The writing background of Mo Mei

A: The background of Mo Mei's writing is the creation of Mei, which is closely related to literature. First, poets such as Lin Hejing and Su Dongpo in the Northern Song Dynasty enthusiastically praised the rich spiritual outlook of plum blossom, which made people feel infinite attachment to plum blossom. The painting of "silent poetry" followed, and plum blossom became a very popular theme in the painting world. At that time, Zhong Ren and Yang were the most creative and contributed to Mei painting. One day, Zhong Ren was also called the Huaguang monk. Inspired by the reflection of plum by moonlight on enough paper, he created the so-called ink plum, which was smudged with thick and light ink. Wang Mian inherited the traditions of Yang and Tang, and tirelessly studied Plum Blossom Prose and Plum Blossom Articles. On this basis, he developed his artistic talent. Wang Mian's Mo Mei is inseparable from his thoughts and feelings. This is an inscribed poem. The poet praised Mo Mei and Dont Ask For Help, and only wanted to dedicate it to the world.

The greatest feature of this poem is to support people with things.

The poem first describes the image of Mo Mei in one or two sentences, and then writes Mo Mei's wishes in three or four sentences. Although the appearance is not exquisite, it presents us with an image of refined temperament, noble and dignified, quiet and aloof. It doesn't want to attract people, please people and win people's praise with bright colors. It just wants to send out a fragrance and let it stay between heaven and earth. These two sentences are the poet's self-portrayal.

Wang Mian grew up in a poor family, herding cattle during the day and studying hard under the ever-burning lamp of the Buddhist temple at night. He finally learned a lot. He is good at poetry and painting, and he is versatile. But he tried again and again, and he didn't want to please powerful people. So he gave up fame and fortune, retired to Jiulishan in eastern Zhejiang, and made a living by painting rice. The words "don't praise lewdness, just leave the air full of dry Kun" show the poet's contempt for custom.