poor. If you compare wealth with the poor, one is in the ground and the other is in the sky. Travel is only the taste of the rich, while flowers and wine are destined to become attached to the poor. If measured by money and material things, the lives of these two kinds of people are very different, but from another angle, those rich people have to be nervous all the time and walk on thin ice carefully, while the so-called poor people can have more leisure and fun, but live more naturally, truly, easily and happily. The above six lines are all comparative descriptions, and the feelings are unfolding in a fierce collision. In each sentence, because of rhyme, the former is tight and the latter is loose, which fully shows the poet's arrogant personality and his detachment and liberation from being born in the world.
However, the real meaning is not understood by everyone. Don't you see people laughing at me for being crazy? But I don't agree: I laugh at others who can't see through it. Don't you see that kings and princes who used to be all-powerful and rich are now? Not only is the body gone, but the situation has also fallen. Even the flowers and wine they despised before their death can't be counted on, and even the tombs are not guaranteed. If they know it in heaven, they can only watch the farmers plow the fields where they are buried. Look at the tomb of Wuling heroes, there are no flowers, no wine, no hoes and no fields! A word came to an abrupt end, and the aftertaste remained.
The whole poem has distinct levels, simple and euphemistic language, and is almost a folk monologue. However, it is this kind of monologue that contains infinite artistic tension and gives people endless aesthetic enjoyment and strong sense of identity. It deserves to be the best in Tang Yin's poems. This also coincides with the fact that Han Yu's voice of peace is weak, while the voice of sadness is wonderful; It is difficult to write a happy word, but it is easy to write a poor word ("net talk about singing and poem preface").
The two most prominent and impressive images in this poem are flowers and wine. Peach Blossom first appeared in literary works and was originally written in The Book of Songs Nan Zhou Yao Tao, which was intended to express a free and unrestrained emotion. As soon as Tao Yuanming's Peach Blossom Garden came out, peach blossoms were more used to express their secluded feelings. Peach also had the meaning of exorcising ghosts and evil spirits in ancient times, and peach is homophonic with escape because of its meaning of avoiding the world. In Tang Yin's poems, the image of peach blossom appears frequently.
Bo Qinhuai's whole poems
Bo Qinhuai's whole poems
Bo Qinhuai
Author: Du Mu
Original text:
Smoke cage cold water moon cage sand, night parking near Qinhuai restaurant.
Strong women in business don't know how to hate their country, but they still sing backyard flowers across the river.
Precautions:
1, Qinhuai River: Qinhuai River originates in the mountainous area between damao mountain in Jurong, Jiangsu Province and Lushan in Lishui East, and flows into the Yangtze River through Nanjing. According to legend, it was dug by Qin Shihuang during his southern tour to dredge the Huaihe River, so it was called Qinhuai River. All previous dynasties were bustling places for sightseeing and enjoyment.
2, smoke: smoke.
3. stop: stop.
4. Businessman: A singer who lives by singing.
5. backyard flower: the abbreviation of the song "yushu backyard flower". Chen (), the emperor of the Southern Dynasties, wrote this song for pleasure with the beautiful women in the harem, which eventually led to national subjugation, so later generations took this song as the representative of the voice of national subjugation.
Poetic:
Blurred moonlight and light smoke enveloped the cold sea and white beach, and the boat was moored at Qinhuai restaurant on the shore at night. The singer doesn't know what the revenge of national subjugation is, but he is still singing "Flowers in the Garden of Yushu" across the river.
Appreciate:
"Bo Qinhuai" is one of Du Mu's representative works, which is contained in 523 volumes of "All Tang Poems". The following is the appreciation of this poem by Mr. Zhao, a professor at the College of Literature of Anhui Normal University.
Jiankang was the capital of the Six Dynasties, Qinhuai River flowed into the Yangtze River through the city, and there were many restaurants on both sides of the strait, which was the place where rich and bureaucratic literati feasted at that time. Although the capital of the Tang Dynasty was not in Jiankang, the scenery on both sides of Qinhuai River remained the same as before.
Some people say that writing a poem is extremely rare (Yan Yu's Pale Shi Lang Dialect). The first sentence of this poem is extraordinary, and those two words stand out. Smoke, water, moon and sand are harmoniously blended by people in two cages, drawing an extremely elegant night by the water. It is so soft and quiet, but it also implies a slightly erratic state of mind. Pen and ink is so light, but it is so ethereal and cold. The moon and water in the first sentence are related to the night parking near Qinhuai in the second sentence, so it is natural to read the first sentence before watching the night parking near Qinhuai restaurant. But as far as the poet's activities are concerned, you have to stop at Qinhuai at night to see the scenery of cold water moon sand in the smoke cage. However, if you really look at it upside down, you will find that the tablet is tasteless. The advantages of this way of writing poetry are as follows: firstly, it creates a very distinct environmental atmosphere, gives people a strong attraction, and creates an artistic effect that affects the whole body and meets the requirements of artistic expression. Secondly, one or two sentences are treated like this, just like the relationship between the picture and the inscription of a painting. When people appreciate a painting, they usually pay attention to the wonderful picture first (this is like a smoke cage with cold water and moon sand in it), and then look at the inscription in the corner (this is the night parking by Qinhuai). Therefore, the poet's writing style is quite in line with people's artistic appreciation habits.
Sleeping near Qinhuai restaurant at night seems dull, but it is worth pondering. There is a strong logical relationship in this poem. Because I live in Qinhuai at night, I am close to the restaurant. But the first four words point out the time and place for the scenery of the previous sentence, making it more personalized and typical, and taking care of poetry; The last three words open the way for the following words. Because it is close to the restaurant, merchants and girls, national subjugation and backyard flowers are brought out, which touches the poet's feelings. Therefore, judging from the development of poetry and the expression of emotion, the word "near the museum" is like opening a sluice, and the river gurgles out and spews out. These seven words are a link between the preceding and the following. The whole network and the poet's meticulous and ingenious ideas can be seen here.
A businesswoman is a singer who waits on others. What they sing depends on the taste of the audience. It can be seen that the merchant girl said in the poem does not know the national subjugation and hate, but it is just a kind of musical pen. What they really don't understand and hate is the admirers in that building, feudal nobles, bureaucrats and gentry. The "backyard flower", namely "yushu backyard flower", is said to have been made by Chen Houzhu, a dissolute and wrong country in the Southern Dynasties. This decadent voice has made the Chen Dynasty perish. However, in this declining era, some people use this voice of national subjugation for fun instead of thinking about national affairs, which can't help but make poets worry that history will repeat itself. The word "crossing the river" comes from the story of national subjugation and hatred for the rich. Refers to the Sui Bing Chen Shijiang in Jiangbei, the Southern Dynasties small court across the river is in danger, and Chen Houzhu is still indulging in debauchery. It is meaningful to sing the word "Jude", which skillfully and naturally links history, reality and imagined future. The businesswoman doesn't know the national subjugation and hate, but still sings "backyard flowers" across the river. In the graceful and brisk style, they show bitter satire, deep sorrow and infinite emotion, which is called a swan song. These two sentences express sober feudal intellectuals' worries about state affairs, and also reflect that bureaucrats and nobles are filling their decadent and empty souls with singing and dancing, leading a drunken life, which is a portrayal of two different aspects in the real life of the decline of the late Tang Dynasty.
Moisten things quietly and write a poem.
Moisten things quietly and write a poem.
Delighting in Rain on a Spring Night.
Author: Du Fu
Original text:
Good rain knows the season, when spring comes.
Sneak into the night with the wind, moisten things silently.
The wild path is dark, and the river is bright.
Look at the red and wet place, the flowers in Jinguancheng are heavy.
Precautions:
1, know: know, know. Saying that rain knows the season is a personification.
2. Yes: Yes. Occurrence: germination and growth.
3. Qin: secretly, quietly. Here, the spring rain comes quietly with the wind at night.
4. Moisturize: nourish plants with rain.
5. Wilderness path: a path between fields.
6. These two sentences mean that the sky is covered with dark clouds, and you can't even see the river, the river and the boats on it, only the lights on the boats on the river, suggesting that the rain is strong.
7. Xiao: It's just dawn. Red wet place: flowers wet by rain.
8. Flower weight (zhng): The flower weight is because it is full of rain. Jinguancheng: Located in the south of Chengdu today, it is also called Jincheng. Officials in charge of brocade in the Shu and Han Dynasties of the Three Kingdoms were stationed here, hence the name. Later generations took it as another name for Chengdu. This sentence means the beauty of dew and flowers.
Poetic:
The timely rain seems to know the season. Spring has come, it comes quietly at night with the spring breeze, silently moistening everything. The sky in the field path is dark, and only a little fishing fire on the fishing boat by the river emits a ray of light, which is particularly bright. When you come in the morning, the wet soil must be covered with red petals, and the streets and alleys of Jinguancheng must be a colorful scene.
Appreciate:
This is a masterpiece depicting the rainy scene on a spring night and showing a happy mood. Praise the rain with a good word from the beginning. In life, kindness is often used to praise people who do good deeds. Nowadays, making good use of the rain of praise will arouse the association of those who do good. Next, personify the rain, saying that it knows the seasons and how to meet the objective needs. The words used in it are vivid, which brings the rain to life. Spring is the season when everything germinates and grows. As long as it rains, it begins to rain. It's really good.
The occurrence of moderate rain further shows the beauty of rain, in which the words latent, moist and fine vividly describe the characteristics of good rain. Rain is good because it is timely and moistens everything. Spring rain usually moistens everything with breeze and drizzle. However, there are exceptions. Sometimes, it will be accompanied by cold air, from rain to snow. Sometimes, it will be accompanied by strong winds and heavy rains. Although the rain at this time is in spring, it is not a typical spring rain. It only destroys things, not nourishes them. Naturally, it will not make people happy, nor will it be popular. Therefore, just knowing the season of the first couplet is not enough to fully show the good rain. It was not until the second couplet wrote a typical spring rain-accompanied by gentle rain-that the good words were implemented. Sneak into the night with the wind, moisten things silently. This is still anthropomorphic. The combination of sneaking into the night and silence not only shows that rain is a drizzle accompanied by a breeze, but also shows that rain is intended to moisten things and has no intention of pleasing them. If it's to please, come during the day and make a little noise so that people can see and hear clearly. Just because it deliberately moistens things and has no intention of pleasing them, it chose a time that does not hinder people's work and labor, and quietly and carefully went underground at the night when people were sleeping.
It's raining so well, I hope it will rain harder and harder, and stay up all night next week. If it only lasts for a period of time, it will clear up and the moisture will not be thorough. The poet grasped this and wrote a necklace. On a less gloomy night, the path is easier to see than the field, and the river is easier to distinguish than the shore. Nowadays, when you look around, the wild trails are dark and the rivers are bright. Only the lights on the boat are on. Besides, you can't even see the river, and you can't tell the path clearly. The sky is covered with dark clouds and the ground is as black as clouds. It looks as if it will rain until dawn. These two sentences describe the beautiful scene on a rainy night. Black and light set each other off into interest, which not only points out thick clouds and rain feet, but also gives people a strong sense of beauty.
The tail couplet is a virtual scene, and the charming scene of Jinguan City in the early morning after the rain is written closely by the happy word in the title. After such a fine rain all night, everything will flourish. One of the flowers of all things, the flower that best represents spring scenery, is about to drop with the rain. The poet said: wait until tomorrow morning to have a look. The whole Jinguan City (Chengdu) is full of peanut trees, red and wet, red and heavy, which merge into a sea of flowers. The use of words such as red, wet and heavy flowers fully shows the delicacy of this poem.
Pu Qilong said: It is easy to write about rain and cut the night, but difficult to cut the spring. The poem "Delighting in Rain on a Spring Night" not only cuts the night and cuts the spring, but also writes the noble character of a typical spring rain, that is, a good rain, which shows the noble personality of all the good people of the poet.
The poet looks forward to such good rain and loves our good rain. Therefore, although the word "happiness" in the title did not appear in the poem, both happiness and meaning emerged from the cracks (Reading Du Xin Jie by Pu Qilong). When it began to rain, the poet was looking forward to the spring rain and cheered happily as soon as he came up. The second couplet was written by the poet. The poet listened attentively, and heard that the rain on the spring night was falling continuously and densely, just to moisten everything. Dont Ask For Help knew that he was naturally too happy to sleep. I went out to watch the rain, because it was silent and inaudible, and I was afraid it would stop. The third section is about what the poet saw. Seeing the strong rain, I can't help but imagine the beautiful scenery of the city in spring after dawn. Its infinite joy is very vivid. Li Yue, a poet in the middle Tang Dynasty, wrote a poem "Watching the Rain": Mulberry leaves are leafless, native to smoke, and flute pipes greet Longshui Temple. Watching songs and dances in Zhumen, I am afraid that the spring sounds will swallow the strings. Compared with those who watch songs and dances in Zhumen, Du Fu's quiet joy in the spring rain is naturally a noble feeling.