Color.
The following two poems by Xin Qiji, namely the gentle and graceful Jade Case Yuan and the bold and depressed Yuan, are selected to illustrate the diversity of Jia Xuan's ci style. It proves that Xin Qiji's "secret people are not under Xiaoyan Qinlang", and the bold and depressed "Golden Goma Iron, Swallowing Wan Li Like a Tiger" has the saying that "crossing Liuhe, sweeping the world, has its own yuan to pretend to be the beginning"; This paper discusses how the above two words are contradictory and unified in Jia Xuan when Xin Qiji naturally expresses his feelings under the condition of feeling the internal essence and external experience of things.
"Yuan Yu Case" (hereinafter referred to as "Qing Ci"): "Thousands of trees bloom in the east wind night, and the stars are like rain. BMW carved cars are full of incense. The wind is moving, the jade pot is turning, and the fish and dragons are dancing all night. /Moth, snow, willow, golden wisp, laugh, incense goes away. Everyone asked him to do Baidu, and suddenly looked back, but that person was there, and the lights were dim. "
Fu Zi Zhuang Ci in Pozhen was given by Chen Tongfu (hereinafter referred to as Zhuang Ci): "When you are drunk, look at the lamp and see the sword, but when you dream, you will blow the horn. Eight hundred miles to divide the main fire, fifty strings to turn over the Great Wall, and the enemy is on the battlefield in autumn. /Made by horses, as fast as lightning. But everything in the world, the king won both before and after his death.
Name, poor white hair. "
Qing Ci was written by Jia Xuan when he first entered Lin 'an as an official and watched the grand occasion of the Lantern Festival on the road (11). Xin Shi is 32 years old this year. This poem "Qing Ci" is one of Xin Jiaxuan's graceful and restrained masterpieces, which has always received many beautiful comments. Its beauty lies in creating a realm. Wang Guowei once compared the artistic conception described in the last four sentences of this poem to the third realm that "the questioner of ancient and modern great undertakings" must reach.
The "that man" in the poem is the "the only thrill" that the poet wants to pursue, and the figure that the poet painstakingly depicts. However, there are not many words that directly describe this character. Only at the end of the word, she is outlined with pen and ink to make the finishing point, and her image, like a sculpture, is displayed in front of readers with delicate brushwork, vigorous strength and extremely vivid and impressive image. The reason why this word can achieve such a perfect artistic effect is due to the use of contrast and contrast. The lively scene of bright lights, singing and dancing is in sharp contrast with the cold light; Those who burn incense; The girl who pursues happiness in beautiful clothes is in sharp contrast with the indifferent and independent "that person" The bustling environment and the crowd's pursuit of happiness are in strong contrast with "the man" in Twilight, which sets off her character of advocating integrity and detachment and self-confidence.
The poet's pursuit of such a woman also shows his own character. The poet himself was repeatedly excluded because he advocated anti-Japanese, but he was determined to fight the Jin people and recover lost ground. He would rather live a lonely and idle life than go with the flow and agree with the main faction. The poet expressed his ambition and personality by praising this woman.
Zhuang Ci was written in the autumn of 1 193, and Jia Xuan was 54 years old. The poet wrote this word to his good friend Chen Liang to encourage himself and each other. This word is divided into two parts. The first nine sentences are the first part, describing the fiery battlefield life and ambition to make contributions. These nine sentences are full of strong feelings and high spirits, and they are written with great pride and emotion. However, this is only an ideal, a personal subjective desire.
During the Southern Song Dynasty, the supreme ruling clique not only led a frenzied life, but also tried to persecute patriots. How to realize the ambition of serving the country? The poet returned to reality from imagination, and the reality was so dark that the sun and the moon wasted away and achieved nothing, so he suddenly turned around-"poor white hair was born"! It tells the poet's own life experience, and also writes about his friend Chen Liang's life experience. The poet said in (in memory of Chen Tongfu); "The same (just) talent and ambition, what can't be done in the world? What can't be done, the year of Tianjin (pity)! " Yes, with the ambition of patriots such as Xin Qiji and Mao, it is promising to expel the Jin people and recover the Central Plains. Unfortunately, life is limited, the sun and the moon are ruthless, and the strong man has white hair. Looking back on your achievements and looking forward to life, how can you not sigh? So, what makes their ambition hard to pay? Everything fell silent again. This is the poet's sigh of blood and tears, and it is also an accusation against the court of the Southern Song Dynasty. Liang Qichao said: "infinite emotion, mourning is the same language, but also self-mourning" (volume 3 of the Collection of Poetry in the Art Museum).
Through the description of battlefield life, this poem expresses the poet's yearning for battle life and his ambition to make contributions to his good friend Chen Liang, and also expresses his indignation at the difficulty in realizing his ideal. Of course, the idea of loyalty to the monarch and fame is mixed with the desire to resist gold and save the country, which is the author's limitation
The battlefield life described in this poem is based on the poet's living personal experience of the anti-Jin uprising thirty years ago, which has both personal feelings and romanticism. The battlefield life described has a certain romantic color and idealized artistic realm, and it is also a typical portrayal of many specific combat lives of poets.
According to the rhythm of words, the words in Broken Array are divided into two parts. The first five sentences of Autumn Soldiers in the Battlefield are the first part, and the last five sentences are the second part. However, the first nine sentences of this word have the same meaning, which runs through it in one breath, describing the happy fighting life with heroic attitude. The heroic spirit of the British style is vividly on the paper. The disillusionment of the last sentence, a sigh, makes people cry. Denying the first nine sentences is a great turning point and a strange change in structural layout. An ideal, a reality, a strong, a sad, resulting in a strong contrast. After the turning point, it came to an abrupt end, and there were thousands of worries. This is a long story, it's all in one word. The cage is about the size of a river. This is a condensed language, and the feelings are extremely sad. Strong brushwork and heroic spirit, such as leaping on a cliff and turning the tide against it, are likely to pull the mountain out of the world. This is really a pen that can be rotated at will. It is elusive and its excitement is so arrogant! As Fan Kai said: "His words are the body, like the field of Dongting in Zhang Le. No head, no tail, no sense; Another example is that the spring clouds are floating in the air, and the volume is ups and downs, which is nothing more than impressive (Preface to Jiaxuan). This word well embodies the abnormal characteristics.
Poets are good at capturing concrete things and creating images with concise pen and ink. Writing about military life means eating meat, playing music, ordering soldiers, riding horses, and pulling hard bows ..... Using typical things such as swords, lights, horns, bows and horses to create a broad battlefield scene and a strong battlefield atmosphere. In terms of language, it is also a major feature that antithesis can create a bold style.
Poetry (words) has always been based on expressing meaning and expressing emotion, so it focuses on the heart first, and "the function of emotion is actually the main life of poetry" Through the above-mentioned analysis of Qing Ci and Zhuang Ci, and referring to the graceful and implicit ci works in Xin Ci, such as Song of Spring —— Fen Die Fu Hua and Fishing, it shows that Xin is an outstanding poet who can take heroes as his ci, but shows tortuous characteristics. Its means and artistic conception of internalizing latent energy and combining rigidity with softness are beyond that of Xiao Yan and Qin Lang. Then, referring to the bold words of Xin Ci, such as "Water meets music, Jingkou Gubeiting recalls the past" and "Partridge, strong and old, holding thousands of flags", it shows that the style of the works shows the author's temperament and is the natural expression of the author's lofty sentiments and ambitions. These words themselves show that symplectic words, whether graceful or bold, are of high artistry and have created a perfect artistic image.
Xin Qiji can show his unique style in his ci, which is mainly due to his knowledgeable and familiar cultivation, his lofty aspirations and ideas beyond the boundary of "cutting red masks", and the influence of his extraordinary and unfortunate experience in his life, which is the reason why his ci artistic conception can break through the tradition. The breakthrough of Xin Qiji's ci to tradition can be said to be the inevitable result of the combination of Si people and Si people. Xin Qiji is not only a poet with temperament and ideals, but also a hero with strategy, measurement, knowledge, means and the right to change. It's just that since all his ideals of making contributions have failed, he has lost his ambition, not only pinning his lifelong ambition and thoughts on the writing of ci, but also using the courage and means of a hero all his life. It is worth noting that Xin Ci, on the one hand, broke through the tradition of the content and artistic conception of Ci with the hero's ambition and ideal, on the other hand, it broke through the tradition of the creative art of Ci with the hero's courage and means, but as far as the essence of its Ci is concerned, it also retained the tortuous and implicit characteristic beauty of Ci. These two complementary phenomena are the most noteworthy features of Xin Ci, and also the most unattainable achievements that Xin Shi has made in the development of Ci. In a word, the times make heroes, heroes feel the times and make excellent works. Xin's poems can present a variety of style characteristics, both objective factors and subjective factors of his time-he has exquisite and profound artistic accomplishment, and can express all kinds of feelings in his heart through different styles of poems, so that his poems can fully serve the needs of lyric.