1. Quiet because of movement: cicadas make the forest quiet, while Tonamiyama is more hidden. Use cicadas and birds in the Woods to set off the silence in the mountains. This is to set off the silence with sound, which can highlight the silence of the forest.
Birds are freely perched in the trees by the pool, and monks are knocking at the door. A bird perching on a tree is a static picture, while a monk knocking at the door is a dynamic picture. This makes the picture vivid.
2. Turn motion into stillness: purple smoke comes from the Rizhao incense burner, and the waterfall hangs in front of Sichuan. Turn the flowing waterfall into stillness and hang it in front of the mountain.
3. From static to dynamic: Wanzhongling Valley is near Jingmen. The mountain is static, and going to Jingmen is dynamic.
4. Turn static into dynamic: the peaks and peaks are like gathering, the waves are like anger, and the mountains and rivers are inside and outside Tongguan Road. Mountain peaks are static, like gathering together and becoming dynamic.
Second, audio-visual integration.
"Two orioles sing on the top of a green willow, and egrets are in the sky." The singing of orioles is written from the perspective of hearing, and the sky of egrets is written from the perspective of vision.
Third, the positive description
Big strings hum like rain, and small strings whisper like secrets. Humming, whispering-and then mixing together, like pouring large and small pearls into a plate of jade. This is a positive description of the superb skills of pipa girls.
The east ship was silent, and the west ship was silent. We saw the white autumn moon entering the river. This is the charming sound of pipa set off from the side.
Fourth, the combination of reality and reality.
The imaginary writing in poetry refers to the scene that is not in front of us and is formed by association or imagination.
The snow is clean, the horses are eating grass in Hu days, and the Qiangdi Building is in the moonlight. Excuse me, where did the plum blossom fall? The wind blew all over the mountain overnight. The first two sentences are real, and the last two sentences are imaginary.
When you ask about the return date, it's hard to say, evening rain, Manqiuchi. When * * * cut the candle at the west window, but talk about the rain at night. The first two sentences are realistic, and the last two sentences are empty.
Five, the combination of point and surface
Wide-angle, thick line is surface, close-up and fine pen depict points.
There are no birds flying over those mountains, and there are no traces of people in those paths. A boat, a bamboo cloak, fishing alone in the cold snow. The first two sentences are noodles, no birds fly in Qian Shan, and no one walks in Wanjing; The last two sentences are points. An old man in hemp fiber was fishing alone on the cold river.
Sixth, draw lines
Sketch a vivid and vivid image with concise pen and ink, without description and with little rendering. For example, "the moon is white and the wind is clear", "several generations of careers are near the sea, and two or three rooms are covered with reeds".
Seven, analogy
1. personification: the branches of red apricots are full of spring.
In the early summer, the poet woke up from a nap and saw green trees and moss outside the window. Suddenly a south wind blew the door open and lifted the pages. The poet said he was an old acquaintance and came to visit him secretly.
2. Imitation: I dream back in the afternoon, and the shutter sends away the spring sorrow. This sentence means "roll up the curtains and let all the spring worries go out", giving the abstract spring worries a concrete image and letting them go out.