First, the original pinyin version
hǎo fēng lóng yuè？ qěng míng yè，bì？ qì？ hóng xuān cì？ shǐ？ jiā.
At night in Tomb-Sweeping Day, the breeze is blowing gently and the moonlight is hazy. The railing made of jasper and the wall made of red bricks are the residence of the governor.
Dú？ rào Huílang xíng fù？ xiē，yáo tīng xián guǎ？ It looks good.
Walking alone in a roundabout song, I can't hear the sound of flowers.
Second, appreciate
The first sentence describes the poet's pleasant environment, the moonlight is hazy, and the moonlight on Qingming night is so beautiful that the poet is fascinated. The description of the environment highlights the poet's love for beautiful scenery and shows his leisure.
In the second sentence, the poet was in a mansion under the jasper railing and red brick wall on a moonlit night with a breeze. The poet used the word "blue and red" to express his happy heart. At night, all he expected was some beautiful colors and elaborate buildings, which made him happy and cheerful.
The third sentence is about the poet pacing alone and singing in the circuitous corridor. On such a clear night, under the charming moonlight, the poet enjoys his heart, sings and sings in the cloister to express his inner happiness.
The fourth sentence shows that the poet's thoughts drifted into the distance, and he happened to hear the strings of orchestral music in the distance, so the poet calmed down and listened carefully to the strings, which was not leisurely. On the other hand, "remote listening" and "dark watching" also show the poet's concern for reality.
The beauty of the whole poem lies in the coldness of the Qingming night, but it has its own style. Although it is clear, it is intended to write an affair of a girl who loves spring outside the paper. The sentence "It's Qingming Day again" has a unique charm. This poem is based on materials and has a unique conception; This poem also shows the poet's subtle psychology of nostalgia for the beautiful scenery and deep fear that spring will leave, but there is no word to express his mind directly. The poet's intention of cherishing spring is undoubtedly self-evident.
Characteristics of Bai Juyi's works;
Theme concentration is one of the artistic features of Bai Juyi's satirical poems. He usually only chooses the most typical thing, highlighting a theme, "a sad thing", and the theme is very clear. In order to convey the theme to readers more clearly, you can add a small preface under the title of the poem to indicate the theme, or "show your will" to highlight the theme. Secondly, the artistic features of Bai poetry are also reflected in the portrayal of characters. He can grasp the characteristics of the characters and draw the characters vividly by line drawing.
However, the poetry of Bai poetry is not simple, and he often reposes the meaning with simple sentences, which has achieved amazing artistic effects. The poem "Light Fat" describes the mental outlook of ministers, doctors and generals attending the meeting, as well as the richness of wine and food on the table, but the conclusion is: "There is a drought in the south of the Yangtze River, and people in Quzhou eat people." What a tragic scene this is.
Leisure poems and allegorical poems are two kinds of poems that Bai Juyi pays special attention to. Both of them are realistic, vulgar and thrifty, but they are quite different in content and mood. Irony poems aim at "supporting the two", which are closely related to social politics and write more about lofty sentiments and excitement; Leisure poetry lies in "being alone", "being content with harmony and playing with temperament" (nine books of Yuyuan), thus showing a indifferent, peaceful and leisurely state of mind.