Climbing Yueyang Tower-Poetry Translation
Dongting Lake, which has heard so much about it for a long time, finally arrived at Yueyang Tower today.
The vast and spectacular Great Lakes divide Wu Chu into two southeast regions, where the sun, moon, stars and the earth float day and night.
No news from relatives or friends. I am old and sick, and I am wandering alone.
The northern border war broke out again, and I leaned against the window and burst into tears.
Climbing Yueyang Tower-Background Introduction
Climbing Yueyang Tower
1. In the third year of Tang Daizong Dali (768), Du Fu drifted out of the gorge to the two lakes. This poem was written by a poet who climbed Yueyang Tower and looked at his hometown. At the age of 57, he was only two years away from the end of his life. He suffers from lung disease and rheumatism, his left arm is shriveled, his right ear is deaf, and he lives by drinking medicine.
Second, poetry appreciation.
The head-to-head connection is intertwined with reality, comparing the past and the present, thus expanding the space-time field. I have long heard that Dongting is famous, and it was not until the curtain year that I realized my wish to see a famous lake. On the surface, climbing Yueyang Tower for the first time was quite enjoyable. In fact, my original intention was to express my unfulfilled ambition in my early days. In the final analysis, it is to describe the brewing atmosphere of Dongting Lake. Zhuan Xu is a vast Dongting. Dongting Lake is full of Wu Chu, the sun and the moon are floating, and the waves lift the sky and are boundless. I don't know how many clouds the old man swallowed in his chest! This is a quatrain about Dongting Lake, which was praised by Wang Shizhen as "a hero spanning the present". The scenery is so magnificent that it is dizzying.
The neck couplet is about the feeling that political life is bumpy, wandering around the world and powerless. "But no news of relatives or friends reached me" didn't get any help in spirit and material aspects; Since Kuizhou took his wife and children out of the gorge by boat in the first month of the third year of Dali, he roamed Hunan, taking the boat as his home, and the future was boundless, where to settle down. Facing Wang Yang in Dongting Lake, his sense of loneliness and crisis has increased. Self-narration is so lonely that it contains infinite affection in the sudden change and contrast of the extremely stuffy poetic realm. At the end of the couplet, I wrote the sadness of seeing the country in turmoil and not being able to serve the country. There is a blank between the upper and lower sentences, which is memorable. The "past" beginning with "I have heard of Dongting Lake for a long time" can certainly cover the poet's activities in Chang 'an area for more than ten years. And this, in space, can be compared with "Guanshanbei". You Xuan and Today echoed from beginning to end.
Third, summary.
The whole poem is "Climbing Yueyang Tower", but it is not limited to "Yueyang Tower" and "Dongting Water". The poet abandons the exquisite description of the scenery in front of him, and focuses on writing from the big picture, calling for heaven and grabbing land, worrying about the country and the people, tragic and desolate, which makes people cry. Looking back in time, it covers Wu Chu and Yueguan Mountain in space. The worries of the world and the country are vast and boundless, and they are integrated with the water potential in Dongting, forming a profound artistic conception.
Climbing Yueyang Tower —— Interpretation of Poems and Songs
Climbing Yueyang Tower
I heard that Dongting Lake is magnificent before, but today's wish has finally reached Yueyang Tower.
I heard that Dongting Lake is famous for its vast water potential. Today, I climbed Yueyang Tower by the lake and plunged into the mountains. The first couplet uses the words "past" and "present" to start thinking, which opens the curtain of time and lays the foundation for the great momentum of the whole poem. When Du Fu was young, he had the ambition to visit famous mountains and rivers. He traveled to wuyue in the east and Zhao in the north. Yueyang Tower is a historical site, and the poet has long dreamed of a complete tour, but the war is frequent and his life experience is wandering, which is difficult to achieve. Only by living here today can I feast my eyes.
The vast lake tore Wu Chu apart, as if the sun, moon and stars were floating in the water.
I saw that wuyue was divided into southeast by a vast lake; On the vast lake, the earth floats day and night. Zhuan Xu wrote about the boundless majestic momentum, broad artistic conception and magnificent scenery of Dongting Lake. The word "floating day and floating night" is deep and full of feelings in the scenery, implying his long-term wandering feelings. Liu Chenweng in the Song Dynasty said that this couplet "has a hundred generations of pressure and is a unique expression of five characters". "Wu Chu", the Kingdom of Wu and the State of Chu in the Spring and Autumn Period. Today, parts of Hubei, Hunan, Anhui and Jiangxi belong to the State of Chu. Today, parts of Jiangsu, Zhejiang and Jiangxi belonged to Wu in ancient times. Hey, Split.
There is no news from my friends or relatives. I am old and sick, drifting in a boat.
My friends and relatives have never sent me a word. I am old and ill, and I only live in a small boat. The poet of the Necklace League is old and sick, taking the boat as his home, far away from relatives and friends, and living abroad. His desolation, grief and resentment are self-evident. "Old disease", Du Fu is 57 years old, and his family lives in a boat and wanders around. At this time, he was weak-his right arm was shriveled, his ears were deaf, and he also suffered from chronic lung disease.
The battle of the north gate began again, and I cried through the railing.
Standing on Yueyang Tower, overlooking the north of Guanshan, it is still a mess and war. Leaning against the window porch, thinking about my motherland, I couldn't help crying. Poets link personal destiny with the future of the country in couplets, which have far-reaching artistic conception and endless aftertaste. "Military horse", military forces, here refers to the war. In the autumn of the third year of Dali (768), Tubo invaded Lingwu and the capital was under martial law; The court ordered Guo Ziyi to lead 50,000 troops to Fengtian to prepare for Tubo.
Edit this paragraph back to the table of contents "Climbing Yueyang Tower" —— Appreciation of Poetry In the third year of Tang Daizong Dali (768), Du Fu went out to roam the two lakes. This poem is the work of the poet who climbed Yueyang Tower to look at his hometown. At the age of 57, he was only two years away from the end of his life. He suffers from lung disease and rheumatism, his left arm is shriveled, his right ear is deaf, and he lives by drinking medicine. The head-to-head connection is intertwined with reality, comparing the past and the present, thus expanding the space-time field. I have long heard that Dongting is famous, and it was not until the curtain year that I realized my wish to see a famous lake. On the surface, climbing Yueyang Tower for the first time was quite enjoyable. In fact, my original intention was to express my unfulfilled ambition in my early days. In the final analysis, it is to describe the brewing atmosphere of Dongting Lake.
Zhuan Xu is a vast Dongting. Dongting Lake is full of Wu Chu, the sun and the moon are floating, and the waves lift the sky and are boundless. I don't know how many clouds the old man swallowed in his chest! This is a quatrain about Dongting Lake, which was praised by Wang Shizhen as "a hero spanning the present". The scenery is so magnificent that it is dizzying.
The neck couplet is about the feeling that political life is bumpy, wandering around the world and talents are not met. "But no news of relatives or friends reached me" didn't get any help in spirit and material aspects; Since Kuizhou took his wife and children out of the gorge by boat in the first month of the third year of Dali, he roamed Hunan, taking the boat as his home, and the future was boundless, where to settle down. Facing Wang Yang in Dongting Lake, his sense of loneliness and crisis has increased. Self-narration is so lonely that it contains infinite affection in the sudden change and contrast of the extremely stuffy poetic realm.
At the end of the couplet, I wrote the sadness of seeing the country in turmoil and not being able to serve the country. There is a blank between the upper and lower sentences, which is memorable. The "past" beginning with "I have heard of Dongting Lake for a long time" can certainly cover the poet's activities in Chang 'an area for more than ten years. And this, in space, can be compared with "Guanshanbei". You Xuan and Today echoed from beginning to end. The whole poem is "Climbing Yueyang Tower", but it is not limited to "Yueyang Tower" and "Dongting Water". The poet abandons the exquisite description of the scenery in front of him, and focuses on writing from the big picture, calling for heaven and grabbing land, worrying about the country and the people, tragic and desolate, which makes people cry. Looking back in time, it covers Wu Chu and Yueguan Mountain in space. The worries of the world and the country are vast and boundless, and they are integrated with the water potential in Dongting, forming a profound artistic conception.
Edit this paragraph back to the table of contents "Climbing Yueyang Tower"-poetic features The artistic conception of this poem is very broad and magnificent. The couplet in the poem "There is Wu in the east and Chu in the south, and you can see the endless drifting of heaven and earth" refers to the vast Dongting Lake, which is the dividing line between Wu and Chu, and the sun, moon and stars seem to float in the lake. It took only ten words to draw the huge image of Dongting Lake with boundless water potential in a particularly realistic way. In his later years, Du Fu was already a "southwest man wandering between heaven and earth". Without a place to live, he had to "take the boat as his home". Therefore, it continued: "But I didn't get any news from my relatives or friends. I was old and sick, and I was alone with my boat." Friends and relatives don't even hear from them at this time, only the old and sick poet is drifting around in a gondola! From here, we can understand what kind of artistic conception the first two sentences "I've heard about Dongting Lake for a long time, and now I've finally climbed this tower" originally contained.
On the surface, the artistic conception of these two poems seems simple: the poet said that he had heard about the beautiful scenery of Dongting Lake several years ago, but today he was able to climb Yueyang Tower and see the beautiful scenery of the mountain and lake with his own eyes. Therefore, Ren Qiu thought, "I have heard about it in the past, and I am very happy to join the board of directors from the beginning." (A Detailed Interpretation of Du Fu's Poems) But only in this way can the original artistic conception of Du Fu's poems be understood too shallowly. This is not about the pleasure of boarding a plane; But in this plain narrative, there are so many feelings about wandering around the world, lack of talents, vicissitudes of life and strong spirit that I wrote these two sentences: I only heard that there was such a hole in my ear before, but I didn't expect to go to this Yueyang Tower in my next year. It was originally a feeling of depression, not joy; If it is happiness, it will not be related to "how can I not cry at the railing?" Who finished this sentence? We know that Du Fu's political life at that time was bumpy and not proud, but he never gave up his ambition of "being a gentleman, being gentle and obedient, and then making the customs pure". I didn't expect to achieve anything, but my past ambitions were all gone! The "present" and "past" in this poem have profound meanings. Therefore, I wrote at the end of the poem: "There is a war outside the Great Wall, there are mountains outside the Great Wall, and there are tears at the railing." . Wan Li's view of Guanshan was bleak, and the poet calmed down and looked at Chang 'an in the north. He couldn't help crying.
This poem is known as a vast and magnificent artistic conception, which comes from the poet's ambition, the poet's life thought and the background of the times. In the early Qing Dynasty, Huang Sheng commented on this poem, to the effect that the first four sentences of this poem are so broad and broad, and the fifth and sixth sentences describe his life experience, which is so desolate and lonely, and the artistic conception of the poem suddenly becomes narrow from broad. In this way, it is difficult to arrange seven or eight sentences. Unexpectedly, the poet suddenly wrote the words "there are wars and mountains on the north side of this wall". This kind of mind, coupled with the above "I have Wu in the east and Chu in the south, and I can see the endless drifting of heaven and earth" to write about the magnificent weather of nature, can well set off the top-down and commensurate weight. The genius created in this way certainly overwhelmed future generations, and no one dared to write poems about Yueyang Tower any more.
In this passage, Huang Sheng discusses Du Fu's poems from the way of writing poems, and thinks that the artistic conception of Du Fu's poems is the product of vertical and closed strokes, and the structure of artistic conception comes from the transformation of creative techniques. This is not a source-seeking statement. We say that the artistic conception of poetry is condensed from all aspects of the poet's life thought. As for creative methods and artistic treatment, diction and sentence making, etc. Artistic conception can only be expressed more accurately and cannot be brewed into poetic artistic conception based on these formal conditions. In the past, when people discussed creation, they did not consider it from the aspect of life practice, and of course it would inevitably lead to consequences.
In a word, this poem is the masterpiece of the five laws in Du Fu's poems, which was called the first of the five laws in the prosperous Tang Dynasty. On the whole, the grandeur of mountains and rivers and the breadth of the poet's mind are both inside and outside the poem. Although sad, but not depressed; Although depressed, but not depressed. In the Song Dynasty, Hu Zai's Tiaoxi Fishing in Conghua quoted Cai Taiwa's Xiqing Poetry as saying: "Dongting is a grand view, and there are many people who wrote it in the past dynasties ... However, if Meng Haoran's" a cloud rises from a dream valley and has been besieging Yueyang City "is not true, the Dongting is vast and the weather is magnificent, just like in front of him. It is impossible to read Du Zimei's poems. There is Wu in the east and Chu in the south, and you can see the endless drifting of heaven and earth.' Shaoling has swallowed many clouds and dreams in his chest. "The whole poem is pure fu, and it is a narrative style from beginning to end. In the past, some scholars thought that poetry used fu method, which had no image and poetic flavor. In fact, Fu is an important way to visualize poetry, which is characterized by not paying attention to the language of poetry and the visualization of local things, but paying attention to creating the overall artistic conception of poetry. " "The Story of Climbing Yueyang Tower" is a model of shaping artistic image by using fu method. The artistic realm it has reached has made people feel that there is no artistic method or even language, but the poet's thoughts and feelings directly hit the soul.
Climbing Yueyang Tower-Artistic Features
Climbing Yueyang Tower
This poem is the masterpiece of the five laws in Du Fu's poems, and it was called the first of the five laws in the prosperous Tang Dynasty. On the whole, the grandeur of mountains and rivers and the breadth of the poet's mind are both inside and outside the poem. Although sad, but not depressed; Although depressed, but not depressed. In the Song Dynasty, Hu Zai's Tiaoxi Fishing in Conghua quoted Cai Taiwa's Xiqing Poetry as saying: "Dongting is a grand view, and there are many people who wrote it in the past dynasties ... However, if Meng Haoran's" a cloud rises from a dream valley and has been besieging Yueyang City "is not true, the Dongting is vast and the weather is magnificent, just like in front of him. It is impossible to read Du Zimei's poems. There is Wu in the east and Chu in the south, and you can see the endless drifting of heaven and earth.' Shaoling has swallowed many clouds and dreams in his chest. "
The whole poem is pure fu, and the narrative style is from beginning to end. In the past, some scholars thought that poetry used fu method, which had no image and poetic flavor. In fact, Fu method is an important way to visualize poetry, which is characterized by not paying attention to the language of poetry and the visualization of local things, but paying attention to creating the overall artistic conception of poetry. "The Story of Climbing Yueyang Tower" is a model of creating artistic images by using fu method. The artistic realm it has reached has made people feel that there is no artistic method or even language, but the poet's thoughts and feelings directly hit the soul.
In terms of artistic style, Du Fu's "The Story of Climbing Yueyang Tower" is basically realistic, with profound implications and many changes, which can be summarized by depression and frustration. Li Bai's poems are unique in imagination and free and easy in brushwork, which can be summarized as bold and elegant. The rhyme of the whole poem is accurate, and it is set off before and after, which is seamless.
Edit this paragraph and go back to the directory "Climbing Yueyang Tower"-the central idea of the couplet is the vast and magnificent scene of Dongting Lake written on Yueyang Tower, while the necklace is the writer's lonely and desolate situation. The poet wrote the extraordinary momentum of Wang Yang in Dongting Lake, which also touched the scene and hurt him, and wrote his own bleak and lonely life, which reflected the poet's anxiety and concern about the current situation.