Cherish the eternal love of autumn insects, Shan Gui burst into tears in front of the lamp.
Jianhu Spring is so deserted, "Peach Blossom Waves are born on the shore."
The poem "Thirty Poems and Sixteen Poems" is a comment on the quiet poetic style. The works of eternal love are all like the mourning of autumn insects; Cares for the environment, writing about the environment, is also a desolate mountain of lonely souls and wild ghosts. The first two sentences describe sorrow in ancient and modern times and construct a state of misery. It is generally believed that these two sentences are about Li He, because there are often images of "autumn insects" and "Shan Gui" in Li He's poems; Some people think it refers to Li He and Meng Jiao, because Meng Jiao often refers to "autumn insects". These two sentences can be interpreted as referring to all poets with similar styles. Meng Jiao and Li He are both poor people, and their poems are bitter, and their poetic style is relatively cold. Poverty is the misfortune of life, which is understandable. The problem is how to treat the poor. The attitude of asking questions is very clear, and it should be "poor without pity, staying without resentment" (Preface to Yang Shuneng's Xiao Heng Collection). Meng Jiao and Li He are obviously not so calm, and the voice of cold begging is endless, poetic and mournful. Yuan Haowen opposed the secluded and desolate poetic realm, that is, he said, "Be humble, don't look for a job in a ghost cave" (Poetry Talk, Self-Police, Volume 54). Meng Jiao's poems are exquisite, but what he gets is nothing but exquisite things like autumn insects. So is Li He. Some poems just look for works from the "ghost hole". This poetic style of Meng Jiao and Li He runs counter to Yuan Haowen's purpose of advocating nature, and Yuan Haowen scoffed at it.
The last two sentences, "Jianhu is so beautiful in spring that no one wishes it, and peach blossoms bloom on the shore", are "poetic words", as Zong Tingfu said. "Peach blossoms bloom on the shore, flowers bloom and flowers fall" is a poem in Nautilus Island by Li Bai. Yuan Haowen used it to describe the spring scenery of Jianhu Lake (also known as Jinghu Lake), showing a completely different open, clear, fresh and vivid realm from Meng Jiao and Li He. The word "no one writes poems" also shows that his critics are not individual poets such as Meng Jiao and Li He, but poor literati in the middle and late Tang Dynasty, especially some poets like Meng Jiao. It can be seen that this poem criticizes the poor and sad poets in the middle and late Tang Dynasty through Meng Jiao and Li Lai, instead of the open and bright in the prosperous Tang Dynasty, it is lonely and desolate.
Yuan Haowen, the author of Sixteen and Thirty Poems, lived in the Jin and Yuan Dynasties in northern China and was born in Tuoba, a Xianbei nationality in the Northern Wei Dynasty. Yuan Haowen adopted his uncle Ge Yuan. Word in it, Taiyuan (now Xinzhou, Shanxi) Xiurong people. At the age of seven, he was able to write poems. At the age of fourteen, he studied Hao Tianting. It took him six years to become a poet. After five years, you won't choose Xingding (122 1); In the first year of Zheng Da (1224), a scholar with macro words was taught by Confucianism, compiled by national history, and passed the county orders of Zhenping, Nanyang and Neixiang. In the autumn of eight years (123 1), he was called to the capital and transferred to a foreign minister except Shangshu Province and Zuosi. Jin Wu was not an official, and Yuan Xianzong died in Lujia for seven years; Poetry and prose works were very important in the Jin and Yuan Dynasties. Poetry has a gloomy style and hurts people. Thirty quatrains in On Poetry occupy a very important position in the history of China's literary criticism. He is the author of One Mountain Collection, also known as One Mountain Collection, and the editor-in-chief of Zhongzhou Collection.
Yuan Haowen's Other Works ○ Fishing, Qiu Yan Ci/Mai Beitang
○ No begonia was opened in the same generation.
○ Kyoto Yuanxi
○ Touch the fish and ask the lotus root how much silk.
○ Thirty poems (4)
○ Yuan Haowen asks more questions about his works.